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Converge’s Kurt Ballou on mixing pedals with amp modelers, guitar recording hacks and reclaiming metal’s authenticity
By Phil Weller published
Fifth album Love is Not Enough sees the producer-guitarist embracing modern gear while opposing modern music’s “data-entry” trends – and returning to a jam space filled with Christmas lights and Iron Maiden flags

“It just floored me”: Inside Fender’s mission to bring the ’62 Super Amp back from the dead
By Charlie Wilkins published
Long hidden in the shadows of Fender history, the early ’60s brown-panel Super Amp has reemerged. Senior product manager, Rick Heins, talks us through its rebirth

How Pavey Ark are reinventing acoustic guitar with pedals, fake nails and a $60 nylon-string that holds its own in any company
By Amit Sharma published
Neil Thomas’ adventurous playing and ear for unorthodox tuning finds the English collective exist between two worlds of traditional and neo-folk

Meet Mary in the Junkyard, the classically rooted alt-rockers making mind-bending indie with Elliott Smith’s tunings
By Cheri Amour published
London songwriter Clari Freeman-Taylor explains the eureka moment of moving to electric from classical guitar, her blood-sealed bond with a new Epiphone, and why she keeps leaving pedalboards on Lime bikes

Bernard Allison grew up surrounded by blues legends – and hid the fact he was learning guitar for years
By Andrew Daly published
Luther Allison’s son played with Stevie Ray Vaughan for his 16th birthday, toured in a band where pedals were forbidden, and achieved his ambition of being in his father’s band, and even leading it

How classical-schooled Derek Gripper rehabilitated himself with 21-string West African technique
By Tanay Gokhale published
The South African musician spent a decade translating the centuries-old repertoire of the West African kora. He emerged with his a unique sound that isn’t restricted to the grid of the staff or the notes on a page

From sleeping in tents to Woodstock, rock ’n’ roll's ‘Forrest Gump’ Leo Lyons shares the story of Ten Years After
By Henry Yates published
The Ten Years After bassist survived Hamburg’s Star-Club, sparked the blues boom, achieved immortality at Woodstock – and is still going strong at 82. “Music,” he says, “it’s a drug…”

Mike Vennart on the Squier Strats that are simply unbeatable – and why he hates acoustics
By Andrew Daly published
The former Oceansize and long-time Biffy Clyro touring guitarist on his love of off-the-beaten-path six-strings and why you've got to try before you buy

The Newman Torn and Frayed Edition might be the Rolling Stones-inspired T-type we’ve been dreaming of
By Jonathan Horsley published
With vibe and mojo off the charts, this UK boutique build is a stunning example of what a little imagination can do with when applied to Blackguard inspiration
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