These videos are bonus content related to the January 2014 issue of Guitar World. For the full range of interviews, features, tabs and more, pick up the new issue on newsstands now, or in our online store.
These videos are bonus content related to the Holiday 2013 issue of Guitar World. For the full range of interviews, features, tabs and more, pick up the new issue on newsstands now, or in our online store.
Hello, and welcome to my new Guitar World instructional column. In the coming months, I’ll share with you some of the guitar-playing concepts and approaches that have helped me develop my technique and overall playing style. I’d like to start off with an examination of ascending scalar shapes that, by design, cover the majority of the fretboard.
I always get frustrated when I hear someone talking about sweep arpeggios. Though there are plenty of licks and examples out there, no one has ever really broken down the mechanics of the technique. As a result, guitarists have had to figure them out by trial and error.
In order to become a well-rounded musician, you have to master the three major aspects of guitar playing: the technical side, the musical side and the creative side. The technical side comprises the actual physical components you need to have under your belt in order to get around your instrument.
As I was walking around, I heard a violinist playing these wild exercises-he was wailing! I thought it would be really cool to adapt those licks to the guitar. Since the violinist didn't speak any English, I had to gesture for him to show me what he was doing. He gladly did, and then he showed me a bunch of variations, too. It was great; though we didn't speak, we nonetheless communicated very easily.
I often get asked about my chord work, particularly about the voicings I use. My chord style initially developed as a result of my dissatisfaction with the way traditional guitar voicings, particularly triads, sounded.
Dream Theater's John Petrucci helps you better manage your time in part one of his series of practice tips. "Of all the things that can frustrate a guitarist the most, it's the nagging feeling that he's not reaching a certain level of proficiency as quickly as he should."
Using open strings is a great way to add texture and atmosphere to any chord progression. By adding open strings to even the simplest chords, you can create voicings that sound sophisticated, but are really easy (and fun) to play. They're practical, not intimidating, and most certainly don't sound like "jazz chords."