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Latest Features

We Lost the Sea channeled grief into a landmark post-rock album – then they had to face the pressure of how to follow it
By Alex Lynham published
The Australian instrumentalists created beauty from tragedy with Departure Songs. Hard-fought third album A Single Flower is a breathtaking product of the journey they’ve been on so far, delivered via aluminum guitars and boatloads of pedals

Todd Rundgren’s love affair with Clapton’s Fool SG, and how he moved on after selling it
By Andrew Daly published
He rescued it from peeling-paint hell, restored it after the headstock snapped off, but was never fully happy with the psychedelic Gibson. Then a fan offered a happily-ever-after solution

“That whole Dark Horse tour was a really weird thing”: Robben Ford on touring with George Harrison
By Joe Matera published
Blues/jazz maestro Robben Ford reflects on his time touring with George Harrison in the fall of 1974

Billy Duffy on the Les Paul ’Burst he sold on the cheap – and why player-grade beats all-original every time
By Mark McStea published
Think of Billy Duffy and it’s Gretsch White Falcons, Les Paul Customs or maybe an LP Junior. Here he explains why these three iconic six-strings have been the tools of his trade for over 40 years

Before Robert Trujillo and Jason Newsted, Cliff Burton set the musical bar for Metallica and established an indelible legacy
By Nick Wells published
Cliff Burton’s playing style may have been an offbeat fit for the cutting-edge thrash of Metallica, but it worked perfectly

This 1960 Gibson ES-335 proves that there’s always something to learn from vintage guitars
By Huw Price published
Can you teach an old guitar new tricks? The jury's out on that. But an old guitar can teach you, just like when Dave Davidson picked up this vintage semi-hollow with a secret

Meet Jesse Williams, the Joe Bonamassa-backed singer-songwriter tackling the mountain blues
By Andrew Daly published
Raised on fingerpicking and the blues but now beginning to explore pedals, Williams explains why it’s worth remaining independent no matter the challenges

Alex Lifeson on throwing sonic curveballs with Envy of None – and why he’s all in on plugins
By David Mead published
As Alex Lifeson launches the second album from his latest prog project, Envy of None, we delve deep into the mists of its sonic landscape
![Goose’s Rick Mitarotonda [left] and Peter Anspach at NYC’s Radio City Music Hall, June 25, 2022](https://cdn.mos.cms.futurecdn.net/tUcaeZE77iRm3AJSfFSZkK.jpg)
How Goose took flight to become the world’s hottest jam band
By Alan Paul published
Rick Mitarotonda and Peter Anspach play without fear, reading the room, letting their improv instincts guide them. But those rooms are getting mighty big. Just how did a Connecticut jam band reach Madison Square Garden?
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