Brush Shiels, bassist with the Irish blues rock band, explains why despite two albums plus prestigious support tours with The Allman Brothers Band and Mountain under their belt – Moore still decided to leave
The instrumental diss track, Slapocalypse Reborn, puts the spotlight back on the players who were wronged by Turra
Your shoulder might not thank you, but it’s certainly a novel way of repurposing old strings
The Tone Master FR-12 released in 2023 to rave reviews – and at long last, it’s getting a tweed makeover
The company’s stock and assets have been sold to online retail giant Gear4music for roughly $3.26 million
Limited-edition models promise to deliver Khruangbin’s celebrated genre-blending tones – with DiMarzio pickups complementing the classic designs and specs
Rhoads became an integral part of Ozzy Osbourne's sound and legacy, but his earlier stint with Quiet Riot – the band he co-founded with Garni – was marked by tension
Recorded at Miami’s Criteria Studios on September 9, 1970, Carl Radle helped ground the mega-hit beneath the immortal pairing of Eric Clapton and Duane Allman
Your shoulder might not thank you, but it’s certainly a novel way of repurposing old strings
Replacing longtime Bowie collaborator Tony Visconti in the Spiders From Mars, Bolder found himself writing basslines on the spot, a challenge he relished. On Drive-In Saturday, he hit the jackpot
Eva Gardner has played with Cher, Moby, Pink, Veruca Salt... the list goes on. Here she reveals how it all started with a bass from Andy Johns, how it's going with the Mars Volta – and what comes next
On Graham’s recommendation, Rustee Allen arrived at the Record Plant in California to overdub his iconic If You Want Me to Stay bassline
Vicious’ bad-boy image may have underpinned the band’s legacy, but Matlock insists he’s no shrinking violet either
Legendary session bassist and member of the Fab Faux Will Lee takes a closer look at Abbey Road classic Oh! Darling, and unpacks Macca's genius approach to reimagining a doo-wop bassline
The cult-classic Growler bass makes a long-overdue return to the bass market
The Vulfpeck funk maestro has unveiled two all-new models that slash more than $2k off the price of his Ernie Ball Music Man basses – and revived the OG Sterling Dart I that proved such a hit last year
East, one of the most celebrated bass players in history, knows a thing or two about tone – and he’s put practicality at the forefront of his new signature model
Luthier Michael Tobias’ ergonomic and tonally versatile bass guitars were lauded in the late ’70s, and now Gibson has spearheaded their return
The Blink-182 drummer and producer has made a revelation about a go-to bass that has proved perfect for almost every record he's produced
The latest PowerStage offers an onboard preamp and built-in overdrive in a bid to cover all bases for bassists
Bruce’s iconic EB-1 will go on display for four weeks at the Gibson Garage in London as part of the Gibson Garage Fest later this month
The follow-up to the game-changing Quad Cortex is here at last, and with its ultra-powerful Nano Cortex, Neural DSP has set its sights on challenging IK Multimedia and Kemper to offer the ultimate all-in-one rig solution
The cult-classic Growler bass makes a long-overdue return to the bass market
Designed in collaboration with bassist Dywane Thomas Jr, aka MonoNeon, this tone-bending pedal delivers signature sounds in the Whammy format
Part bass, part guitar, we get to grips with the Classic Vibe version of Fender’s very own dichotomy of tone
With its classic looks and budget-friendly price tag, is the revived Grabber still as iconic?
On paper, the Sterling Joe Dart model looks like a remarkable reproduction of Music Man’s pro-standard version. Could this be as good as it gets for a $399 bass?
With drive tones verging on the mythical, is this the ultimate bass fuzz?
Vintage looks? Timeless P-Bass tones? We size up the latest incarnation of Fender’s flagship 4-string
This newly developed, feature-packed bass head features an Amp Feel switch and ‘Cabinet Resonance’ calibration technology to get the best from your cab – but is it a game-changer for bassists?
