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Review: Reverend Guitars Shade Balderose Signature Model

By Chris Gill

Gear Review: Biyang Livemaster

By Billy Voight

Review: Yamaha Pacifica PAC611VFMX Guitar

By Chris Gill

Review: KHDK Electronics Ghoul Jr Overdrive

By Paul Riario

Review: Jackson Guitars Pro Series Soloist SL7 HT

By Chris Gill

Review: EVH 5150 III 50-Watt EL34 Head

By Chris Gill

Gear Review: Goldfinch Guitars Kensington, Painted Lady Rhythm Master

By Billy Voight

Review: Celestion Cream and Neo Creamback Guitar Speakers

By Paul Riario

Review: Dream Studio Sparkler Alain Johannes Signature Guitar

By Chris Gill

Review: Electro-Harmonix Green Russian Big Muff and Hot Wax Pedals

By Chris Gill

Review: Taylor Guitars 352ce and 362ce 12-String Acoustic-Electrics

By Chris Gill

Review: Fender Jimi Hendrix Monterey Stratocaster

By Paul Riario

Gear Review: Wangs Amplifiers Mini 5

By Billy Voight

Review: Boss JB-2 Angry Driver Pedal

By Paul Riario

Review: EarthQuaker Devices Data Corrupter

By Chris Gill

Review: Jackson Guitars Pro Series Dinky DK2

By Chris Gill

Review: Fender Mustang GT 40 and GT 200 Amps

By Chris Gill

Gear Review: Two Notes Le Clean

By Billy Voight

Gear Review: Mooer Audio ShimVerb Reverb Pedal

By Damian Fanelli

Gear Review: Vick Audio Mount Pleasant Overdrive Pedal

By Billy Voight

Vick Audio took the idea of the Marhsall Blues Breaker pedal and built a pedal with more gain, more output and an optional High Cut control.