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                    <title><![CDATA[ Latest from Guitar World in Artist-lessons ]]></title>
                <link>https://www.guitarworld.com/lessons/artist-lessons</link>
        <description><![CDATA[ All the latest artist-lessons content from the Guitar World team ]]></description>
                                    <lastBuildDate>Wed, 15 Apr 2026 17:17:58 +0000</lastBuildDate>
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                                                            <title><![CDATA[ “It can be at least as fast as straight flatpicking, if not faster, and also easier to do”: Used by everyone from Brad Paisley to Buckethead, hybrid picking makes impossible-sounding licks a reality – here's how to introduce it into your lead playing ]]></title>
                                                                                                                                                                                                <link>https://www.guitarworld.com/lessons/artist-lessons/how-to-introduce-hybrid-picking-into-your-lead-playing</link>
                                                                            <description>
                            <![CDATA[ In his inaugural Guitar World column, the great Corey Congilio demonstrates how all players can benefit from a technique borrowed from country players ]]>
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                                                                        <pubDate>Wed, 15 Apr 2026 17:17:58 +0000</pubDate>                                                                                                                                                                                                                                <category><![CDATA[Artist Lessons]]></category>
                                                    <category><![CDATA[Lessons]]></category>
                                                                                                                    <dc:creator><![CDATA[ Corey Congilio ]]></dc:creator>                                                                                                    <media:content type="image/jpeg" url="https://cdn.mos.cms.futurecdn.net/PFYakGLCwJ6ieHbhz3w7QE-1280-80.jpg">
                                                            <media:credit><![CDATA[Jamie Glasgow]]></media:credit>
                                                                                                                                                                                                                                    <media:description><![CDATA[Corey Congilio]]></media:description>                                                            <media:text><![CDATA[Corey Congilio]]></media:text>
                                <media:title type="plain"><![CDATA[Corey Congilio]]></media:title>
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                                                            <title><![CDATA[ “Ithought, ‘Is the guitar in open G tuning?’ But I soon discovered it wasn’t a standard guitar at all”: Charlie Starr on the magic of the B-Bender – and 5 bender-inspired licks you can play on any electric ]]></title>
                                                                                                                                                                                                <link>https://www.guitarworld.com/lessons/artist-lessons/charlie-starr-b-bender-style-licks</link>
                                                                            <description>
                            <![CDATA[ The Blackberry Smoke guitarist gives us a lesson in how to sound like you've got a B-Bender, even if you don't ]]>
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                                                                        <pubDate>Wed, 08 Apr 2026 13:15:00 +0000</pubDate>                                                                                                                                                                                                                                <category><![CDATA[Artist Lessons]]></category>
                                                    <category><![CDATA[Lessons]]></category>
                                                                                                                    <dc:creator><![CDATA[ Charlie Starr ]]></dc:creator>                                                                                                    <media:content type="image/jpeg" url="https://cdn.mos.cms.futurecdn.net/jYrM7Fm4miDjjFwV4GTUq7-1280-80.jpg">
                                                            <media:credit><![CDATA[ Sergione Infuso/Corbis via Getty Images]]></media:credit>
                                                                                                                                                                                                                                    <media:description><![CDATA[Charlie Starr wears shades and plays a Gibson Les Paul Junior onstage with Blackberry Smoke]]></media:description>                                                            <media:text><![CDATA[Charlie Starr wears shades and plays a Gibson Les Paul Junior onstage with Blackberry Smoke]]></media:text>
                                <media:title type="plain"><![CDATA[Charlie Starr wears shades and plays a Gibson Les Paul Junior onstage with Blackberry Smoke]]></media:title>
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                                                            <title><![CDATA[ Philip Sayce: The 5 techniques that define my sound ]]></title>
                                                                                                                                                                                                <link>https://www.guitarworld.com/lessons/artist-lessons/philip-sayce-the-5-techniques-that-define-my-sound</link>
                                                                            <description>
                            <![CDATA[ Turbocharge your fretting hand stretches, screaming bends and blues-rock intensity with the core techniques that shaped Philip Sayce’s signature sound ]]>
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                                                                        <pubDate>Fri, 03 Apr 2026 15:10:00 +0000</pubDate>                                                                                                                                <updated>Tue, 07 Apr 2026 10:54:32 +0000</updated>
                                                                                                                                            <category><![CDATA[Artist Lessons]]></category>
                                                    <category><![CDATA[Lessons]]></category>
                                                                                                                    <dc:creator><![CDATA[ Philip Sayce ]]></dc:creator>                                                                                                    <media:content type="image/jpeg" url="https://cdn.mos.cms.futurecdn.net/9e2UqpXge4YuV3CeuJn5bi-1280-80.jpg">
                                                            <media:credit><![CDATA[Future]]></media:credit>
                                                                                                                                                                                                                                    <media:description><![CDATA[Philip Sayce]]></media:description>                                                            <media:text><![CDATA[Philip Sayce]]></media:text>
                                <media:title type="plain"><![CDATA[Philip Sayce]]></media:title>
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                                                            <title><![CDATA[ “It will take time to build up the accuracy that the riff demands”: Welcome to Mike Stringer’s downpicking bootcamp ]]></title>
                                                                                                                                                                                                <link>https://www.guitarworld.com/lessons/artist-lessons/mike-stringer-spiritbox-jaded</link>
                                                                            <description>
                            <![CDATA[ In his debut GW column, the prog-metal master teaches you the punishing seven-string string-skipping techniques behind Spiritbox’s Jaded ]]>
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                                                                        <pubDate>Thu, 02 Apr 2026 06:00:00 +0000</pubDate>                                                                                                                                                                                                                                <category><![CDATA[Artist Lessons]]></category>
                                                    <category><![CDATA[Lessons]]></category>
                                                                                                                    <dc:creator><![CDATA[ Mike Stringer ]]></dc:creator>                                                                                                    <media:content type="image/jpeg" url="https://cdn.mos.cms.futurecdn.net/AL3Ej8U5fgBuqAukTBDGSN-1280-80.jpg">
                                                            <media:credit><![CDATA[Kyle Joinson]]></media:credit>
                                                                                                                                                                                                                                    <media:description><![CDATA[Mike Stringer wear a black hoodie and stands in a field of straw-colored long grass with trees in the background. He is holding an Aristides seven-string guitar.]]></media:description>                                                            <media:text><![CDATA[Mike Stringer wear a black hoodie and stands in a field of straw-colored long grass with trees in the background. He is holding an Aristides seven-string guitar.]]></media:text>
                                <media:title type="plain"><![CDATA[Mike Stringer wear a black hoodie and stands in a field of straw-colored long grass with trees in the background. He is holding an Aristides seven-string guitar.]]></media:title>
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                                                            <title><![CDATA[ Paul Gilbert: What I learned and taught at GIT ]]></title>
                                                                                                                                                                                                <link>https://www.guitarworld.com/lessons/artist-lessons/paul-gilbert-git-lesson</link>
                                                                            <description>
                            <![CDATA[ Paul was a student and a tutor at LA's G.I.T. (Guitar Institute of Technology). Here are the shred secrets he learned there – and taught ]]>
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                                                                        <pubDate>Wed, 01 Apr 2026 15:10:00 +0000</pubDate>                                                                                                                                                                                                                                <category><![CDATA[Artist Lessons]]></category>
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                                                                                                                    <dc:creator><![CDATA[ Paul Gilbert ]]></dc:creator>                                                                                                    <media:content type="image/png" url="https://cdn.mos.cms.futurecdn.net/MZ7MwLH2dW69PnmLfEvdQ8-1280-80.png">
                                                            <media:credit><![CDATA[Joby Sessions/Future]]></media:credit>
                                                                                                                                                                                                                                    <media:description><![CDATA[Paul Gilbert with an Ibanez guitar]]></media:description>                                                            <media:text><![CDATA[Paul Gilbert with an Ibanez guitar]]></media:text>
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                                                            <title><![CDATA[ “There are many approaches Slash could have taken for his solo – I thought it was cool he did his own thing”: How Joe Bonamassa and Slash channeled B.B. King and the Edge for an iconic cover of an iconic tune ]]></title>
                                                                                                                                                                                                <link>https://www.guitarworld.com/lessons/artist-lessons/joe-bonamassa-u2-bb-king-when-love-comes-to-town</link>
                                                                            <description>
                            <![CDATA[ In his latest lesson for GW, Joe Bonamassa celebrates B.B. King’s late '80s collaboration with U2 ]]>
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                                                                        <pubDate>Wed, 25 Mar 2026 16:10:00 +0000</pubDate>                                                                                                                                                                                                                                <category><![CDATA[Artist Lessons]]></category>
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                                                                                                                    <dc:creator><![CDATA[ Joe Bonamassa ]]></dc:creator>                                                                                                    <media:content type="image/jpeg" url="https://cdn.mos.cms.futurecdn.net/yT3MjsbGiLkyqJZmGdCS4-1280-80.jpg">
                                                            <media:credit><![CDATA[Future]]></media:credit>
                                                                                                                                                                                                                                    <media:description><![CDATA[A still from Joe Bonamassa&#039;s BB King-inspired lesson in Guitar World issue 602.]]></media:description>                                                            <media:text><![CDATA[A still from Joe Bonamassa&#039;s BB King-inspired lesson in Guitar World issue 602.]]></media:text>
                                <media:title type="plain"><![CDATA[A still from Joe Bonamassa&#039;s BB King-inspired lesson in Guitar World issue 602.]]></media:title>
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                                                            <title><![CDATA[ “With the solo, my mindset is that we’re at the start of a musical journey, and it’s my mission to tell a story”: Jared James Nichols on his melodic soloing ideas every guitar player can take from Eric Clapton, Joe Bonamassa and SRV ]]></title>
                                                                                                                                                                                                <link>https://www.guitarworld.com/lessons/artist-lessons/jared-james-nicholes-melodic-soloing-like-eric-clapton</link>
                                                                            <description>
                            <![CDATA[ In his latest Guitar World column, the blues powerhouse channels Slowhand (and uses his own track Threw Me to the Wolves) for a lesson in lyrical leads ]]>
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                                                                        <pubDate>Tue, 24 Mar 2026 14:21:54 +0000</pubDate>                                                                                                                                                                                                                                <category><![CDATA[Artist Lessons]]></category>
                                                    <category><![CDATA[Lessons]]></category>
                                                                                                                    <dc:creator><![CDATA[ Jared James Nichols ]]></dc:creator>                                                                                                    <media:content type="image/jpeg" url="https://cdn.mos.cms.futurecdn.net/yQVdxuS4JiYa3BF4qLW8Fd-1280-80.jpg">
                                                            <media:credit><![CDATA[Future]]></media:credit>
                                                                                                                                                                                                                                    <media:description><![CDATA[Jared James Nichols plays a Gibson Explorer in a still from his Guitar World lesson video.]]></media:description>                                                            <media:text><![CDATA[Jared James Nichols plays a Gibson Explorer in a still from his Guitar World lesson video.]]></media:text>
                                <media:title type="plain"><![CDATA[Jared James Nichols plays a Gibson Explorer in a still from his Guitar World lesson video.]]></media:title>
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                                                            <title><![CDATA[ “Legend has it that, while recording, Clarence said, ‘Hey, I need another finger to play this chord!’” Charlie Starr on the origins of the B-Bender – and how you can play those licks without one ]]></title>
                                                                                                                                                                                                <link>https://www.guitarworld.com/lessons/artist-lessons/charlie-starr-b-bender-licks-on-regular-guitar</link>
                                                                            <description>
                            <![CDATA[ No B-Bender, no problem, as the Blackberry Smoke frontman shows us 9 licks for that faux pedal-steel sound ]]>
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                                                                        <pubDate>Tue, 17 Mar 2026 16:10:00 +0000</pubDate>                                                                                                                                                                                                                                <category><![CDATA[Artist Lessons]]></category>
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                                                                                                                    <dc:creator><![CDATA[ Charlie Starr ]]></dc:creator>                                                                                                    <media:content type="image/jpeg" url="https://cdn.mos.cms.futurecdn.net/vH573errRXdWvxhDrhRYGi-1280-80.jpg">
                                                            <media:credit><![CDATA[Iwi Onodera/Redferns]]></media:credit>
                                                                                                                                                                                                                                    <media:description><![CDATA[Charlie Starr of Blackberry Smoke performs live with his custom Tele]]></media:description>                                                            <media:text><![CDATA[Charlie Starr of Blackberry Smoke performs live with his custom Tele]]></media:text>
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                                                            <title><![CDATA[ “The tune was inspired by legendary bassist Jaco Pastorius’ Teen Town”: Cory Wong on why doubling the bassline is one of the “most badass” things a guitarist can do ]]></title>
                                                                                                                                                                                                <link>https://www.guitarworld.com/lessons/artist-lessons/cory-wong-doubling-basslines-on-guitar</link>
                                                                            <description>
                            <![CDATA[ Cory Wong uses Vulfpeck's Jaco-inspired Dean Town to teach us the value of doubling a bassline on guitar ]]>
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                                                                        <pubDate>Wed, 11 Mar 2026 16:10:00 +0000</pubDate>                                                                                                                                                                                                                                <category><![CDATA[Artist Lessons]]></category>
                                                    <category><![CDATA[Lessons]]></category>
                                                                                                                    <dc:creator><![CDATA[ Cory Wong ]]></dc:creator>                                                                                                    <media:content type="image/jpeg" url="https://cdn.mos.cms.futurecdn.net/EJ6k2ep7XLS5j3tKmFFQ9Y-1280-80.jpg">
                                                            <media:credit><![CDATA[ Jeremychanphotography/Getty Images]]></media:credit>
                                                                                                                                                                                                                                    <media:description><![CDATA[Cory Wong plays a blue Stratocaster during a 2025 performance at Koerner Hall, Ontario.]]></media:description>                                                            <media:text><![CDATA[Cory Wong plays a blue Stratocaster during a 2025 performance at Koerner Hall, Ontario.]]></media:text>
                                <media:title type="plain"><![CDATA[Cory Wong plays a blue Stratocaster during a 2025 performance at Koerner Hall, Ontario.]]></media:title>
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                                                            <title><![CDATA[ “Every lick he plays sounds perfect, like it’s etched in stone. But I’m sure that he simply improvised everything”: How to play B.B. King’s greatest song (with some help from Joe Bonamassa) ]]></title>
                                                                                                                                                                                                <link>https://www.guitarworld.com/lessons/artist-lessons/how-to-play-bb-king-the-thrill-is-gone</link>
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                            <![CDATA[ Bonamassa says B.B. King’s The Thrill Is Gone is so perfect that he initially couldn’t find anyone to cover it on his tribute album. Here, he unpacks the tones and approaches of the King of the Blues ]]>
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                                                                        <pubDate>Tue, 10 Mar 2026 11:35:00 +0000</pubDate>                                                                                                                                                                                                                                <category><![CDATA[Artist Lessons]]></category>
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                                                                                                                    <dc:creator><![CDATA[ Joe Bonamassa ]]></dc:creator>                                                                                                    <media:content type="image/jpeg" url="https://cdn.mos.cms.futurecdn.net/ShtUntJwsNxTp6VyRcCohM-1280-80.jpg">
                                                            <media:credit><![CDATA[Paul Natkin/Getty Images]]></media:credit>
                                                                                                                                                                                                                                    <media:description><![CDATA[B.B. King performs with Lucille live in 1991.]]></media:description>                                                            <media:text><![CDATA[B.B. King performs with Lucille live in 1991.]]></media:text>
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                                                            <title><![CDATA[ Bopping blues and greasy grooves: Ally Venable's rhythm guitar tips and secrets ]]></title>
                                                                                                                                                                                                <link>https://www.guitarworld.com/lessons/artist-lessons/ally-venable-blues-rhythm-guitar-tips</link>
                                                                            <description>
                            <![CDATA[ Learn how to boost your blues to pro levels of authenticity with a handful of great chords and a rock-solid rhythm technique ]]>
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                                                                        <pubDate>Sun, 08 Mar 2026 20:00:00 +0000</pubDate>                                                                                                                                <updated>Mon, 09 Mar 2026 09:47:03 +0000</updated>
                                                                                                                                            <category><![CDATA[Artist Lessons]]></category>
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                                                                                                                    <dc:creator><![CDATA[ Ally Venable ]]></dc:creator>                                                                                                    <media:content type="image/jpeg" url="https://cdn.mos.cms.futurecdn.net/oEQUdBV4MDfUoBoanny49Y-1280-80.jpg">
                                                            <media:credit><![CDATA[Press]]></media:credit>
                                                                                                                                                                                                                                    <media:description><![CDATA[Ally Venable]]></media:description>                                                            <media:text><![CDATA[Ally Venable]]></media:text>
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                                                            <title><![CDATA[ Big jumps for a bigger sound: Steve Morse’s masterclass on wide intervals ]]></title>
                                                                                                                                                                                                <link>https://www.guitarworld.com/lessons/artist-lessons/steve-morse-wide-interval-masterclass</link>
                                                                            <description>
                            <![CDATA[ Deep-dive your technique for powerful intervals with six string-jumping, fretboard-stretching examples from one of the world's most influential super-pickers ]]>
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                                                                        <pubDate>Tue, 03 Mar 2026 15:54:24 +0000</pubDate>                                                                                                                                <updated>Tue, 03 Mar 2026 15:58:23 +0000</updated>
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                                                                                                                    <dc:creator><![CDATA[ Steve Morse ]]></dc:creator>                                                                                                    <media:content type="image/jpeg" url="https://cdn.mos.cms.futurecdn.net/bkPufb8dn3NTjKrfEnViBi-1280-80.jpg">
                                                            <media:credit><![CDATA[Future]]></media:credit>
                                                                                                                                                                                                                                    <media:description><![CDATA[Steve Morse video thumbnail]]></media:description>                                                            <media:text><![CDATA[Steve Morse video thumbnail]]></media:text>
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                                                            <title><![CDATA[ “Many guitarists are wary of getting into slide playing. This is a great way to dive in”: How to play slide guitar in standard tuning ]]></title>
                                                                                                                                                                                                <link>https://www.guitarworld.com/lessons/artist-lessons/how-to-play-slide-guitar-in-standard-tuning</link>
                                                                            <description>
                            <![CDATA[ Charlie Starr of Blackberry Smoke demonstrates how slide playing in standard and drop D tuning can be the best of both worlds ]]>
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                                                                        <pubDate>Thu, 12 Feb 2026 16:10:00 +0000</pubDate>                                                                                                                                                                                                                                <category><![CDATA[Artist Lessons]]></category>
                                                    <category><![CDATA[Lessons]]></category>
                                                                                                                    <dc:creator><![CDATA[ Charlie Starr ]]></dc:creator>                                                                                                    <media:content type="image/jpeg" url="https://cdn.mos.cms.futurecdn.net/WgyhnRCuoaqL4nfGfePCig-1280-80.jpg">
                                                            <media:credit><![CDATA[R. Diamond/Getty Images]]></media:credit>
                                                                                                                                                                                                                                    <media:description><![CDATA[Charlie Starr takes a slide solo when playing a custom-tooled Telecaster onstage with Brandon Still of Backberry Smoke]]></media:description>                                                            <media:text><![CDATA[Charlie Starr takes a slide solo when playing a custom-tooled Telecaster onstage with Brandon Still of Backberry Smoke]]></media:text>
                                <media:title type="plain"><![CDATA[Charlie Starr takes a slide solo when playing a custom-tooled Telecaster onstage with Brandon Still of Backberry Smoke]]></media:title>
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                                                            <title><![CDATA[ “Once you have it down, you can explore improvised melodies along with the steady bass pattern”: What is “Dead thumb” fingerpicking? ]]></title>
                                                                                                                                                                                                <link>https://www.guitarworld.com/lessons/artist-lessons/jared-james-nichols-dead-thumb-fingerpicking</link>
                                                                            <description>
                            <![CDATA[ Jared James Nichols is a master of “Dead thumb” fingerpicking. The Blues Power fingerstylist explains how it gives the him freedom to cut loose ]]>
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                                                                        <pubDate>Wed, 11 Feb 2026 16:10:00 +0000</pubDate>                                                                                                                                                                                                                                <category><![CDATA[Artist Lessons]]></category>
                                                    <category><![CDATA[Lessons]]></category>
                                                                                                                    <dc:creator><![CDATA[ Jared James Nichols ]]></dc:creator>                                                                                                    <media:content type="image/jpeg" url="https://cdn.mos.cms.futurecdn.net/LnjzkGauVvPRAXYSTSpsYR-1280-80.jpg">
                                                            <media:credit><![CDATA[Harry Herd/Redferns]]></media:credit>
                                                                                                                                                                                                                                    <media:description><![CDATA[Jared James Nichols bends a not and grimaces as he performs during his 2025 UK tour, on a stage bathed in red lights.]]></media:description>                                                            <media:text><![CDATA[Jared James Nichols bends a not and grimaces as he performs during his 2025 UK tour, on a stage bathed in red lights.]]></media:text>
                                <media:title type="plain"><![CDATA[Jared James Nichols bends a not and grimaces as he performs during his 2025 UK tour, on a stage bathed in red lights.]]></media:title>
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                                                            <title><![CDATA[ “Though Gary was capable of great delicacy and accuracy on the instrument, this solo was inspired by his more fiery moments”: How to let it rip like the late, great Gary Moore ]]></title>
                                                                                                                                                                                                <link>https://www.guitarworld.com/lessons/artist-lessons/gary-moore-soloing-lesson</link>
                                                                            <description>
                            <![CDATA[ Time to show the Marshall amp no mercy and engage the Tube Screamer – this solo lesson works mid '70s Thin Lizzy into Parisienne Walkways and Still Got The Blues and doesn't hold back ]]>
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                                                                        <pubDate>Wed, 04 Feb 2026 18:27:15 +0000</pubDate>                                                                                                                                <updated>Wed, 04 Feb 2026 22:15:40 +0000</updated>
                                                                                                                                            <category><![CDATA[Artist Lessons]]></category>
                                                    <category><![CDATA[Lessons]]></category>
                                                                                                                    <dc:creator><![CDATA[ Richard Barrett ]]></dc:creator>                                                                                                    <media:content type="image/jpeg" url="https://cdn.mos.cms.futurecdn.net/XZYeAdMHZSx7jAiLruHZx8-1280-80.jpg">
                                                            <media:credit><![CDATA[Future/Jesse Wild]]></media:credit>
                                                                                                                                                                                                                                    <media:description><![CDATA[Gary Moore plays a Gibson Les Paul.]]></media:description>                                                            <media:text><![CDATA[Gary Moore plays a Gibson Les Paul.]]></media:text>
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                                                            <title><![CDATA[ “I met him in 1990 when I was 13 years old. We became lifelong friends”: Joe Bonamassa pays tribute to B.B. King – and shows us why blues starts and ends with the King ]]></title>
                                                                                                                                                                                                <link>https://www.guitarworld.com/lessons/artist-lessons/joe-bonamassa-bb-king-tribute</link>
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                            <![CDATA[ Bonamassa says King was the kind of player who could say it all with one note – “Just one stinging vibrato and you know it can only be him” ]]>
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                                                                        <pubDate>Sun, 01 Feb 2026 22:00:00 +0000</pubDate>                                                                                                                                <updated>Mon, 02 Feb 2026 16:47:30 +0000</updated>
                                                                                                                                            <category><![CDATA[Artist Lessons]]></category>
                                                    <category><![CDATA[Lessons]]></category>
                                                                                                                    <dc:creator><![CDATA[ Joe Bonamassa ]]></dc:creator>                                                                                                    <media:content type="image/jpeg" url="https://cdn.mos.cms.futurecdn.net/P3XrQLh86C27JfPp4AGp6n-1280-80.jpg">
                                                            <media:credit><![CDATA[Paul Natkin/Getty Images; Amy Sussman/Getty Images]]></media:credit>
                                                                                                                                                                                                                                    <media:description><![CDATA[B.B. King [left] cups his hands to his ear as he asks the crowd for more. Joe Bonamassa, with a Les Paul, gives his crowd a thumbs up.]]></media:description>                                                            <media:text><![CDATA[B.B. King [left] cups his hands to his ear as he asks the crowd for more. Joe Bonamassa, with a Les Paul, gives his crowd a thumbs up.]]></media:text>
                                <media:title type="plain"><![CDATA[B.B. King [left] cups his hands to his ear as he asks the crowd for more. Joe Bonamassa, with a Les Paul, gives his crowd a thumbs up.]]></media:title>
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                                                            <title><![CDATA[ “It can make the solo sound and feel like an integral part of the song”: Cory Wong shows you how to solo over chords in a meaningful way ]]></title>
                                                                                                                                                                                                <link>https://www.guitarworld.com/lessons/artist-lessons/cory-wong-guitar-solos-with-meaning</link>
                                                                            <description>
                            <![CDATA[ Wong explains how outlining notes in the chord progression helps find a solo that's melodically on-point and just what the song calls for ]]>
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                                                                        <pubDate>Tue, 27 Jan 2026 15:35:33 +0000</pubDate>                                                                                                                                                                                                                                <category><![CDATA[Artist Lessons]]></category>
                                                    <category><![CDATA[Lessons]]></category>
                                                                                                                    <dc:creator><![CDATA[ Cory Wong ]]></dc:creator>                                                                                                    <media:content type="image/jpeg" url="https://cdn.mos.cms.futurecdn.net/eV3hXxhWZiXjCgim2vfQqX-1280-80.jpg">
                                                            <media:credit><![CDATA[Future]]></media:credit>
                                                                                                                                                                                                                                    <media:description><![CDATA[A still of Cory Wong&#039;s exclusive video lesson for Guitar World. He plays his blue Strat, wears a light blue Fender hoodie and ballcap.]]></media:description>                                                            <media:text><![CDATA[A still of Cory Wong&#039;s exclusive video lesson for Guitar World. He plays his blue Strat, wears a light blue Fender hoodie and ballcap.]]></media:text>
                                <media:title type="plain"><![CDATA[A still of Cory Wong&#039;s exclusive video lesson for Guitar World. He plays his blue Strat, wears a light blue Fender hoodie and ballcap.]]></media:title>
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                                                            <title><![CDATA[ “Sometimes simplicity wins the day. Our namesake song, Black Country, was written by accident”: Joe Bonamassa on the art of writing a heavy guitar riff ]]></title>
                                                                                                                                                                                                <link>https://www.guitarworld.com/lessons/artist-lessons/joe-bonamassa-the-art-of-writing-heavy-guitar-riffs</link>
                                                                            <description>
                            <![CDATA[ In his latest GW video lesson, the blues-rock superstar recalls how some of his heaviest riffs came together, and to your shock – and maybe even horror – they were written in standard tuning ]]>
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                                                                        <pubDate>Fri, 16 Jan 2026 17:01:06 +0000</pubDate>                                                                                                                                                                                                                                <category><![CDATA[Artist Lessons]]></category>
                                                    <category><![CDATA[Lessons]]></category>
                                                                                                                    <dc:creator><![CDATA[ Joe Bonamassa ]]></dc:creator>                                                                                                    <media:content type="image/jpeg" url="https://cdn.mos.cms.futurecdn.net/PXtt8TpvhZ8pfzTmjLgxw5-1280-80.jpg">
                                                            <media:credit><![CDATA[Paul Bergen/Redferns]]></media:credit>
                                                                                                                                                                                                                                    <media:description><![CDATA[Joe Bonamassa wears a dark jacket, dark shades, as he plays his Gibson SG live against a dark blue background.]]></media:description>                                                            <media:text><![CDATA[Joe Bonamassa wears a dark jacket, dark shades, as he plays his Gibson SG live against a dark blue background.]]></media:text>
                                <media:title type="plain"><![CDATA[Joe Bonamassa wears a dark jacket, dark shades, as he plays his Gibson SG live against a dark blue background.]]></media:title>
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                                                            <title><![CDATA[ “We play three to four hours a night or more. I study in real time, 100 gigs a year. That's a great deal of practice”: Bob Weir's 6 principles of rhythm guitar ]]></title>
                                                                                                                                                                                                <link>https://www.guitarworld.com/lessons/artist-lessons/bob-weir-rhythm-guitar-principles</link>
                                                                            <description>
                            <![CDATA[ Often overlooked in guitar circles when compared to Grateful Dead bandmate Jerry Garcia, Weir was a brilliant rhythm player who blended jazz, folk, country, blues, and rockabilly influences into a style that any guitarist would do well to study ]]>
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                                                                        <pubDate>Tue, 13 Jan 2026 18:08:38 +0000</pubDate>                                                                                                                                <updated>Wed, 14 Jan 2026 09:49:03 +0000</updated>
                                                                                                                                            <category><![CDATA[Artist Lessons]]></category>
                                                    <category><![CDATA[Lessons]]></category>
                                                                                                                    <dc:creator><![CDATA[ John Stix ]]></dc:creator>                                                                                                    <media:content type="image/jpeg" url="https://cdn.mos.cms.futurecdn.net/ASn2dJmKNxF8RHCERavvHh-1280-80.jpg">
                                                            <media:credit><![CDATA[Erika Goldring/Getty Images]]></media:credit>
                                                                                                                                                                                                                                    <media:description><![CDATA[Bob Weir performs onstage with Dead &amp; Company at the Fair Grounds Race Course in New Orleans, Louisiana on May 6, 2023]]></media:description>                                                            <media:text><![CDATA[Bob Weir performs onstage with Dead &amp; Company at the Fair Grounds Race Course in New Orleans, Louisiana on May 6, 2023]]></media:text>
                                <media:title type="plain"><![CDATA[Bob Weir performs onstage with Dead &amp; Company at the Fair Grounds Race Course in New Orleans, Louisiana on May 6, 2023]]></media:title>
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                                                            <title><![CDATA[ “There is something really special that can happen when three musicians are playing off of each other and interacting in real time”: Jared James Nichols on why playing in a trio opens up your soloing approaches ]]></title>
                                                                                                                                                                                                <link>https://www.guitarworld.com/lessons/artist-lessons/jared-james-nichols-on-why-trios-let-guitar-players-stretch-out-with-their-solos</link>
                                                                            <description>
                            <![CDATA[ Jimi Hendrix Experience, Cream, Mountain, Rush... Jared James Nichols argues that three is the magic number, allowing guitar players to stretch out and the band to feed off each other ]]>
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                                                                        <pubDate>Tue, 13 Jan 2026 15:29:03 +0000</pubDate>                                                                                                                                                                                                                                <category><![CDATA[Artist Lessons]]></category>
                                                    <category><![CDATA[Lessons]]></category>
                                                                                                                    <dc:creator><![CDATA[ Jared James Nichols ]]></dc:creator>                                                                                                    <media:content type="image/jpeg" url="https://cdn.mos.cms.futurecdn.net/LnjzkGauVvPRAXYSTSpsYR-1280-80.jpg">
                                                            <media:credit><![CDATA[Harry Herd/Redferns]]></media:credit>
                                                                                                                                                                                                                                    <media:description><![CDATA[Jared James Nichols bends a not and grimaces as he performs during his 2025 UK tour, on a stage bathed in red lights.]]></media:description>                                                            <media:text><![CDATA[Jared James Nichols bends a not and grimaces as he performs during his 2025 UK tour, on a stage bathed in red lights.]]></media:text>
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                                                            <title><![CDATA[ “The downstrokes and palm muting give the riff a very specific sound and feel that’s almost marimba-like”: Cory Wong on how you can use double-stops in a melody or solo ]]></title>
                                                                                                                                                                                                <link>https://www.guitarworld.com/lessons/artist-lessons/how-to-use-doublestops-in-a-melody-or-solo</link>
                                                                            <description>
                            <![CDATA[ Using the Fearless Flyers jam Anaheim, the funkmaster unpacks an essential technique for all guitar players, and shows us how it can be rhythm, lead, and both when you need it to be ]]>
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                                                                        <pubDate>Thu, 08 Jan 2026 17:27:08 +0000</pubDate>                                                                                                                                                                                                                                <category><![CDATA[Artist Lessons]]></category>
                                                    <category><![CDATA[Lessons]]></category>
                                                                                                                    <dc:creator><![CDATA[ Cory Wong ]]></dc:creator>                                                                                                    <media:content type="image/jpeg" url="https://cdn.mos.cms.futurecdn.net/8qQTcVMSHEHSCgt9qFYdhe-1280-80.jpg">
                                                            <media:credit><![CDATA[Future/Phil Barker]]></media:credit>
                                                                                                                                                                                                                                    <media:description><![CDATA[Cory Wong plays his new gold Ernie Ball Music Man signature StingRay II and wears a striped longsleeve]]></media:description>                                                            <media:text><![CDATA[Cory Wong plays his new gold Ernie Ball Music Man signature StingRay II and wears a striped longsleeve]]></media:text>
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                                                            <title><![CDATA[ “The chord shapes are a little different than normal, but therein lies the beauty of an open tuning”: Charlie Starr’s open G slide soloing masterclass ]]></title>
                                                                                                                                                                                                <link>https://www.guitarworld.com/lessons/artist-lessons/charlie-starr-on-soloing-with-slide-in-open-g-tuning</link>
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                            <![CDATA[ In his latest GW column, the Blackberry Smoke guitarist shows us how open G frees us up from the same tired old note choices ]]>
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                                                                        <pubDate>Mon, 05 Jan 2026 16:34:14 +0000</pubDate>                                                                                                                                                                                                                                <category><![CDATA[Artist Lessons]]></category>
                                                    <category><![CDATA[Lessons]]></category>
                                                                                                                    <dc:creator><![CDATA[ Charlie Starr ]]></dc:creator>                                                                                                    <media:content type="image/jpeg" url="https://cdn.mos.cms.futurecdn.net/rVFswfaERidCAEeTkzgppV-1280-80.jpg">
                                                            <media:credit><![CDATA[Sergione Infuso/Corbis via Getty Images]]></media:credit>
                                                                                                                                                                                                                                    <media:description><![CDATA[Charlie Starr of Blackberry Smoke wears shades and a brown leather jacket as he plays his TV Yellow Gibson Les Paul Junior live onstage.]]></media:description>                                                            <media:text><![CDATA[Charlie Starr of Blackberry Smoke wears shades and a brown leather jacket as he plays his TV Yellow Gibson Les Paul Junior live onstage.]]></media:text>
                                <media:title type="plain"><![CDATA[Charlie Starr of Blackberry Smoke wears shades and a brown leather jacket as he plays his TV Yellow Gibson Les Paul Junior live onstage.]]></media:title>
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                                                            <title><![CDATA[ “When Iheard that, my first thought was, ‘Well, you can’t do that on a piano!’” Jared James Nichols teaches an essential guitar playing skill – how to bend the strings expressively ]]></title>
                                                                                                                                                                                                <link>https://www.guitarworld.com/lessons/artist-lessons/jared-james-nichols-on-how-to-bend-your-strings-expressively</link>
                                                                            <description>
                            <![CDATA[ A set of electric guitar strings is no match for the bicep-curling, iron-pumping purveyor of blues power. He shows us how he makes his guitar scream ]]>
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                                                                        <pubDate>Tue, 23 Dec 2025 16:05:00 +0000</pubDate>                                                                                                                                                                                                                                <category><![CDATA[Artist Lessons]]></category>
                                                    <category><![CDATA[Lessons]]></category>
                                                                                                                    <dc:creator><![CDATA[ Jared James Nichols ]]></dc:creator>                                                                                                    <media:content type="image/jpeg" url="https://cdn.mos.cms.futurecdn.net/Sdgnhd5PS9w4jKUR2gLYqn-1280-80.jpg">
                                                            <media:credit><![CDATA[Future]]></media:credit>
                                                                                                                                                                                                                                    <media:description><![CDATA[Jared James Nichols poses with a Gibson Explorer/Flying V]]></media:description>                                                            <media:text><![CDATA[Jared James Nichols poses with a Gibson Explorer/Flying V]]></media:text>
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                                                            <title><![CDATA[ “I didn’t want to copy Keith Richards or Rich Robinson from the Black Crowes. I wanted to try to find my own guitar voice”: Charlie Starr on how to make open G tuning work for you ]]></title>
                                                                                                                                                                                                <link>https://www.guitarworld.com/lessons/artist-lessons/charlie-starr-on-the-joys-of-open-g-tuning</link>
                                                                            <description>
                            <![CDATA[ In his inaugural Guitar World column, the Blackberry Smoke guitarist declares his love for a tuning that he learned, aged 12, when checking out Honky Tonk Women ]]>
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                                                                        <pubDate>Sun, 21 Dec 2025 16:00:00 +0000</pubDate>                                                                                                                                                                                                                                <category><![CDATA[Artist Lessons]]></category>
                                                    <category><![CDATA[Lessons]]></category>
                                                                                                                    <dc:creator><![CDATA[ Charlie Starr ]]></dc:creator>                                                                                                    <media:content type="image/png" url="https://cdn.mos.cms.futurecdn.net/rN838mGGLQAgYEV7Z6H9sk-1280-80.png">
                                                            <media:credit><![CDATA[Andy Sapp]]></media:credit>
                                                                                                                                                                                                                                    <media:description><![CDATA[Charlie Starr]]></media:description>                                                            <media:text><![CDATA[Charlie Starr]]></media:text>
                                <media:title type="plain"><![CDATA[Charlie Starr]]></media:title>
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                                                            <title><![CDATA[ “I don’t need tons of gain on my guitar because everyone else is distorted!” Joe Bonamassa reveals the secret to writing heavy riffs – and his methods might surprise you ]]></title>
                                                                                                                                                                                                <link>https://www.guitarworld.com/lessons/artist-lessons/joe-bonamassa-how-to-make-your-riffs-heavier</link>
                                                                            <description>
                            <![CDATA[ Step back from the overdrive pedal, dial the gain back, and that extra clarity could well sound heavier in a band mix ]]>
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                                                                        <pubDate>Thu, 11 Dec 2025 15:45:00 +0000</pubDate>                                                                                                                                                                                                                                <category><![CDATA[Artist Lessons]]></category>
                                                    <category><![CDATA[Lessons]]></category>
                                                                                                                    <dc:creator><![CDATA[ Joe Bonamassa ]]></dc:creator>                                                                                                    <media:content type="image/jpeg" url="https://cdn.mos.cms.futurecdn.net/Mf4XuPNdpSf8Xcfs5UQvVS-1280-80.jpg">
                                                            <media:credit><![CDATA[Frank Hoensch/Redferns]]></media:credit>
                                                                                                                                                                                                                                    <media:description><![CDATA[Joe Bonamassa performs with Black Country Communion at a 2025 show in Berlin. He plays a vintage Gibson Les Paul and wears a ballcap.]]></media:description>                                                            <media:text><![CDATA[Joe Bonamassa performs with Black Country Communion at a 2025 show in Berlin. He plays a vintage Gibson Les Paul and wears a ballcap.]]></media:text>
                                <media:title type="plain"><![CDATA[Joe Bonamassa performs with Black Country Communion at a 2025 show in Berlin. He plays a vintage Gibson Les Paul and wears a ballcap.]]></media:title>
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                                                            <title><![CDATA[ “My inspiration for this tune was Flight of the Bumblebee, but through a funky lens, as if Tower of Power had written and recorded the melody”: Cory Wong on how to arrange guitar and keyboards ]]></title>
                                                                                                                                                                                                <link>https://www.guitarworld.com/lessons/artist-lessons/cory-wong-on-how-to-arrange-guitar-and-keyboards</link>
                                                                            <description>
                            <![CDATA[ The funkmeister puts Direct Flyte under the microscope to deliver a masterclass in arrangement. It's funk, sure, but there's some operatic influence in there, too, because that's just how Wong rolls ]]>
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                                                                        <pubDate>Thu, 04 Dec 2025 16:03:00 +0000</pubDate>                                                                                                                                                                                                                                <category><![CDATA[Artist Lessons]]></category>
                                                    <category><![CDATA[Lessons]]></category>
                                                                                                                    <dc:creator><![CDATA[ Cory Wong ]]></dc:creator>                                                                                                    <media:content type="image/jpeg" url="https://cdn.mos.cms.futurecdn.net/qeto3ZFizFKKM6L8U7bVsf-1280-80.jpg">
                                                            <media:credit><![CDATA[Sergione Infuso/Corbis via Getty Images]]></media:credit>
                                                                                                                                                                                                                                    <media:description><![CDATA[Cory Wong wears shades and performs with his blue Strat live in Italy, 2025, and is lit from behind by a white stage light.]]></media:description>                                                            <media:text><![CDATA[Cory Wong wears shades and performs with his blue Strat live in Italy, 2025, and is lit from behind by a white stage light.]]></media:text>
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                                                            <title><![CDATA[ “I love to utilize unison bends, inspired by players like Ted Nugent, Pat Travers and Johnny Winter”: Jared James Nichols shows you how to build a guitar solo to a powerful climax ]]></title>
                                                                                                                                                                                                <link>https://www.guitarworld.com/lessons/artist-lessons/jared-james-nichols-how-to-build-guitar-solos-to-a-powerful-climax</link>
                                                                            <description>
                            <![CDATA[ Ditch the pick and crank the amp for this Jared James Nichols masterclass in blues solo composition ]]>
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                                                                        <pubDate>Wed, 19 Nov 2025 16:03:00 +0000</pubDate>                                                                                                                                                                                                                                <category><![CDATA[Artist Lessons]]></category>
                                                    <category><![CDATA[Lessons]]></category>
                                                                                                                    <dc:creator><![CDATA[ Jared James Nichols ]]></dc:creator>                                                                                                    <media:content type="image/jpeg" url="https://cdn.mos.cms.futurecdn.net/mzgA8wURXEFspLDkujh5JW-1280-80.jpg">
                                                            <media:credit><![CDATA[Future]]></media:credit>
                                                                                                                                                                                                                                    <media:description><![CDATA[A still from Jared James Nichols&#039; Guitar World video lesson, where he plays an Explorer with a split headstock]]></media:description>                                                            <media:text><![CDATA[A still from Jared James Nichols&#039; Guitar World video lesson, where he plays an Explorer with a split headstock]]></media:text>
                                <media:title type="plain"><![CDATA[A still from Jared James Nichols&#039; Guitar World video lesson, where he plays an Explorer with a split headstock]]></media:title>
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                                                            <title><![CDATA[ “Freddie King and T-Bone Walker both developed exceptional vocabularies of single-note turnarounds”: Sue Foley shows you how to nail classic blues turnarounds – and how to come up with your own ]]></title>
                                                                                                                                                                                                <link>https://www.guitarworld.com/lessons/artist-lessons/sue-foley-turnarounds-blues-guitar</link>
                                                                            <description>
                            <![CDATA[ In Foley's final column in the series, she completes her turnarounds masterclass – an essential skill for any blues player ]]>
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                                                                        <pubDate>Thu, 13 Nov 2025 15:29:43 +0000</pubDate>                                                                                                                                <updated>Thu, 13 Nov 2025 17:19:14 +0000</updated>
                                                                                                                                            <category><![CDATA[Artist Lessons]]></category>
                                                    <category><![CDATA[Lessons]]></category>
                                                                                                                    <dc:creator><![CDATA[ Sue Foley ]]></dc:creator>                                                                                                    <media:content type="image/jpeg" url="https://cdn.mos.cms.futurecdn.net/RTRrwbRre5Z5dRkqgBLRYM-1280-80.jpg">
                                                            <media:credit><![CDATA[Mark Abernathy]]></media:credit>
                                                                                                                                                                                                                                    <media:description><![CDATA[Sue Foley is photographed against a black background and holds her beat-up Paisley Telecaster]]></media:description>                                                            <media:text><![CDATA[Sue Foley is photographed against a black background and holds her beat-up Paisley Telecaster]]></media:text>
                                <media:title type="plain"><![CDATA[Sue Foley is photographed against a black background and holds her beat-up Paisley Telecaster]]></media:title>
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                                                            <title><![CDATA[ “These guitars are not just for blues lawyers – you can rock with one of these”: Joe Bonamassa on the vintage Gibson that makes a great power chord guitar ]]></title>
                                                                                                                                                                                                <link>https://www.guitarworld.com/lessons/artist-lessons/joe-bonamassa-gibson-es-350-rock-rhythm-guitar</link>
                                                                            <description>
                            <![CDATA[ What makes the Gibson ES-350 so good for rock? Bonamassa says they are a real live wire, with “a lot of pop” and no shortage of low-end ]]>
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                                                                        <pubDate>Mon, 10 Nov 2025 16:36:25 +0000</pubDate>                                                                                                                                <updated>Thu, 13 Nov 2025 15:09:09 +0000</updated>
                                                                                                                                            <category><![CDATA[Artist Lessons]]></category>
                                                    <category><![CDATA[Lessons]]></category>
                                                                                                                    <dc:creator><![CDATA[ Joe Bonamassa ]]></dc:creator>                                                                                                    <media:content type="image/jpeg" url="https://cdn.mos.cms.futurecdn.net/oda2HhYoGDV2iop5kM5vRm-1280-80.jpg">
                                                            <media:credit><![CDATA[Future]]></media:credit>
                                                                                                                                                                                                                                    <media:description><![CDATA[Joe Bonamassa with a Gibson ES-350]]></media:description>                                                            <media:text><![CDATA[Joe Bonamassa with a Gibson ES-350]]></media:text>
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                                                            <title><![CDATA[ “I’ve seen people cover the tune, and one thing most get wrong about it is they’re not intentional about the sections in the way they should be”: Cory Wong on how to create a bigger, wider sound by layering baritone guitar parts ]]></title>
                                                                                                                                                                                                <link>https://www.guitarworld.com/lessons/artist-lessons/cory-wong-on-how-to-layer-baritone-guitar-parts</link>
                                                                            <description>
                            <![CDATA[ Using a Fearless Flyers classic as a case study in baritone layering, the funk-master GW columnist peels away the onion to explain how these individual parts all stack up ]]>
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                                                                        <pubDate>Fri, 07 Nov 2025 16:07:00 +0000</pubDate>                                                                                                                                <updated>Wed, 12 Nov 2025 14:51:47 +0000</updated>
                                                                                                                                            <category><![CDATA[Artist Lessons]]></category>
                                                    <category><![CDATA[Lessons]]></category>
                                                                                                                    <dc:creator><![CDATA[ Cory Wong ]]></dc:creator>                                                                                                    <media:content type="image/jpeg" url="https://cdn.mos.cms.futurecdn.net/8qQTcVMSHEHSCgt9qFYdhe-1280-80.jpg">
                                                            <media:credit><![CDATA[Future/Phil Barker]]></media:credit>
                                                                                                                                                                                                                                    <media:description><![CDATA[Cory Wong plays his new gold Ernie Ball Music Man signature StingRay II and wears a striped longsleeve]]></media:description>                                                            <media:text><![CDATA[Cory Wong plays his new gold Ernie Ball Music Man signature StingRay II and wears a striped longsleeve]]></media:text>
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                                                            <title><![CDATA[ David Gilmour is a master of melodic bluesy phrasing – here are 3 ways to cop his style in your own playing ]]></title>
                                                                                                                                                                                                <link>https://www.guitarworld.com/lessons/artist-lessons/3-melodic-blues-soloing-ideas-in-the-style-of-david-gilmour</link>
                                                                            <description>
                            <![CDATA[ Whether you call these solo ideas minor blues or embellished pentatonic/blues scale, the effect is the same, freeing you up from established patterns to hold your audience's attention ]]>
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                                                                        <pubDate>Fri, 31 Oct 2025 15:05:52 +0000</pubDate>                                                                                                                                <updated>Wed, 05 Nov 2025 13:34:58 +0000</updated>
                                                                                                                                            <category><![CDATA[Artist Lessons]]></category>
                                                    <category><![CDATA[Lessons]]></category>
                                                                                                                    <dc:creator><![CDATA[ Richard Barrett ]]></dc:creator>                                                                                                    <media:content type="image/jpeg" url="https://cdn.mos.cms.futurecdn.net/RYX74za4cMhp7VyhtH8ETV-1280-80.jpg">
                                                            <media:credit><![CDATA[Chiaki Nozu/Getty Images]]></media:credit>
                                                                                                                                                                                                                                    <media:description><![CDATA[David Gilmour performs with a black Stratocaster as green lasers are fanned out above his head.]]></media:description>                                                            <media:text><![CDATA[David Gilmour performs with a black Stratocaster as green lasers are fanned out above his head.]]></media:text>
                                <media:title type="plain"><![CDATA[David Gilmour performs with a black Stratocaster as green lasers are fanned out above his head.]]></media:title>
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                                                            <title><![CDATA[ “If a guitarist is just riffing away on minor pentatonic licks, it will make their playing sound ‘scale-y’; you don’t want to sound scale-y!” Power up your blues with a turnaround trick that was a specialty of the great Freddie King ]]></title>
                                                                                                                                                                                                <link>https://www.guitarworld.com/lessons/artist-lessons/blues-turnarounds-freddie-king-style</link>
                                                                            <description>
                            <![CDATA[ This masterclass in turnarounds explores different ways to approach an essential blues technique, so of course it finishes up with a look at how the master of turnarounds did it back in the day ]]>
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                                                                        <pubDate>Thu, 23 Oct 2025 15:52:47 +0000</pubDate>                                                                                                                                <updated>Thu, 30 Oct 2025 15:20:03 +0000</updated>
                                                                                                                                            <category><![CDATA[Artist Lessons]]></category>
                                                    <category><![CDATA[Lessons]]></category>
                                                                                                                    <dc:creator><![CDATA[ Sue Foley ]]></dc:creator>                                                                                                    <media:content type="image/jpeg" url="https://cdn.mos.cms.futurecdn.net/NpTPc6RJEd7FHpKVF6hqUD-1280-80.jpg">
                                                            <media:credit><![CDATA[David Warner Ellis/Redferns]]></media:credit>
                                                                                                                                                                                                                                    <media:description><![CDATA[Freddie King in his pomp, playing a Gibson ES-355TDC]]></media:description>                                                            <media:text><![CDATA[Freddie King in his pomp, playing a Gibson ES-355TDC]]></media:text>
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                                                            <title><![CDATA[ “I use my pick-hand index finger in a Jimi Hendrix-like way”: Jared James Nichols explains how to use open strings and Drop D tuning to bulk up your blues fingerstyle ]]></title>
                                                                                                                                                                                                <link>https://www.guitarworld.com/lessons/artist-lessons/jared-james-nichols-open-string-blues-fingerstyle</link>
                                                                            <description>
                            <![CDATA[ Park your electric guitar in Drop D. Throw your pick in the trash. It's time for some muscular fingerstyle with the purveyor of blues power himself ]]>
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                                                                        <pubDate>Mon, 20 Oct 2025 16:17:57 +0000</pubDate>                                                                                                                                <updated>Thu, 30 Oct 2025 14:44:40 +0000</updated>
                                                                                                                                            <category><![CDATA[Artist Lessons]]></category>
                                                    <category><![CDATA[Lessons]]></category>
                                                                                                                    <dc:creator><![CDATA[ Jared James Nichols ]]></dc:creator>                                                                                                    <media:content type="image/jpeg" url="https://cdn.mos.cms.futurecdn.net/G5S5cj6EEHHy3R9QENU6fb-1280-80.jpg">
                                                            <media:credit><![CDATA[David McClister]]></media:credit>
                                                                                                                                                                                                                                    <media:description><![CDATA[Jared James Nichols]]></media:description>                                                            <media:text><![CDATA[Jared James Nichols]]></media:text>
                                <media:title type="plain"><![CDATA[Jared James Nichols]]></media:title>
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                                                            <title><![CDATA[ “It’s perfect for playing Chuck’s classic songs, like Johnny B. Goode and Maybellene”: Joe Bonamassa on his love for the Gibson ES-350 – and why it's a blues powerhouse ]]></title>
                                                                                                                                                                                                <link>https://www.guitarworld.com/lessons/artist-lessons/joe-bonamassa-gibson-es-350</link>
                                                                            <description>
                            <![CDATA[ The ES-350 was a big favorite of Chuck Berry's. Well, well, well, it's no surprise that Joe Bonamassa loves it too. And here he puts it through is paces, and takes us to the B.B. Box in the process ]]>
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                                                                        <pubDate>Mon, 13 Oct 2025 15:05:23 +0000</pubDate>                                                                                                                                <updated>Tue, 28 Oct 2025 15:49:19 +0000</updated>
                                                                                                                                            <category><![CDATA[Artist Lessons]]></category>
                                                    <category><![CDATA[Lessons]]></category>
                                                                                                                    <dc:creator><![CDATA[ Joe Bonamassa ]]></dc:creator>                                                                                                    <media:content type="image/jpeg" url="https://cdn.mos.cms.futurecdn.net/AQdRDzVRoozMZuYpyguL5W-1280-80.jpg">
                                                            <media:credit><![CDATA[Future]]></media:credit>
                                                                                                                                                                                                                                    <media:description><![CDATA[A still of Joe Bonamassa demoing his Gibson ES-350, live from Nerdville. He wears a baseball cap and a hoodie.]]></media:description>                                                            <media:text><![CDATA[A still of Joe Bonamassa demoing his Gibson ES-350, live from Nerdville. He wears a baseball cap and a hoodie.]]></media:text>
                                <media:title type="plain"><![CDATA[A still of Joe Bonamassa demoing his Gibson ES-350, live from Nerdville. He wears a baseball cap and a hoodie.]]></media:title>
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                                                            <title><![CDATA[ “My objective is to find a purposeful role for each guitar part”: How to layer guitar parts like a pro (with a little help from Cory Wong) ]]></title>
                                                                                                                                                                                                <link>https://www.guitarworld.com/lessons/artist-lessons/cory-wong-on-how-to-orchestrate-guitar-parts</link>
                                                                            <description>
                            <![CDATA[ In this exclusive video and tab lesson, the funk maestro serves up a big ol' slice of rhythm layer cake that reimagines the guitar as keyboard, bass, as everything in the band ]]>
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                                                                        <pubDate>Sun, 05 Oct 2025 10:08:00 +0000</pubDate>                                                                                                                                <updated>Wed, 15 Oct 2025 16:18:16 +0000</updated>
                                                                                                                                            <category><![CDATA[Artist Lessons]]></category>
                                                    <category><![CDATA[Lessons]]></category>
                                                                                                                    <dc:creator><![CDATA[ Cory Wong ]]></dc:creator>                                                                                                    <media:content type="image/jpeg" url="https://cdn.mos.cms.futurecdn.net/8qQTcVMSHEHSCgt9qFYdhe-1280-80.jpg">
                                                            <media:credit><![CDATA[Future/Phil Barker]]></media:credit>
                                                                                                                                                                                                                                    <media:description><![CDATA[Cory Wong plays his new gold Ernie Ball Music Man signature StingRay II and wears a striped longsleeve]]></media:description>                                                            <media:text><![CDATA[Cory Wong plays his new gold Ernie Ball Music Man signature StingRay II and wears a striped longsleeve]]></media:text>
                                <media:title type="plain"><![CDATA[Cory Wong plays his new gold Ernie Ball Music Man signature StingRay II and wears a striped longsleeve]]></media:title>
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                                                            <title><![CDATA[ “All of my favorite players – Paul Kossoff, Leslie West, Jimi Hendrix – play with tonal perfection, but it also often sounds like they’re hanging on by a thread!” Jared James Nichols teaches you the wild drop D blues stomp he wrote with Tyler Bryant ]]></title>
                                                                                                                                                                                                <link>https://www.guitarworld.com/lessons/artist-lessons/jared-james-nichols-hard-wired</link>
                                                                            <description>
                            <![CDATA[ Learn Hard Wired, a fingerstyle blues-rock riffing masterclass that has groove for days ]]>
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                                                                        <pubDate>Mon, 15 Sep 2025 15:00:00 +0000</pubDate>                                                                                                                                <updated>Wed, 24 Sep 2025 14:33:14 +0000</updated>
                                                                                                                                            <category><![CDATA[Artist Lessons]]></category>
                                                    <category><![CDATA[Lessons]]></category>
                                                                                                                    <dc:creator><![CDATA[ Jared James Nichols ]]></dc:creator>                                                                                                    <media:content type="image/jpeg" url="https://cdn.mos.cms.futurecdn.net/RD2s58BraRHTeMYF8AEhtU-1280-80.jpg">
                                                            <media:credit><![CDATA[Future]]></media:credit>
                                                                                                                                                                                                                                    <media:description><![CDATA[GWM595 Jared James Nichols Lesson]]></media:description>                                                            <media:text><![CDATA[GWM595 Jared James Nichols Lesson]]></media:text>
                                <media:title type="plain"><![CDATA[GWM595 Jared James Nichols Lesson]]></media:title>
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                                                            <title><![CDATA[ “Her technique is particularly difficult to replicate because she played ‘upside down’ on a guitar strung for arighty”: Sue Foley salutes Elizabeth Cotten and her favorite female guitar pioneers in this fingerpicking blues masterclass ]]></title>
                                                                                                                                                                                                <link>https://www.guitarworld.com/lessons/artist-lessons/sue-foley-teaches-elizabeth-cotten-piedmont-fingerstyle-blues</link>
                                                                            <description>
                            <![CDATA[ Foley's latest lesson unpacks the Piedmont fingerpicking style perfected by the likes of Elizabeth Cotten – and there's some Memphis Minnie, too ]]>
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                                                                        <pubDate>Fri, 12 Sep 2025 15:00:00 +0000</pubDate>                                                                                                                                <updated>Thu, 18 Sep 2025 15:51:28 +0000</updated>
                                                                                                                                            <category><![CDATA[Artist Lessons]]></category>
                                                    <category><![CDATA[Lessons]]></category>
                                                                                                                    <dc:creator><![CDATA[ Sue Foley ]]></dc:creator>                                                                                                    <media:content type="image/jpeg" url="https://cdn.mos.cms.futurecdn.net/RTRrwbRre5Z5dRkqgBLRYM-1280-80.jpg">
                                                            <media:credit><![CDATA[Mark Abernathy]]></media:credit>
                                                                                                                                                                                                                                    <media:description><![CDATA[Sue Foley is photographed against a black background and holds her beat-up Paisley Telecaster]]></media:description>                                                            <media:text><![CDATA[Sue Foley is photographed against a black background and holds her beat-up Paisley Telecaster]]></media:text>
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                                                            <title><![CDATA[ “He recorded some of the most important and enduringly popular instrumental guitar music”: Joe Bonamassa pays homage to Duane Eddy – and reminds us why the “Titan of Twang” was a great blues player, too ]]></title>
                                                                                                                                                                                                <link>https://www.guitarworld.com/lessons/artist-lessons/joe-bonamassa-duane-eddy-lesson</link>
                                                                            <description>
                            <![CDATA[ After saluting the late, great Duane Eddy at his tribute show in Nashville, Bonamassa serves up a video and tab lesson that shows us what we can learn from a rock ’n’ roll trailblazer ]]>
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                                                                        <pubDate>Tue, 09 Sep 2025 14:57:14 +0000</pubDate>                                                                                                                                <updated>Wed, 17 Sep 2025 15:50:36 +0000</updated>
                                                                                                                                            <category><![CDATA[Artist Lessons]]></category>
                                                    <category><![CDATA[Lessons]]></category>
                                                                                                                    <dc:creator><![CDATA[ Joe Bonamassa ]]></dc:creator>                                                                                                    <media:content type="image/jpeg" url="https://cdn.mos.cms.futurecdn.net/WCB6QgeqmZKehcEPcGmcze-1280-80.jpg">
                                                            <media:credit><![CDATA[Jason Kempin/Getty Images; Ed Rode/Getty Images]]></media:credit>
                                                                                                                                                                                                                                    <media:description><![CDATA[Joe Bonamassa plays a Guild electric at a tribute to Duane Eddy. On the right, Eddy, pictured at the  2009 Country Music Hall of Fame Medallion Ceremony, plays his Gibson signature archtop.]]></media:description>                                                            <media:text><![CDATA[Joe Bonamassa plays a Guild electric at a tribute to Duane Eddy. On the right, Eddy, pictured at the  2009 Country Music Hall of Fame Medallion Ceremony, plays his Gibson signature archtop.]]></media:text>
                                <media:title type="plain"><![CDATA[Joe Bonamassa plays a Guild electric at a tribute to Duane Eddy. On the right, Eddy, pictured at the  2009 Country Music Hall of Fame Medallion Ceremony, plays his Gibson signature archtop.]]></media:title>
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                                                            <title><![CDATA[ “I look at guitar playing as a dance between both hands. One hand brings discipline, the other brings chaos…” John Butler shares his secrets in this stunning masterclass ]]></title>
                                                                                                                                                                                                <link>https://www.guitarworld.com/lessons/artist-lessons/john-butler-masterclass</link>
                                                                            <description>
                            <![CDATA[ Wild tunings, double thumbing and chicken picking. Sometimes with an 11-string. The Australian acoustic wizard's stunning “weird b****** way”, played and explained ]]>
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                                                                        <pubDate>Fri, 05 Sep 2025 15:00:00 +0000</pubDate>                                                                                                                                <updated>Wed, 10 Sep 2025 14:07:19 +0000</updated>
                                                                                                                                            <category><![CDATA[Artist Lessons]]></category>
                                                    <category><![CDATA[Lessons]]></category>
                                                                                                                    <dc:creator><![CDATA[ John Butler ]]></dc:creator>                                                                                                    <media:content type="image/jpeg" url="https://cdn.mos.cms.futurecdn.net/vfyXnBnNzbzinVoevNDKaQ-1280-80.jpg">
                                                            <media:credit><![CDATA[Future]]></media:credit>
                                                                                                                                                                                                                                    <media:description><![CDATA[John Butler poses with an acoustic guitar]]></media:description>                                                            <media:text><![CDATA[John Butler poses with an acoustic guitar]]></media:text>
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                                                            <title><![CDATA[ “The pick hand is thetimekeeper, and I’ve spent a lot of time working on exercises designed to bolster my strumming competence”: Rhythm guitar master Cory Wong shares his secrets to perfect pick-hand timing ]]></title>
                                                                                                                                                                                                <link>https://www.guitarworld.com/lessons/artist-lessons/cory-wong-pick-hand-strumming-secrets</link>
                                                                            <description>
                            <![CDATA[ Cory Wong's strumming boot camp will sharpen those rhythm instincts ]]>
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                                                                        <pubDate>Thu, 04 Sep 2025 14:43:31 +0000</pubDate>                                                                                                                                <updated>Wed, 10 Sep 2025 14:02:25 +0000</updated>
                                                                                                                                            <category><![CDATA[Artist Lessons]]></category>
                                                    <category><![CDATA[Lessons]]></category>
                                                                                                                    <dc:creator><![CDATA[ Cory Wong ]]></dc:creator>                                                                                                    <media:content type="image/jpeg" url="https://cdn.mos.cms.futurecdn.net/Ujd8BBX2vCp7KfRFw59dg3-1280-80.jpg">
                                                            <media:credit><![CDATA[Ernie Ball Music Man]]></media:credit>
                                                                                                                                                                                                                                    <media:description><![CDATA[Cory Wong plays an Ernie Ball Music Man StingRay II electric guitar]]></media:description>                                                            <media:text><![CDATA[Cory Wong plays an Ernie Ball Music Man StingRay II electric guitar]]></media:text>
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                                                            <title><![CDATA[ “It’s all about the patterns that smoothly and musically ‘walk’ you from onechord to the next”: Sue Foley shows you how to nail blues turnarounds ]]></title>
                                                                                                                                                                                                <link>https://www.guitarworld.com/lessons/artist-lessons/sue-foley-how-to-nail-a-blues-turnaround</link>
                                                                            <description>
                            <![CDATA[ Turnarounds come around within the last four bars of a 12-bar blues progression and getting them right puts the cherry on top of the sundae ]]>
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                                                                        <pubDate>Mon, 25 Aug 2025 10:14:00 +0000</pubDate>                                                                                                                                <updated>Wed, 03 Sep 2025 11:13:41 +0000</updated>
                                                                                                                                            <category><![CDATA[Artist Lessons]]></category>
                                                    <category><![CDATA[Lessons]]></category>
                                                                                                                    <dc:creator><![CDATA[ Sue Foley ]]></dc:creator>                                                                                                    <media:content type="image/jpeg" url="https://cdn.mos.cms.futurecdn.net/RTRrwbRre5Z5dRkqgBLRYM-1280-80.jpg">
                                                            <media:credit><![CDATA[Future]]></media:credit>
                                                                                                                                                                                                                                    <media:description><![CDATA[Sue Foley is photographed against a black background and holds her beat-up Paisley Telecaster]]></media:description>                                                            <media:text><![CDATA[Sue Foley is photographed against a black background and holds her beat-up Paisley Telecaster]]></media:text>
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                                                            <title><![CDATA[ “That’s one of the things that made us sound so heavy”: Led Zeppelin’s Immigrant Song, Kashmir, and The Song Remains the Same are wildly different classic rock staples, but one key element ties them all together, says John Paul Jones ]]></title>
                                                                                                                                                                                                <link>https://www.guitarworld.com/lessons/artist-lessons/john-paul-jones-led-zeppelin-octaves-lesson</link>
                                                                            <description>
                            <![CDATA[ Zeppelin’s power lay in their timing, the low-end giant explains, but there was more in the method to the band's madness ]]>
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                                                                        <pubDate>Sat, 23 Aug 2025 13:00:00 +0000</pubDate>                                                                                                                                <updated>Thu, 28 Aug 2025 10:25:52 +0000</updated>
                                                                                                                                            <category><![CDATA[Artist Lessons]]></category>
                                                    <category><![CDATA[Lessons]]></category>
                                                                                                                    <dc:creator><![CDATA[ John Paul Jones ]]></dc:creator>                                                                                                    <media:content type="image/jpeg" url="https://cdn.mos.cms.futurecdn.net/vVHzxPMuu9WFVvMT5qQ6CD-1280-80.jpg">
                                                            <media:credit><![CDATA[Rob Verhorst/Redferns]]></media:credit>
                                                                                                                                                                                                                                    <media:description><![CDATA[(from left) Led Zeppelin&#039;s John Paul Jones, Robert Plant, and Jimmy Page perform onstage]]></media:description>                                                            <media:text><![CDATA[(from left) Led Zeppelin&#039;s John Paul Jones, Robert Plant, and Jimmy Page perform onstage]]></media:text>
                                <media:title type="plain"><![CDATA[(from left) Led Zeppelin&#039;s John Paul Jones, Robert Plant, and Jimmy Page perform onstage]]></media:title>
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                                                            <title><![CDATA[ “I was thinking, ‘Why does it sound different when I play the Mississippi Queen intro, as compared to when he does it?’” Jared James Nichols on why playing behind and ahead of the beat are the key to great blues guitar ]]></title>
                                                                                                                                                                                                <link>https://www.guitarworld.com/lessons/artist-lessons/jared-james-nichols-how-to-play-behind-and-in-front-of-the-beat</link>
                                                                            <description>
                            <![CDATA[ Taking what he learned from Leslie West, Eric Clapton and Paul Kossoff, Jared James Nichols shows us just how to work the pocket and give our playing the personality it needs ]]>
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                                                                        <pubDate>Mon, 18 Aug 2025 09:19:41 +0000</pubDate>                                                                                                                                <updated>Wed, 27 Aug 2025 15:53:23 +0000</updated>
                                                                                                                                            <category><![CDATA[Artist Lessons]]></category>
                                                    <category><![CDATA[Lessons]]></category>
                                                                                                                    <dc:creator><![CDATA[ Jared James Nichols ]]></dc:creator>                                                                                                    <media:content type="image/jpeg" url="https://cdn.mos.cms.futurecdn.net/hVeGDK7uZrTKE9fqNAbEwA-1280-80.jpg">
                                                            <media:credit><![CDATA[Terry Wyatt/Getty Images]]></media:credit>
                                                                                                                                                                                                                                    <media:description><![CDATA[Jared James Nichols smiles as he plays a Les Paul Goldtop live, the stage behind him lit in blue and white.]]></media:description>                                                            <media:text><![CDATA[Jared James Nichols smiles as he plays a Les Paul Goldtop live, the stage behind him lit in blue and white.]]></media:text>
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                                                            <title><![CDATA[ “One of my favorite medium-slow shuffles is Jeff Beck’s Rock My Plimsoul... based on the B.B. King blues classic Rock Me Baby”: Joe Bonamassa invites you to join him on medium/slow blues shuffle – don’t worry, he’ll show you the notes ]]></title>
                                                                                                                                                                                                <link>https://www.guitarworld.com/lessons/artist-lessons/joe-bonamassa-medium-slow-blues-shuffle-jeff-beck-style-lesson</link>
                                                                            <description>
                            <![CDATA[ Set your phone on silent, your brain on shuffle. JoBo has a blues lesson coming in hot ]]>
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                                                                        <pubDate>Sat, 16 Aug 2025 13:27:00 +0000</pubDate>                                                                                                                                <updated>Wed, 27 Aug 2025 15:15:13 +0000</updated>
                                                                                                                                            <category><![CDATA[Artist Lessons]]></category>
                                                    <category><![CDATA[Lessons]]></category>
                                                                                                                    <dc:creator><![CDATA[ Joe Bonamassa ]]></dc:creator>                                                                                                    <media:content type="image/jpeg" url="https://cdn.mos.cms.futurecdn.net/q7PsUHAmvvrhnmgbweTVSG-1280-80.jpg">
                                                            <media:credit><![CDATA[Future]]></media:credit>
                                                                                                                                                                                                                                    <media:description><![CDATA[Joe Bonamassa plays a Gibson Les Paul at home in front of a wall of guitar amps]]></media:description>                                                            <media:text><![CDATA[Joe Bonamassa plays a Gibson Les Paul at home in front of a wall of guitar amps]]></media:text>
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                                                            <title><![CDATA[ “If I were to strum a full barre-chord voicing for each chord, it would feel too ‘chunky.’ Instead, I do what Nile advised me to do”: Cory Wong on the most important technique you can learn from Nile Rodgers ]]></title>
                                                                                                                                                                                                <link>https://www.guitarworld.com/lessons/artist-lessons/cory-wong-on-what-he-learned-from-nile-rodgers</link>
                                                                            <description>
                            <![CDATA[ The kingpin of funky strumming defers to the O.G. – as Wong explains what he learned from the Chic master ]]>
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                                                                        <pubDate>Thu, 07 Aug 2025 13:44:23 +0000</pubDate>                                                                                                                                <updated>Wed, 13 Aug 2025 15:14:42 +0000</updated>
                                                                                                                                            <category><![CDATA[Artist Lessons]]></category>
                                                    <category><![CDATA[Lessons]]></category>
                                                                                                                    <dc:creator><![CDATA[ Cory Wong ]]></dc:creator>                                                                                                    <media:content type="image/jpeg" url="https://cdn.mos.cms.futurecdn.net/eYD4LUErqa5jKQHXJv7AdL-1280-80.jpg">
                                                            <media:credit><![CDATA[Per Ole Hagen/Redferns]]></media:credit>
                                                                                                                                                                                                                                    <media:description><![CDATA[Nile Rodgers plays his Hitmaker Stratocaster onstage at OverOslo 2025. He wears a black bandana.]]></media:description>                                                            <media:text><![CDATA[Nile Rodgers plays his Hitmaker Stratocaster onstage at OverOslo 2025. He wears a black bandana.]]></media:text>
                                <media:title type="plain"><![CDATA[Nile Rodgers plays his Hitmaker Stratocaster onstage at OverOslo 2025. He wears a black bandana.]]></media:title>
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                                                            <title><![CDATA[ “Initially, his strongest influence was the blues. Then his Mexican heritage surfaced and combined with the influences of Jimi Hendrix, Miles Davis, Tito Puente and Gábor Szabó”: Decoding the magic of Carlos Santana’s supernatural soloing style ]]></title>
                                                                                                                                                                                                <link>https://www.guitarworld.com/lessons/artist-lessons/carlos-santana-blues-guitar-lesson</link>
                                                                            <description>
                            <![CDATA[ Stay cosmic with this lesson in how Carlos Santana took the blues as practiced by B.B. King and Peter Green, plus the new radical rock styles of the '60s, and put his signature spin on them ]]>
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                                                                        <pubDate>Tue, 29 Jul 2025 15:44:51 +0000</pubDate>                                                                                                                                <updated>Tue, 05 Aug 2025 12:05:16 +0000</updated>
                                                                                                                                            <category><![CDATA[Artist Lessons]]></category>
                                                    <category><![CDATA[Lessons]]></category>
                                                                                                                    <dc:creator><![CDATA[ Richard Barrett ]]></dc:creator>                                                                                                    <media:content type="image/jpeg" url="https://cdn.mos.cms.futurecdn.net/fPEBPoeRhaFDXYJKrNv5WN-1280-80.jpg">
                                                            <media:credit><![CDATA[Ricardo Rubio/Europa Press via Getty Images]]></media:credit>
                                                                                                                                                                                                                                    <media:description><![CDATA[Carlos Santana plays his signature PRS at the Noches del Botanico festival, in Spain.]]></media:description>                                                            <media:text><![CDATA[Carlos Santana plays his signature PRS at the Noches del Botanico festival, in Spain.]]></media:text>
                                <media:title type="plain"><![CDATA[Carlos Santana plays his signature PRS at the Noches del Botanico festival, in Spain.]]></media:title>
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                                                            <title><![CDATA[ “It came from a great deal of eye contact between the two of us”: When it came to Led Zeppelin's most powerful riffs, sometimes what didn't get played was more important than what did, says John Paul Jones ]]></title>
                                                                                                                                                                                                <link>https://www.guitarworld.com/lessons/artist-lessons/john-paul-jones-silence-in-led-zeppelin-riffs</link>
                                                                            <description>
                            <![CDATA[ They may have played a huge role in bringing heaviness and triple-digit onstage decibel counts to rock, but as bassist John Paul Jones explains, Zeppelin were also masters of silence ]]>
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                                                                        <pubDate>Sat, 19 Jul 2025 13:00:00 +0000</pubDate>                                                                                                                                <updated>Mon, 21 Jul 2025 13:53:05 +0000</updated>
                                                                                                                                            <category><![CDATA[Artist Lessons]]></category>
                                                    <category><![CDATA[Lessons]]></category>
                                                                                                                    <dc:creator><![CDATA[ John Paul Jones ]]></dc:creator>                                                                                                    <media:content type="image/jpeg" url="https://cdn.mos.cms.futurecdn.net/HFpmvtsMzLPGYJxyuEZika-1280-80.jpg">
                                                            <media:credit><![CDATA[FG/Bauer-Griffin/Getty Images]]></media:credit>
                                                                                                                                                                                                                                    <media:description><![CDATA[(from left) Led Zeppelin&#039;s John Paul Jones and Jimmy Page perform onstage in Knebworth, England on August 11, 1979]]></media:description>                                                            <media:text><![CDATA[(from left) Led Zeppelin&#039;s John Paul Jones and Jimmy Page perform onstage in Knebworth, England on August 11, 1979]]></media:text>
                                <media:title type="plain"><![CDATA[(from left) Led Zeppelin&#039;s John Paul Jones and Jimmy Page perform onstage in Knebworth, England on August 11, 1979]]></media:title>
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                                                            <title><![CDATA[ “One of my biggest musical influences is the king of blues power. He also played in an unorthodox tuning, which is still a mystery”: Jared James Nichols on how Albert King's electric fingerpicking changed the game for blues guitar ]]></title>
                                                                                                                                                                                                <link>https://www.guitarworld.com/lessons/artist-lessons/jared-james-nichols-albert-king-fingerstyle-blues-guitar</link>
                                                                            <description>
                            <![CDATA[ Albert King played upside down, in a weird tuning, and influenced SRV and Hendrix alike, and he did it without a pick. So it's no surprise Nichols is a huge fan – he breaks down King's magic ]]>
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                                                                        <pubDate>Fri, 18 Jul 2025 09:38:44 +0000</pubDate>                                                                                                                                <updated>Mon, 21 Jul 2025 13:49:21 +0000</updated>
                                                                                                                                            <category><![CDATA[Artist Lessons]]></category>
                                                    <category><![CDATA[Lessons]]></category>
                                                                                                                    <dc:creator><![CDATA[ Jared James Nichols ]]></dc:creator>                                                                                                    <media:content type="image/jpeg" url="https://cdn.mos.cms.futurecdn.net/tv3YYC3jQbTJ5PS4ziDZw5-1280-80.jpg">
                                                            <media:credit><![CDATA[Terry Wyatt/Getty Images for Pilgrimage Music &amp; Cultural Festival; Paul Natkin/Getty Images]]></media:credit>
                                                                                                                                                                                                                                    <media:description><![CDATA[Jared James Nichols wrestles his Les Paul onstage and wears dark sunglasses. On the right, his hero, Albert King, works his fingerstyle magic on a V-style electric and looks sharp in a gray suit.]]></media:description>                                                            <media:text><![CDATA[Jared James Nichols wrestles his Les Paul onstage and wears dark sunglasses. On the right, his hero, Albert King, works his fingerstyle magic on a V-style electric and looks sharp in a gray suit.]]></media:text>
                                <media:title type="plain"><![CDATA[Jared James Nichols wrestles his Les Paul onstage and wears dark sunglasses. On the right, his hero, Albert King, works his fingerstyle magic on a V-style electric and looks sharp in a gray suit.]]></media:title>
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                                                            <title><![CDATA[ “‘Blues approved’ licks that work well both as embellishments to rhythm parts or as phrases within a solo”: Sue Foley shows you how to breathe new life into your 12-bar blues ]]></title>
                                                                                                                                                                                                <link>https://www.guitarworld.com/lessons/artist-lessons/sue-foley-blues-guitar-embellishments-12-bar-blues</link>
                                                                            <description>
                            <![CDATA[ Foley returns with four ways you can freshen up those blues licks and assert your personality upon the material ]]>
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                                                                        <pubDate>Thu, 17 Jul 2025 08:24:51 +0000</pubDate>                                                                                                                                <updated>Mon, 21 Jul 2025 12:23:22 +0000</updated>
                                                                                                                                            <category><![CDATA[Artist Lessons]]></category>
                                                    <category><![CDATA[Lessons]]></category>
                                                                                                                    <dc:creator><![CDATA[ Sue Foley ]]></dc:creator>                                                                                                    <media:content type="image/jpeg" url="https://cdn.mos.cms.futurecdn.net/RTRrwbRre5Z5dRkqgBLRYM-1280-80.jpg">
                                                            <media:credit><![CDATA[Future]]></media:credit>
                                                                                                                                                                                                                                    <media:description><![CDATA[Sue Foley is photographed against a black background and holds her beat-up Paisley Telecaster]]></media:description>                                                            <media:text><![CDATA[Sue Foley is photographed against a black background and holds her beat-up Paisley Telecaster]]></media:text>
                                <media:title type="plain"><![CDATA[Sue Foley is photographed against a black background and holds her beat-up Paisley Telecaster]]></media:title>
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                                                            <title><![CDATA[ “Yes, Eric can certainly shred! But more important than his speed is his accuracy. Accuracy will always win the day over speed”: Joe Bonamassa shows you how to connect lead phrases like Eric Johnson ]]></title>
                                                                                                                                                                                                <link>https://www.guitarworld.com/lessons/artist-lessons/joe-bonamassa-on-how-to-connect-lead-guitar-phrases-like-eric-johnson</link>
                                                                            <description>
                            <![CDATA[ Eric Johnson's playing is inspiring but bamboozling. How does he sound so fluid? Well, Joe Bonamassa has some thoughts (and four examples) on how we can nail Johnson's style ]]>
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                                                                        <pubDate>Wed, 16 Jul 2025 08:45:05 +0000</pubDate>                                                                                                                                <updated>Mon, 21 Jul 2025 12:17:02 +0000</updated>
                                                                                                                                            <category><![CDATA[Artist Lessons]]></category>
                                                    <category><![CDATA[Lessons]]></category>
                                                                                                                    <dc:creator><![CDATA[ Joe Bonamassa ]]></dc:creator>                                                                                                    <media:content type="image/jpeg" url="https://cdn.mos.cms.futurecdn.net/UvVqFermwNapCbsdvm9RTE-1280-80.jpg">
                                                            <media:credit><![CDATA[Amy Sussman/Getty Images; Chris McKay/Getty Images]]></media:credit>
                                                                                                                                                                                                                                    <media:description><![CDATA[Joe Bonamassa smiles onstage and raises his hand. He holds a Gibson Les Paul Standard. Eric Johnson wears a brown shirt and plays a Daphne Blue Fender Stratocaster.]]></media:description>                                                            <media:text><![CDATA[Joe Bonamassa smiles onstage and raises his hand. He holds a Gibson Les Paul Standard. Eric Johnson wears a brown shirt and plays a Daphne Blue Fender Stratocaster.]]></media:text>
                                <media:title type="plain"><![CDATA[Joe Bonamassa smiles onstage and raises his hand. He holds a Gibson Les Paul Standard. Eric Johnson wears a brown shirt and plays a Daphne Blue Fender Stratocaster.]]></media:title>
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