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Mike Campbell on what makes the Telecaster magic (even if he thinks they’re kinda ugly)
By Andrew Daly Published
The former Heartbreaker and Dirty Knobs main man on his lifelong love affair with the world's first mass-produced electric guitar

From Blood Brothers to Evil Island’s horror-surf, the wild ride of hardcore hero Cody Votolato
By Gregory Adams Published
Evil Island is a vampire-obsessed, POG-abusing new project from hardcore scene survivors
![Joe Satriani plays his Paisley Pattern JS signature Ibanez; Kirk Hammett [right] plays his ESP Mummy.](https://cdn.mos.cms.futurecdn.net/w4FRgR6B5Pv4bVmgRR4KYU-320-80.jpg)
“They were the weirdest things. He was asking me, ‘What do you think I should play over this stuff?’” When Joe Satriani got an exclusive preview of new Metallica material during lessons with his student Kirk Hammett
By Jonathan Horsley Published
When Joe Satriani got an exclusive preview of new Metallica material during lessons with his student Kirk Hammett

Manning the world’s first production fretless bass, Rick Danko had to be laser-sharp in the Band
By Brian Fox Published
Along with Bill Wyman of the Rolling Stones and Boz Burrell of Bad Company, Rick Danko was one of the earliest players to take fretless bass guitar into the mainstream

Christone “Kingfish” Ingram on the enduring appeal of the Fender Telecaster
By Andrew Daly Published
The modern day blues king is a Telecaster signature artist and an advocate for its bona-fides as the working player's guitar

How Brian May ended up playing on Tony Iommi's forthcoming solo album
By Janelle Borg Published
The two legends have been friends for over five decades and previously collaborated on a Black Sabbath and solo Iommi track

Guitar Hero’s spiritual successor is stacked with iconic tracks – but some big hitters are missing
By Phil Weller Published
Stage Tour comes from the makers of the cultural smash and is set to release on December 10

How a little songcraft and a lot less gain brought chart success for emo-punk veterans Joyce Manor
By Jim Beaugez Published
Killing the gain made the emo-punks’ new album kick harder than ever; now they’re hijacking the Billboard charts on their own terms
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