Guitar World: September 2011 Issue Video Downloads

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Since 1980, Guitar World has brought guitarists the best in-depth interviews with great players, along with exclusive lessons, informative gear reviews and insightful columns that help guitarists grow and excel on their instrument. Whether you want to learn the techniques employed by your guitar heroes, read about their latest projects or simply need to know which guitar is the right one to buy, Guitar World is your guide.

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Left- Carlos Alomar at club Le Bar Bat on October 1993 in New York City; Right-Rock and roll musician Chuck Berry poses for a portrait holding a Gibson hollowbody electric guitar in a scene from the movie "Go Johnny Go" which was released in June of 1959 in Los Angeles, California

“I had the audacity to say, ‘Are we gonna rehearse, Mr. Berry?’ He whipped around and yelled, ‘We don’t rehearse rock ‘n’ roll!’” Session great Carlos Alomar on his time as Chuck Berry’s rhythm guitarist

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“My band and crew hadn’t worked in three years so we plowed on – eight epidurals later and 180 opium tablets, I made it through the tour”: Blackie Lawless on touring, talking solos with David Gilmour – and that time W.A.S.P. bought 52 Marshall heads

“It was the pick my playing had been waiting for”: I’ve been on a quest to find the perfect pick – and it didn’t just improve my tone, it made me a better player

“At a certain point we couldn’t get into 606 anymore. Some band called the Foo Fighters had it booked out for a month”: Scott Ian and Jonathan Donais check in from the studio to explain why the new Anthrax record will “punch people in the face”

“I’m sick of people saying Walk On the Wild Side is a classic. I got paid £12, and David Bowie didn’t even show up”: Session bass legend Herbie Flowers on the making of Lou Reed’s 1972 hit – and the hardest session he ever did

“I remember trying a Telecaster and finding the sliding so complicated, like a mountain between one fret and the other. I hated it. That’s why I stuck with Jazzmasters”: Hinds talk learning guitar on the road, recruiting Beck – and rebuilding the band

“If there is a Jane’s Addiction in 2025, there will be new music. But you never know if there’s going to be a band at all”: Eric Avery on overcoming JA’s “unthinkable” time without Dave Navarro and his brief stints with Metallica and Smashing Pumpkins

“I learned the hard way many years ago that daisy chains are not reliable!” Serena Cherry shares her pedalboard secrets and admits she’d feel naked without “big, cavernous reverb”

Boss discontinued the Katana:GO mere months after launching it – these are 4 headphone amps you should try instead

“It’s amazing to see Adrian Belew and Steve Vai playing together. My temptation is to pick up the camera! I have to remind myself to stick to my job playing bass”: For the King Crimson-channeling Beat tour, Tony Levin is a virtuoso among virtuosos

“I’ve done somewhere close to 30,000 fret jobs. Holding a crowning file for that many hours a day will tear you up if you’re not careful”: How fixing thousands of guitars changed the way Tulsa blues cat Seth Lee Jones plays the thing

“I couldn’t work with John Lennon and Paul McCartney. I’d end up being beaten to death”: When we locked horns with Lemmy to talk Motörhead, Marshalls and why he wouldn’t fit in with one of his favorite bands

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