In 1983, a smart gambling man would have bet the house on ZZ Top’s imminent doom. After all, it wasn’t the best of times for good and greasy Texas blues and boogie music. Then the Little Old Band from Texas surprised everyone with Eliminator, a brilliant merger of roadhouse blues and synthesizer swells and looped beats. The album quickly became their biggest hit ever, spurred in large part by the irresistible “Sharp Dressed Man.”
“That song and the whole album really embrace the simplicity of blues and techno music with the complex challenge of how to blend them together,” says guitarist Billy Gibbons. “If you zero in on the middle solo, you will find a slide guitar part played in open E tuning on a Fender Esquire and a sudden shift halfway through the solo to standard Spanish electric tuning played on my good ol’ Les Paul, Pearly Gates. Both were played through a Marshall plexi 100-watt head with two angled cabinets with Celestion 25-watt greenbacks. It was a compound track, two parts blended to one.
"To this day, the song certainly stands among one of the band’s favorites and we’re particularly delighted to share spotlight on a solo that enjoys such favoritism. There are, of course, the more intricate and demanding solos, but we will gladly finger through the solo of sharp dressed man at any requested moment! The track just has a really raucous delivery, which is a good ignition point on stage, sitting on the tailgate out in the middle of nowhere, sipping a cold one, or wherever you may be. It just does something to you.”