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"Easily one of the most desirable electric guitars under $1,000 that I've played": Eastman FullerTone Offset '62 review
By Rob Laing published
The latest FullerTone design might just be the best yet, and a big statement from Eastman

“Surely the most vicious artist series model in the Gibson catalog”: Gibson Mark Morton Les Paul Modern Quilt review
By Jonathan Horsley published
Lamb of God riff-master Mark Morton's Les Paul has been years in the making, subject to brutal road-testing, featuring a hot custom-wound humbucker pairing, but it's finally here

“My only frustrations are with its unstable tuning, which dampens an otherwise fantastic playing experience”: Cort Space G6TR review
By Phil Weller published
Cort's well-spec'd Strandberg rival capitalizes on the headless guitar renaissance, but it's not without its flaws

"Fractal's renowned amp modeling at a lower entry price": Fractal AM4 review
By Pete Emery published
Roadtesting Fractal's renowned amp modeling at a price that could make a serious splash in the compact modeler market

“For James Hetfield fans, this guitar is a no-brainer”: Epiphone Explorer 80s EMG review
By Matt McCracken published
Epiphone's latest Explorer delivers the ultimate unofficial tribute for Metallica fans

"Hits the sweet spot of Fender’s heritage, sound, practicality and price": Fender American Professional Classic Precision Bass review
By Stuart Williams published
Fender's new entry-point into US-made instruments finds the sweet spot between old and new

“In my experience, it's the easiest modeler to use live”: Line 6 Helix Stadium XL Floor review
By Pete Emery published
With a massive touchscreen, new ‘Agoura’ amp modeling, a more compact size, and a host of other features, Line 6 looks to take the modeling crown with the sequel to the Helix

Gretsch Streamliner Jet 1 Pickup
By Matt Owen published
An affordable, uber-cool workhorse guitar that packs a lot of punch despite its streamlined spec sheet

“Not your typical guitar pedal”: Gamechanger Audio Motor Pedal review
By Pete Emery published
Synth sounds for the guitar from a real spinning motor, packaged in a striking, car-themed aesthetic. Can it live up to its looks?

"I feel closer to what I'm playing, more connected in a way I've never really felt with other semi-hollow guitars": Orangewood Clementine review
By Rob Laing published
Orangewood's second-ever electric guitar release leans into its acoustic roots and a high spec, but can it win you over from the established giants of semi-hollow guitars?
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