“A guy painted the scratchplate with a ghost, and apparently, he died 2 weeks afterwards”: Yungblud on his vintage “voodoo” ES-330 – which he wants to turn into a signature model

 Yungblud performs on stage for the first time since August 2024 at a surprise gig for fans at The Scala on March 21, 2025 in London, England
(Image credit: Gus Stewart/Redferns/Getty Images)

Fresh off the release of his fourth album, Idols, “punk's next guitar hero”, a.k.a. Yungblud, shows no sign of slowing down. For his latest album, he took one of rock's most recognizable hollow-body guitars and made it his own – thanks to a background story that, shall we say, is slightly out of this world.

“We were using Epiphone Casino for a lot of the rhythm stuff,” Yungblud tells the Gibson Gazette.

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Janelle Borg
Staff Writer

Janelle is a staff writer at GuitarWorld.com. After a long stint in classical music, Janelle discovered the joys of playing guitar in dingy venues at the age of 13 and has never looked back. Janelle has written extensively about the intersection of music and technology and how it is shaping the future of the music industry, and has a special interest in shining a spotlight on traditionally underrepresented artists and global guitar sounds. She also had the pleasure of interviewing Melissa Auf der Maur, Yvette Young, Danielle Haim, Fanny, and Karan Katiyar from Bloodywood, among others. When she's not writing, you'll find her creating layers of delicious audio lasagna with her Anglo-Maltese, art-rock band ĠENN.

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