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“A hard-to-put-down Les Paul with bags of character”: Gibson Les Paul Studio Double Trouble review
By Dave Burrluck Published
Gibson brings the Double Trouble treatment to a lower price-point with a weight-relieved Studio version. For skint rockers everywhere, it’s time to rejoice!

“A must-have producer’s plugin for how much ground it covers”: MixWave Yvette Young Plugin review
By Phil Weller Published
Yvette Young’s first signature plugin brings every aspect of her technicolor tones to a versatile toybox of a plugin

"It’s deceptively versatile”: Jackson Pro Series Signature Wes Borland King V review
By Matt McCracken Published
The Limp Bizkit guitarist's new signature is a single-pickup riff machine designed for live playing, and it's capable of more than you might think

Orange Outlowd by Ed Sheeran ES60 review
By Jamie Dickson Published
Busking-ready acoustic amp with an organic, woody voice and star appeal

Gibson Les Paul Special with Mini Humbuckers review
By Pete Emery Published
Trading the usual P90s for Mini Humbuckers, this Les Paul Special is bound to raise a few eyebrows with a different sound for a classic guitar

“A smoother, posher high-end and improved touch-sensitivity”: Orange OR60 review
By Martin Smith Published
Orange swaps the grit for growl to make this new release its purest-sounding premium all-tube head yet

"Proves you don’t have to spend a fortune to get a pro instrument": Gretsch Electromatic Premier Jet review
By Daryl Robertson Published
Is Gretsch's new attempt at a Les Paul killer the perfect blend of features and single-cut affordability?

"Very well put together, and fantastic value for money": Baum Guitars Carve review
By Matt McCracken Published
Is this Danish-designed, P-90-equipped double cut the ultimate retro-modern rock machine for under $1,000?

"A tale of two halves – I found the clean tones to be quite lackluster": Gretsch Electromatic Jet Baritone review
By Matt McCracken Published
Gretsch's gargantuan scale metal machine gives players an option to downtune without resorting to a 7 or 8 string, but it surprisingly leaves traditional tones in the dark
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