Clay Marshall
When he isn’t working his day job at a music merchandise company or riding rollercoasters with his son, Clay likes trying to convince people to let him write about rock ’n’ roll. He’s interviewed Gene and Paul for Billboard, Lars and Kirk for Metal Hammer and Slash for the L.A. Times, and for a Classic Rock feature in 2016, he even spent four days in a band with Tracii Guns. His first GW clip was a retrospective on Criss Oliva of Savatage, a band whose earMUSIC catalog reissues feature liner notes he authored. He considers himself a Les Paul guy.
Latest articles by Clay Marshall

By Clay Marshall Published
Everything we saw at the last night of Aerosmith & Friends’ California, Dream On – from Guns N’ Roses’ emotional tribute, to Heart cameos, Tom Morello’s guitar message and a victorious Black Crowes set… and then there’s the headliner

By Clay Marshall Published
Ahead of the release of a new classic lineup era live album, he looks back on working with the queen of rock and the king of polka, and admits to pride over a unique Trans-Siberian Orchestra stat

By Clay Marshall Published
Ahead of touring with Amon Amarth, Small reveals the positive side of having a dozen guitars stolen, the “perpetual motion” of his band’s shows, the best guests on Metalocalypse, and his quest for the perfect concert

By Clay Marshall Published
Small's appearance in the new SatchVai music video isn't his first collaboration with the two virtuosos. They cropped up on his cult animated TV series, Metalocalypse, and have since become mentors

By Clay Marshall Published
Skolnick got up close and personal with this one-of-one Mirage when he stepped up to replace the late Oliva in Savatage. Like the ZZ Top man's Burst, it has a tone that's all its own

By Clay Marshall Published
In 1994, following the death of the brilliant Criss Oliva, reeling Tampa metallers Savatage enlisted then-ex-Testament man Alex Skolnick. The experience left a lasting impression on both

By Clay Marshall Published
We look at the career, technique and melodic approach of one of electric guitar’s largely forgotten masters: Savatage's Criss Oliva
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