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“David Ellefson told me, ‘You got the gig. Oh and by the way, Dave told me to tell you that you played many of the wrong guitar parts’”: Marty Friedman tells the inside story of his auditions with Ozzy Osbourne and Madonna – and landing the Megadeth gig
By Marty Friedman published
In this exclusive excerpt from his new autobiography, Dreaming Japanese, the guitarist looks back at his early years, when he was broke and forced to choose between eating or auditioning
Alter Bridge’s Myles Kennedy spills his tone (and drop tuning) secrets – and why he doesn’t like brand-new guitars
By David Mead published
Whatever you do, don’t lend Kennedy your brand-new 10 Top PRS, but do check out his new solo album, The Art of Letting Go, which he promises us is a “a rock ’n’ roll record – a lot of loud guitars”
Saved from ’70s obscurity by hip-hop, Cymande’s Steve Scipio explains what’s different today
By Andrew Daly published
Ahead of a brand-new album, Scipio reveals what he’s kept and what he’s changed over 50 years of playing bass – and why he still only needs one pedal
How Yamaha evolved its TransAcoustic tech to create an acoustic guitar with an onboard delay and looper
By David Mead published
After experiencing the enhanced version of TransAcoustic tech with the TAG3 C, we spoke to Yamaha’s European product specialist, Dan Stock, to learn more
How Bakithi Kumalo’s swung, fretless bassline helped create one of Graceland’s defining sounds
By Chris Jisi published
Like much of Paul Simon’s Graceland, the 1985 session for The Boy In The Bubble took place at Ovation Studios in downtown Johannesburg
How Matt Freeman became one of punk’s most iconic bassists – bringing bass solos, jazz band and Carole King to Rancid
By Brian Fox published
The Rancid bassist talks picking technique, chasing vintage tones, and channeling John Entwistle
The Linda Lindas’ Bela Salazar and Lucia de la Garza on why they’re too punk-rock for school
By Mark McStea published
Having gone viral with Racist, Sexist Boy and toured with punk luminaries Rancid and Green Day, the Linda Lindas are not done growing up yet on sophomore LP No Obligation
James Hetfield credits Metallica’s original bassist with expanding the band’s horizons
By Bryan Beller published
Cliff Burton’s breakneck metal riff laid down the gauntlet on thrash metal classic Battery
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