Review: Positive Grid Bias Mini Guitar By Chris Gill The Positive Grid Bias Mini Guitar may be tiny, but it’s a powerhouse that can confidently replace an entire room of amps.
Review: Fender California Series Player Acoustics By Chris Gill The Fender California Player acoustics are perfect for electric players who don’t want to cramp their style when playing acoustic.
Review: Carvin X1 All-Tube Guitar Preamp Pedal By Chris Gill The Carvin X1 is one of the most versatile preamp pedals available on the market today.
Review: PRS Mark Tremonti MT 15 Head By Chris Gill This amp is a best-buy for true aficionados of modern hard rock guitar tones.
Gear Review: Orangewood Oliver Mahogany By Billy Voight This low-cost acoustic features flawless fretwork and a nice, warm midrange.
Review: EarthQuaker Devices Aqueduct Vibrato Pedal By Paul Riario The Aqueduct is a real head-turner, not to mention one of the most fun pedals EarthQuaker Devices has ever produced.
Review: Fender American Original '60s Jazzmaster By Chris Gill The Fender American Original ’60s Jazzmaster certainly will inspire a new generation of players like the Sixties original did.
Review: Seymour Duncan Fooz Analog Fuzz Synthesizer By Chris Gill The Seymour Duncan Fooz Analog Fuzz Synthesizer revives early guitar synth technology while offering the advantage of modern sound quality and reliability.
Review: Vox Mini Superbeetle Guitar Amp By Paul Riario The Vox Mini Superbeetle combines classic looks with sweet jangly tone in a miniature amp stack that will sit well onstage — or anywhere.
Review: Boss Katana-Air Guitar Amp By Chris Gill Offering guitarists the utmost in playing freedom, the wireless, compact Boss Katana-Air is truly liberating from a tone creation, practice, recording and performance perspective.
Review: NU-X B-2 Wireless System By Paul Riario The B-2 delivers a crystal-clear guitar response that sounds as good as a high-quality instrument cable.
Review: PRS Guitars SE Angelus AX20E and SE Tonare T40E By Chris Gill These new SE acoustic models from PRS perform at an elevated level with an entry level price tag.
Review: Orange OMEC Teleport By Chris Gill The Orange OMEC Teleport makes it easier than ever to combine digital software/app models with pedals and amps in your performance rig.
Review: Jericho Guitars Walnut Evertune 6 Standard By Paul Riario The Jericho Guitars Fusion Walnut EverTune combines flawless intonation and playability in a guitar that’s tailor-made for any player who craves focused, dynamic tone.
Review: Fender Pugilist Distortion, Santa Ana Overdrive, Marine Layer Reverb and Mirror Image Delay By Chris Gill Fender’s new line of effects impresses for each pedal’s utilitarian functionality, distinct sounds, useful and innovative new features and their exceptionally affordable prices.
Review: Martin DX1AE Macassar Burst Acoustic-Electric Guitar By Chris Gill If you’ve always coveted the classic Martin dreadnought tone, but couldn’t afford a genuine Martin, the DX1AE is the instrument you’ve been waiting for.
Review: Universal Audio OX Amp Top Box By Dave Hunter Far more than just the sum of its parts, the Universal Audio OX is a professional performance tool that unleashes your high-wattage tube amp.
Review: Billionaire by Danelectro Big Spender Spinning Speaker Pedal By Paul Riario The Big Spender by Danelectro offers a lot of bang for the buck, and sounds pretty damn good to boot.
Review: Bose S1 Pro By Chris Gill The Bose S1 Pro functions as an impressive portable PA, practice amp and monitor—delivering much more than its compact dimensions suggest.
Review: Fender '64 Custom Deluxe Reverb Amp By Paul Riario The hand-wired Fender ’64 Custom Deluxe Reverb is an instant classic.
