Review: Ernie Ball Music Man John Petrucci Majesty Tiger Eye By Paul Riario For its streamlined beauty and ergonomic design, the Ernie Ball Music Man Majesty Tiger Eye is an unrivaled instrument for dextrous playing and tonal possibilities.
Review: Fender Full Moon Distortion and The Pelt Pedals By Chris Gill Fender’s Full Moon Distortion and The Pelt fuzz pedals take high-gain distortion and fuzz to a new level of excellence.
Review: IK Multimedia Axe I/O By Chris Gill The IK Multimedia Axe I/O makes it easy to record incredible guitar tones without an unlimited budget and an advanced recording engineer degree.
Review: Gretsch G6131-MY Malcolm Young Signature Jet By Chris Gill The Gretsch G6131-MY Malcolm Young Signature Jet nails Malcolm’s tone while also providing players with an outstanding instrument for developing their own sound.
Review: Yamaha FS-TA TransAcoustic By Paul Riario The FS-TA features Yamaha's fantastic TransAcoustic technology, with all the top-notch craftsmanship the company is known for, at a price that won't break the bank.
Review: Boss GT-1000 Guitar Effects Processor By Chris Gill The Boss GT-1000 delivers extremely powerful guitar tone and effects capabilities in a stage-worthy, portable, all-in-one rig package.
Review: Eventide PowerMax By Paul Riario The PowerMax is so reliable that, once you use it, there’s no going back to anything else.
Review: Fender Player Stratocaster HSH By Paul Riario The Fender Player Series Stratocaster HSH is a bargain for an instrument that packs a wallop in tone and features.
Review: EarthQuaker Devices Swiss Things Pedalboard Reconciler By Chris Gill The EarthQuaker Devices Swiss Things Pedalboard Reconciler performs an impressive variety of essential functions and makes it easy for guitarists to maximize the potential of their pedalboards.
Review: Marshall Origin50H Amp Head By Chris Gill At its heart the Origin50H is all about providing the most beloved classic Marshall tone in its most pure and unadulterated form.
Review: Fender Blues Junior IV Amp By Paul Riario The Blues Junior IV is a markedly improved version of this durable grab-and-go amplifier.
Review: Way Huge Smalls Supa-Lead By Paul Riario This is a muscular, full-sounding overdrive with less crunchiness and more liquid grind.
Review: Line 6 HX Stomp By Chris Gill Comparing a product that does almost everything under the sun to a Swiss Army knife may be cliché, but in the case of the Line 6 HX Stomp it’s hard to think of a better comparison.
Review: Framus D-Series Diablo Pro By Chris Gill If you’re looking for a single guitar that can get you through an entire gig, the Diablo Pro is a very worthy choice.
Review: Electro-Harmonix Flatiron Fuzz Pedal By Paul Riario The Flatiron Fuzz is a crossroad of fuzz and distortion and combines both in a very natural and musical way.
Review: Heritage Guitars Standard H-150 By Chris Gill The Heritage Standard H-150 delivers the thrills of a Kalamazoo-era Les Paul for a lot less bills.
Review: Charvel's New Pro-Mod DK24 HSH 2PT CM Guitar By Paul Riario The Charvel Pro-Mod DK24 HSH 2PT CM puts the “super” in superstrat.
Review: Fractal Audio Axe-FX III By Chris Gill The Axe-FX III is simply the most powerful amp and effects modeling product available today.
Review: Boss Waza Craft DC-2W Dimension C and MT-2W Metal Zone Pedals By Chris Gill With these new Waza Craft pedals, Boss has taken some of its most popular and most coveted effects and made them even better.
Review: Keeley Aria and El Rey Dorado By Chris Gill If you love distortion as much as we do, you’ll want both of these boxes on your pedalboard.
