Bluegrass Music Patriarch Ralph Stanley Dead at 89
Ralph Stanley, a patriarch of Appalachian music who with his brother Carter helped expand and popularize the genre that became known as bluegrass, died Thursday from difficulties with skin cancer. He was 89.
Stanley was born and raised in southwest Virginia, a land of coal mines and deep forests where he and his brother formed the Stanley Brothers and their Clinch Mountain Boys in 1946. Their father would sing them old traditional songs like "Man of Constant Sorrow," while their mother, a banjo player, taught them the old-time clawhammer style, in which the player's fingers strike downward at the strings in a rhythmic style.
Heavily influenced by Grand Ole Opry star Bill Monroe, the brothers fused Monroe's rapid rhythms with the mountain folk songs from groups such as the Carter Family, who hailed from this same rocky corner of Virginia.
The Stanleys created a distinctive three-part harmony that combined the lead vocal of Carter with Ralph's tenor and an even higher part sung by bandmate Pee Wee Lambert. Carter's romantic songwriting professed a deep passion for the rural landscape, but also reflected on lonesomeness and personal losses. "The Lonesome River" uses the imagery of the water to evoke the loss of a lover; "White Dove" describes the mourning and suffering after the death of a mother and father. In 1951, they popularized "Man of Constant Sorrow," which was recorded by Bob Dylan in the Sixties.
The brothers were swept into the burgeoning folk movement and toured the country playing folk and bluegrass festivals during the Sixties, including the Newport Folk Festival in 1959 and 1964.
But when Carter died of liver disease in 1966, Ralph wasn't sure he could continue. His brother had been the main songwriter, lead singer and front man, and Ralph, by his own account, was withdrawn and shy, although he had overcome some of his early reticence.
"Within weeks of his passing, I got phone calls and letters and telegrams and they all said don't quit. They said, 'We've always been behind you and Carter, but now we'll be behind you even more because we know you'll need us,'" Stanley told the Associated Press in 2006.
Get The Pick Newsletter
All the latest guitar news, interviews, lessons, reviews, deals and more, direct to your inbox!
After Carter's death, Ralph drew even deeper from his Appalachian roots, adopting the a cappella singing style of the Primitive Baptist church where he was raised. He reformed the Clinch Mountain Boys band to include Ray Cline, vocalist Larry Sparks and Melvin Goins. He would change the lineup of the band over the years, later including Jack Cooke, and mentored younger artists like Keith Whitley and Ricky Skaggs, who also performed with him.
Dylan and Grateful Dead's Jerry Garcia praised his work and, in the case of Dylan, joined him for a remake of the Stanley Brothers' "Lonesome River" in 1997.
He was given an honorary doctorate of music from Lincoln Memorial University in Harrogate, Tennessee, in 1976, and he was often introduced as "Dr. Ralph Stanley." He performed at the inaugurations of U.S. presidents Jimmy Carter and Bill Clinton, was given a "Living Legends" medal from the Library of Congress and a National Medal of Arts presented by the National Endowment for the Arts and President George W. Bush. He became a member of the Grand Ole Opry in 2000.
At age 73, he was introduced to a new generation of fans in 2000 due to his chilling a cappella dirge "O Death" from the hit Coen Brothers' O Brother, Where Art Thou? movie soundtrack. The album was a runaway hit, topping the Billboard 200 chart, as well as the country albums and soundtrack charts, and sold millions of copies. He won a Grammy for best male country vocal performance in 2002—beating out Tim McGraw, Ryan Adams, Willie Nelson, Johnny Cash and Lyle Lovett—and was the focus of a successful tour and documentary inspired by the soundtrack. The soundtrack, produced by T Bone Burnett, also won a Grammy for album of the year. The following year he and Jim Lauderdale would win a Grammy for best bluegrass album for "Lost in the Lonesome Pines."
He said in an interview with the Associated Press in 2002 that younger people were coming to see his shows and hear his "old time music," and was enjoying the belated recognition.
"I wish it had come 25 years sooner," he said. "I am still enjoying it, but I would have had longer to enjoy it."
Despite health problems, he continued to record and tour into his 80s, often performing with his son Ralph Stanley II on guitar and his grandson Nathan on mandolin.
Stanley was born in Big Spraddle, Virginia, and lived in Sandy Ridge outside of Coeburn, Virginia. His mother was Lucy Jane Smith Stanley and his father was Lee Stanley. He is survived by his wife Jimmie Stanley; they were to celebrate their 48th wedding anniversary July 2. He also is survived by his children: Lisa Stanley Marshall, Tonya Armes Stanley and Ralph Stanley II; His grandchildren: Nathan Stanley, Amber Meade Stanley, Evan Stout, Ashley Marshall, Alexis Marshall, Taylor Stanley, and Ralph Stanley III; and great grandchild Mckenzie Stanley. Memorial service details are pending and will be announced shortly.
Thank you for reading 5 articles this month**
Join now for unlimited access
US pricing $3.99 per month or $39.00 per year
UK pricing £2.99 per month or £29.00 per year
Europe pricing €3.49 per month or €34.00 per year
*Read 5 free articles per month without a subscription
Since 1980, Guitar World has been the ultimate resource for guitarists. Whether you want to learn the techniques employed by your guitar heroes, read about their latest projects or simply need to know which guitar is the right one to buy, Guitar World is the place to look.
“Clapton’s manager says, ‘George Harrison wants you to do the tour and play all the slide parts – he doesn’t want to do it’”: When rhythm guitar hero Andy Fairweather Low was recruited by a Beatle to play slide – even though he’d never played slide before
“He turned it up, and it was uncontrollable”: Eddie Van Halen on the time Billy Corgan played through his rig – and why his setup shocked the Smashing Pumpkins frontman