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Why Josh Klinghoffer feels his Red Hot Chili Peppers contributions have been erased from history
As Klinghoffer embarks on a new era, the former Chili Peppers guitarist reflects on his tenure with the band and why he feels “slight disrespect” towards his legacy
Ozzy Osbourne producer Andrew Watt on what it was like to play with two Beatles in the studio
Watt waxes lyrical about what it was like to add another legend to his Rolodex of rockstars
Randy Bachman and Burton Cummings on the Guess Who’s fight to return to the stage
Bachman and Cummings talk favorite songs, cherished guitars and what it means to be back as the Guess Who after years of legal struggles
How tuning down and jamming Eagles and Skynyrd unlocked the return of Swedish doom heroes Monolord
Neverending finds the venerable Gothenburg trio expand their sound under the supervision of Tool producer Sylvia Massy, adding light and shade to those riffs – and more guitars
How Jared James Nichols took Blues Power to Dave Grohl's Studio 606 and super-sized his sound
On this year’s Louder Than Fate, Nichols is spreading his creative wings, and – with some help from a one-of-one amp made for Jeff Beck – venturing into new musical pastures
Steve Morse on how a gear nightmare lead him to Ernie Ball
Morse has become one of Ernie Ball’s most loyal and high-profile endorsers – and it all started with a broken volume pedal
That time Ronnie James Dio offered to front ’70s glam-rock outfit The Sweet
Internal disagreements led Dio to very different gig as he sought an escape from Blackmore’s Rainbow, while The Sweet were grappling with their frontman's drinking problems
How Adam ‘Nolly’ Getgood went from Sikth super-fan to playing in the band
Former bassist for Periphery, Getgood pinpoints the pickup selection and pick technique he’s been using onstage with Sikth
