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Evan Stanley and Nick Simmons on the realities of making it in the music industry as the sons of Kiss legends
By Janelle Borg published
As the sons of Paul Stanley and Gene Simmons, the two are carving their own musical path together under the moniker Stanley Simmons

Don Was on why Keith Richards shouldn't be underestimated
By Janelle Borg published
Was first started working with the Stones in 1994 – and the partnership would continue for decades

Dave Mustaine sets the record straight on why he and James Hetfield don’t talk anymore
By Janelle Borg published
The story goes way back to Metallica's legendary No Life 'Til Leather demo

The Cribs on swapping guitars, tracking a stolen guitar and why it’s not their fault that you can’t get their signature Squiers
By Matt Parker published
Ryan and Gary Jarman remember Steve Albini as much nicer than you’d think, share the crazy story of a missing Mustang, and tell us how a Tube Screamer can make a guitar sound like a synth

Why Sting just paid $800,000 to his former Police bandmates, Andy Summers and Stewart Copeland
By Janelle Borg published
Summers and Copeland launched a legal case last year, claiming “historic underpayment” for their contributions to the Police's hits

The story of the stolen Fender offset that unites three iconic indie rock bands
By Janelle Borg published
The story of the stolen Fender offset that unites three indie icons The Cribs' Ryan Jarman bought a ’78 Sunburst Mustang that helped shape the band's early sound – only for it to mysteriously end up in the hands of The 1975's Matty Healy and Beabadoobee nearly two decades later

The Aristocrats' Bryan Beller recalls the moment he met Guthrie Govan and formed a new kind of supergroup
By Janelle Borg published
As per Aristocrats lore, the power trio formed right after an impromptu jam at NAMM 2011

“They stole our name – Jon Bon Jovi and Richie Sambora were listening to our records”: The tale of the original Irish Skid Row
By Andrew Daly published
Bassist Brush Shiels looks back on his lifelong friendship with Moore, why he won’t sue the American hair metal band, and how Peter Green was responsible for their first album sounding so bad
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