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“It really has everything going for it”: Faith PJE Legacy FG4 Earth review
Patrick James Eggle’s take on the OM body shape is built by Faith’s facility in Indonesia and based around PJE’s Linville model from his acoustic-building days. But does it rock our world?
“It’s the same, loud, high headroom amp but with a more open-sounding clean tone that boasts a little extra life”: Fender Hot Rod Deluxe 30th Anniversary review
Fender celebrates 30 years of the ubiquitous Hot Rod Deluxe with an Anniversary edition that boasts a speaker change and a classy aesthetic
EarthQuaker Devices Towers review
The latest entry into EarthQuaker Device's range of revolutionary ambience machines will make you rethink your relationship with reverb
“The best Big Muff there’s ever been for bass”: Electro-Harmonix Bass Big Muff Pi 2 review
A long-lost EHX Big Muff variant, made real – and now made for bassists to enjoy too.
“Arguably the most practical single pedal you can put in front of an amp”: Flattley The Outlaw review
Flattley combines the functions of two of its pedals into one chassis to create a Marshall-flavoured drive and boost
"It’s one of the most satisfying stacking combinations I’ve encountered in a dual-channel pedal for a very long time": Wampler Golden Jubilee review
Wampler is going for gold with a versatile, fun and pretty great-sounding dual drive pedal
“More aggressive, more physical, more raw and in tune with the animal kingdom”: Electro-Harmonix Big Muff Pi 2 Dual Op-Amp Fuzz review
A schematic, lost in the shuffle, resurfaces with the help of JHS Pedals supremo Josh Scott, and presents us with a fresh slice of Pi
“Lo-Fi and Pitch modes take you well beyond the usual analog delay paradigm”: Beetronics Bee Bee Dee review
The first delay pedal from Beetronics offers analog sound with digital control for some time-warped creativity
