Framus Pro Series Panthera II Supreme and D-Series Diablo Pro review

The German manufacturer delights and disappoints with one guitar that comes with its own silver lining and another that needs a bit more devil in its details…

Framus Pro Series Panthera II Supreme and D-Series Diablo Pro review
(Image: © Future / Olly Curtis)

Guitar World Verdict

If you’re looking for a strong contender for a list of Les Paul Standard alternatives, you’re advised to check out the Panthera II Supreme. As for the Diablo Pro? There are more charismatic-looking rivals, but it will become increasingly attractive the sweeter the deal you can get.

Pros

  • +

    The Panthera is easy on the eye.

  • +

    And it is loaded with great hardware and pickups.

  • +

    The Diablo Pro has excellent tuning stability and Seymour Duncan pickups.

Cons

  • -

    The Panthera's neck could be fatter.

  • -

    And its silver body stripes are an acquired taste.

  • -

    The Diablo Pro doesn’t look or feel enough like a £700+ guitar.

  • -

    And its neck joint seems a bit creaky, too.

You can trust Guitar World Our expert reviewers spend hours testing and comparing guitar products so you can choose the best for you. Find out more about how we test.

You gotta have some front to call your new electric guitar ‘Supreme’. It’s like a boxer nicknamed ‘The Killer’. The minute he’s stretchered from the ring unconscious, the game is well and truly up. In this instance, Framus has given its Panthera II Supreme contender every fighting chance to live up to its name with some high-spec gestures.

Taking its cue from the mighty Gibson Les Paul Standard, the Panthera features a mahogany body with a thick and fabulous AAA maple cap. The top benefits from some beautiful German carving, which lowers the level of the volume and tone controls on the treble side, and on the bass side where the three-way pickup selector toggle switch resides. The contouring is emphasised by some silver pin-striping. We’re not sure this silver lining adds anything to the aesthetic impact, but some of you will likely, er, like it.

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Ed Mitchell

Ed Mitchell was Reviews Editor on Total Guitar magazine from 2003, and his guitar-modding column, Ed’s Shed, appeared in print on both sides of the Atlantic (in both Total Guitar and Guitar World magazines). He was the Editor of The Blues Magazine from 2012-16, and a contributor to Guitarist, Classic Rock and Louder. He died in October 2022, aged 52. Between them, the websites Guitar World, Louder and MusicRadar host over 400 of his articles – among them interviews with Billy Gibbons, Paul Weller, Brian Setzer, profiles on Roy Buchanan, Duane Allman and Peter Green, a joint interview with Jimmy Page and Jack White, and dozens of guitar reviews – and that’s just the ones that made it online.