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Steve Morse on gear-buying, his ‘FrankenTele’ and why he needs four pickups – no more, no less
By Andrew Daly published
A gearhead through and through, the Dixie Dregs and ex-Deep Purple guitarist reveals some of his follies and lessons learned along the way
Mk.Gee and his Fender Jaguar take center stage on SNL – alongside a mysteriously spec'd Charvel
By Janelle Borg published
The fast-rising guitarist performed the recently-released Rockman, and Alesis., from his critically-acclaimed debut, Two Star & the Dream Police
Leslie West on giving his Gibson Les Paul Junior to Pete Townshend after tracking three songs with The Who
By Janelle Borg published
West met Townshend when The Who recruited him to play lead guitar on several tracks for their 1971 album Who’s Next
Steve Lukather on how Quincy Jones saved Michael Jackson’s Beat It from becoming a heavy metal track
By Phil Weller published
Jackson wanted a rock track for Thriller – and Lukather says Jones had to step in to stop the song from entering fully fledged metal territory
Meet Lazy Day’s Tilly Scantlebury – the UK guitarist-producer summoning sparkling indie tones from secondhand setups
By Cheri Amour published
North London songwriter-producer embraces focus on rhythm, open tuning, Tubescreamer clones and following their instincts on debut album Open The Door
Martin Barre on Jethro Tull’s pioneering ’70s era, the Aqualung sessions – and supporting Jimi Hendrix
By Jamie Dickson published
A signature-shifting collision of bucolic folk and frayed-edge rock, Jethro Tull’s Aqualung is one of the ’70s’ most daring records. Barre takes us on a deep dive back to those fabled sessions, from winging his parts to snubbing Jimmy Page
Pat Metheny tells the story of how he met Jaco Pastorius – and their formative years in Miami
By Janelle Borg published
Pastorius notably played on Metheny's debut album, Bright Size Life, and the two even joined Joni Mitchell on her Shadows and Light tour
Misha Mansoor on the emergence of offsets in metal music – and why he should have seen it coming
By Matt Owen published
The Periphery guitarist recently worked with Jackson to produce one of 2024's most talked-about custom builds – but he's not the first player to have dragged the offset into heavy territory over the past few years
How Devin Townsend relied on his production process to deliver his new album from the depths of depression and grief
By Jonathan Horsley published
The first of a four-album cycle on death and rebirth involved a serious stack of gear and staggering new speakers – and the Canadian prog-metal maverick says the process was cathartic in its own way
Intervals' Aaron Marshall on making the impossible possible, and jamming with Wolfgang Van Halen
By Gregory Adams published
Memory Palace is another dizzying work of instrumental genius from Aaron Marshall and co, but creating all this on record presents a challenge when it comes to the live show. Marshall's approach? Play it by any means necessary...
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