Latest about Guitarists
From Hüsker Dü’s “fighter jets” to Sugar’s “sheets” of guitar, how Bob Mould built his wall of sound
With his trusty Fender Strat in hand and at a young 64, Bob Mould is an evergreen icon of alt and indie guitar – and he’s back with a new solo album
Liam Gallagher’s son thinks guitar music is only now making a return
Gene Gallagher, of indie band Villanelle, says a new era of rock music is here
Ricky Warwick on welcoming Lita Ford, Charlie Starr and Billy Duffy to vintage guitar nirvana for his new solo album
The Thin Lizzy and former Almighty man's Blood Ties is packed with signature chord voicings and guest spots from his friends – and even though Ford only sings on it, she brought her Hamer to the party
Jack White reveals the one guitar he regrets letting go – and why he still hopes he'll reunite with it
White reminisces on the one that got away...
Why folk legend Richard Thompson is embracing new guitar gear – but drawing the line at digital
Thompson may be impressed with modern guitar gear, but he’s explained why he doesn’t like digital amp simulations
Bill Kelliher on his awkward Tony Iommi encounter and Mastodon’s Back to the Beginning plans
As he gears up for Black Sabbath's last hurrah, the Mastodon man looks back on his brief – but probably very helpful! – exchange with Tony Iommi, and explains why no-one tops the Sabbath riff lord
Joe Perry leaves the door open for an Aerosmith reunion – and he’s not the only band member who’s keen
The guitar hero is the latest Aerosmith member to hint at a final send-off at some point in the future
Dweezil Zappa devises the ultimate tube amp versus modeler test – using both the shred an Eddie Van Halen classic
Zappa put two distinct setups to the test to see if listeners could truly tell the difference between tube amps and their digital counterparts
Sam Fender’s first guitar was a budget Strat copy – and even though he's selling out stadiums, he still plays it to this day
The indie rock phenom looks back on his beginnings – and how a humble rig, along with Slash’s autobiography, served as his tools for becoming part of the UK’s contemporary rock royalty
