Review: EarthQuaker Devices Aqueduct Vibrato Pedal By Paul Riario published 14 November 18 The Aqueduct is a real head-turner, not to mention one of the most fun pedals EarthQuaker Devices has ever produced.
Review: Fender American Original '60s Jazzmaster By Chris Gill published 9 November 18 The Fender American Original ’60s Jazzmaster certainly will inspire a new generation of players like the Sixties original did.
Review: Seymour Duncan Fooz Analog Fuzz Synthesizer By Chris Gill published 5 November 18 The Seymour Duncan Fooz Analog Fuzz Synthesizer revives early guitar synth technology while offering the advantage of modern sound quality and reliability.
Review: Vox Mini Superbeetle Guitar Amp By Paul Riario published 30 October 18 The Vox Mini Superbeetle combines classic looks with sweet jangly tone in a miniature amp stack that will sit well onstage — or anywhere.
Review: Boss Katana-Air Guitar Amp By Chris Gill published 29 October 18 Offering guitarists the utmost in playing freedom, the wireless, compact Boss Katana-Air is truly liberating from a tone creation, practice, recording and performance perspective.
Review: PRS Guitars SE Angelus AX20E and SE Tonare T40E By Chris Gill published 16 October 18 These new SE acoustic models from PRS perform at an elevated level with an entry level price tag.
Review: Orange OMEC Teleport By Chris Gill published 12 October 18 The Orange OMEC Teleport makes it easier than ever to combine digital software/app models with pedals and amps in your performance rig.
Review: Jericho Guitars Walnut Evertune 6 Standard By Paul Riario published 4 October 18 The Jericho Guitars Fusion Walnut EverTune combines flawless intonation and playability in a guitar that’s tailor-made for any player who craves focused, dynamic tone.
Review: Fender Pugilist Distortion, Santa Ana Overdrive, Marine Layer Reverb and Mirror Image Delay By Chris Gill published 29 September 18 Fender’s new line of effects impresses for each pedal’s utilitarian functionality, distinct sounds, useful and innovative new features and their exceptionally affordable prices.
Review: Martin DX1AE Macassar Burst Acoustic-Electric Guitar By Chris Gill published 19 September 18 If you’ve always coveted the classic Martin dreadnought tone, but couldn’t afford a genuine Martin, the DX1AE is the instrument you’ve been waiting for.
Review: Universal Audio OX Amp Top Box By Dave Hunter published 14 September 18 Far more than just the sum of its parts, the Universal Audio OX is a professional performance tool that unleashes your high-wattage tube amp.
Review: Billionaire by Danelectro Big Spender Spinning Speaker Pedal By Paul Riario published 12 September 18 The Big Spender by Danelectro offers a lot of bang for the buck, and sounds pretty damn good to boot.
Review: Bose S1 Pro By Chris Gill published 10 September 18 The Bose S1 Pro functions as an impressive portable PA, practice amp and monitor—delivering much more than its compact dimensions suggest.
Review: Fender '64 Custom Deluxe Reverb Amp By Paul Riario published 7 August 18 The hand-wired Fender ’64 Custom Deluxe Reverb is an instant classic.
Review: Electro-Harmonix Cock Fight Plus Wah & Talking Pedal with Fuzz By Paul Riario published 6 August 18 As a wah, the EHX Cock Fight Plus is smooth and even, with a sweet wah-quack that most classic rock players will enjoy.
Review: EarthQuaker Devices Pyramids Stereo Flanger By Chris Gill published 3 August 18 For flanger connoisseurs, EarthQuaker Devices' Pyramids is an essential addition to one’s arsenal.
Review: IK Multimedia iRig Stomp I/O By Chris Gill published 1 August 18 If you love IK Multimedia’s virtual amps and effects but want an efficient way to use them in the studio or on stage, the iRig Stomp I/O is exactly what you've been looking for.
Review: D'Angelico Deluxe Atlantic and Deluxe Bedford Solidbodies By Chris Gill published 31 July 18 If you’re looking for a guitar that truly delivers when it comes to tone and playability, D’Angelico’s new Deluxe Series solidbodies are as classy as the company’s reputation.