Art of Shredding: Marnie Stern
Originally published in Guitar World, December 2010
The New York City-based guitarist shares her views on shred guitar.
For flat-out, unapologetic soloing, who blows your mind?
Mick Barr.
What album/song inspired you to play fast?
"1-800-GHOST-DANCE" from the Hella album Hold Your Horse Is. Im listening to it right now!
What helped you progress dramatically as a guitarist?
Get The Pick Newsletter
All the latest guitar news, interviews, lessons, reviews, deals and more, direct to your inbox!
There were a lot of great bands playing around New York when I was learning to play. I would go watch them, and it would give me the motivation to go home and get better.
What was your biggest technical hurdle?
Working on different rhythms and time signatures, familiarizing myself to the point where they now come fluidly and naturally.
What key performance in your discography is a successful example of what you try to achieve?
I really like the song "Precious Metal" off my first album, In Advance of the Broken Arm, because it's technical and it has parts that lock together in an interesting way. I also like "For Ash" off my new record, Marnie Stern, because tapping is used as a repetitive texture and accent to flesh out the song, and it kind of has an orchestra feel.
Is shredding a good thing?
Of course! I wish there was a better term to describe playing your guts out, because that's what I think shredding is.
What are you currently working on, and what is your goal as a player?
To grow as a songwriter and a player, and write a song that has lasting quality.
Thank you for reading 5 articles this month**
Join now for unlimited access
US pricing $3.99 per month or $39.00 per year
UK pricing £2.99 per month or £29.00 per year
Europe pricing €3.49 per month or €34.00 per year
*Read 5 free articles per month without a subscription
“There was a time you wouldn’t have touched a Superstrat, at least in my world – that was very illegal. It’s cool to be able to let go of those old feelings and those silly rules”: How Chris Shiflett learned to love his inner shredder
“The guitar can be your best friend one day and your rival the next – it keeps you on your toes”: London jazz ace Artie Zaitz on why the amp is your second instrument and how he learned to love mistakes