Blending the E, A and B Chord Progression into the Higher Register By Bobby Kittleberger Make one of the most common guitar chord progressions more interesting to play
Guitar Chalk Sessions: Methods for Targeting Problem Areas in Your Guitar Solos By Bobby Kittleberger Be willing to critique yourself and to put in the boring practice time fixing the areas where you’re falling short.
Guitar Chalk Sessions: Building Control from Basic Pentatonic Patterns By Bobby Kittleberger Use patterns derived from pentatonic scales to build fretboard control and dexterity.
Three Insanely Easy Chord Structures for Nuanced Melody in the Key of C By Bobby Kittleberger You can use some incredibly simply dyadic chords to form more melodic and dynamic melodies.
How to Prevent Note Fumbling and Improve Fretboard Control By Bobby Kittleberger Learn how to improve your fretboard control and reduce instances of missed, buzzing or fumbled notes during solos.
Five Simple Reasons Your Solos Sound Cheap By Bobby Kittleberger Your guitar solos will always sound a little predictable to your own ear. But what if you’re doing something that’s causing your solos and lead work to sound bland?
Building Eighth- and 16th-Note Rock Rhythms By Bobby Kittleberger Add a ton of variety to your rhythm riffs with a fairly small amount of guitar music theory.
Adding Dynamic Appeal to Your Power Chords with Intervals and Dyads By Bobby Kittleberger Power chords, once your fingers are comfortable with the stretching, are mind-numbingly simple. That's not a bad thing and I wouldn't say that power chords are "cheap" or "too easy." That's dumb.
Guitar Chalk Sessions: Three Nuanced Quality Indicators of a Good Tremolo Pedal By Bobby Kittleberger
Getting Started with Tremolo Picking By Bobby Kittleberger Guitar tremolo picking shows up in nearly every style of music that accommodates electric guitars. Moreover, it’s not necessarily a lightning-fast technique.
Building Guitar Interval Exercises from Stacked Thirds By Bobby Kittleberger In this lesson, we’ll look to build guitar exercises based off patterns we’re likely to play when we’re not just working on strength and dexterity.
