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"Crisply built and shines like a gem on the live stage": Taylor 314ce Studio review
An attainably priced “serious” Taylor with high-end touches
“Not just another copycat design”: Eastman Fullertone SC ’52 and DC ’62 review
Last year’s D’Ambrosio series guitars signified numerous firsts for Eastman, not least that they were US-made with boutique prices to match. These new FullerTones capture the magic at a fraction of the price
"This is the kind of guitar that encourages you to play your best, allowing you to perform faster, smoother, and more expressively than you thought possible": Gibson Marcus King ES-345 review
Marcus King delivers a royal reimagining of an ES classic – and it may take the crown as the finest signature guitar of the year
ESP LTD RZK-III OW review
Rammstein’s riffer-in-chief Richard ZK returns with his third signature guitar, marking a departure from its predecessors with an arsenal of fun features
“If you think PRS just makes guitars for well-heeled doctors and dentists, you might have to change your opinion”: PRS SE NF 53 review
A new month, a new PRS. This time the USA NF 53 gets the affordable SE treatment
“It can definitely zero in on the Beatles’ retro tones. But there’s more to it than that”: Aclam Go Rocky Go review
Aclam releases its third pedal inspired by vintage Vox amps and the Fab Four’s guitar sound
“An ideal ‘gateway’ instrument for electric players”: Cort Sunset Nylectric DLX review
Cort's stylish single-cut might be the hybrid nylon-string that electric players are looking for
“A vast universe of distortion and fuzz effects and much more”: SOMA Harvezi Hazze review
Behold, a distortion pedal with waveshaper designed around a "relic" from the early days of semiconducters – and yes, it sounds like nothing you've ever heard before
