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Wolfgang Van Halen stowed his dad’s most legendary guitar in his car as a precaution during the LA wildfires
By Phil Weller published
Wolfgang was recording his latest record as the wildfires threatened 5150 Studios, but all he could focus on was keeping his dad’s most prized gear safe

Alex G is a guitar icon for Gen Z – and he gets some of his favorite tones from a stock Logic preset
By Phil Weller published
Most of the guitar tones from Alex G’s latest record were created using a factory DAW preset

Bryan Adams says he’s no guitar hero, but believes he’s written songs that cover versions can’t beat
By Andrew Daly published
The Canadian songwriter extraordinaire on what he learned from Mutt Lange, how he got his long-sold Les Paul back, why he dug his Rockman out of the basement, duetting with Taylor Swift and the single piece of technical advice he has to offer

John 5 on staying true to the Crüe, pushing his playing and why he’s surrounded by ghosts
By Andrew Daly published
The virtuoso explains what made him the perfect fit for Mötley Crüe, how he’s channeling Paul Gilbert and Robert Johnson on his latest solo album, and what’s next for his signature Fender Telecaster

Gilby Clarke on the story behind his modded ’69 Fender Telecaster, immortalized on the cover of Guitar World
By Andrew Daly published
It was the Nov 1992 issue. Guns N' Roses were officially and unofficially the biggest – and still most dangerous – band in the world, and its guitarists, Slash and Gilby Clarke was on the cover. Slash had done this before. Clarke? It was all new...

Ozzy Osbourne has worked with the biggest virtuosos in the world – but Andrew Watt says he valued the bass above all else
By Phil Weller published
Watt collaborated closely with the Prince of Darkness on his final two albums and discovered he valued one instrument above the rest when it came to dialing in a mix

Sophie Lloyd shreds in front of 82,000 people to open the Women’s Rugby World Cup final
By Phil Weller published
Lloyd shredded through an original track and a Bon Jovi classic for the historic event's pre-show entertainment

Sleigh bells in doom metal? How Paradise Lost’s Greg Mackintosh is rewriting the gothic metal rulebook
By Gregory Adams published
Ascension is another work of magisterial gothic doom from the English metal stalwarts, who are still chasing new ways to articulate melancholy in the infinite sadness
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