Line 6 POD Go Wireless review

Venture even further – on stage or at home – with a wireless connection and a whole host of sounds

Line 6 Go Wireless
(Image: © Future / Olly Curtis)

Guitar World Verdict

If you’re just going to have one floor pedal and you find the prices of the Helix range are out of reach then the POD Go may be your ideal purchase. Okay, there’s less flexibility, but that can also translate as being easier to use.


  • +

    Compact and portable.

  • +

    Easy wireless capability.

  • +

    Integral treadle.

  • +

    Practical footswitching options.

  • +

    Expansive range of amps and effects.


  • -

    Signal chain is less flexible than other Line 6 models.

  • -

    A wireless headphone send would have been a bonus.

You can trust Guitar World Our expert reviewers spend hours testing and comparing guitar products so you can choose the best for you. Find out more about how we test.

The Line 6 range of floorboard amp and multi-effects processors has become quite expansive with the various Helix/HX models each offering a different subset of facilities to suit players’ needs and budgets. But if budget is your main consideration, you may wish to take a look at the POD Go.  

This unit first appeared last year, but Line 6 was unable to get a review unit to us at the time due to Covid and other factors. We’ve now not only got our hands on one, we’ve also got the brand-new alternative version: the POD Go Wireless, which adds wireless connectivity in the form of a built-in version of the Relay G10 system. Apart from the wireless facility, both models are identical.  

Thank you for reading 5 articles this month**

Join now for unlimited access

US pricing $3.99 per month or $39.00 per year

UK pricing £2.99 per month or £29.00 per year 

Europe pricing €3.49 per month or €34.00 per year

*Read 5 free articles per month without a subscription

Join now for unlimited access

Prices from £2.99/$3.99/€3.49

Trevor Curwen

Trevor Curwen has played guitar for several decades – he's also mimed it on the UK's Top of the Pops. Much of his working life, though, has been spent behind the mixing desk, during which time he has built up a solid collection of the guitars, amps and pedals needed to cover just about any studio session. He writes pedal reviews for Guitarist and has contributed to Total Guitar, MusicRadar and Future Music among others.