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Middle Kids’ Hannah Joy: “This album is a bit more reflective – there’s a bit more space and it’s a bit more dynamic”
On their ambitious second album, the band take an axe to their formula and build a mansion from the rubble
Live Review: Yours & Owls Festival 2021
"Yeah, we’ll never take another music festival for granted. This is what home feels like..."
The Rubens’ Izaac Margin: “I’ve kind of gotten over the guitar sounding just like a guitar”
0202 is an ambitious epic for the Sydney pop-rockers, but to pull it off, they had to scale things way back
Carla Geneve: “It’s really honest and transparent songwriting about what I was going through”
Carla Geneve walks us through the poignantly honest origins of her show-stopping debut album
Greta Van Fleet’s Jake Kiszka: “We wanted to create something orgasmic and cinematic”
On LP2, the Kiszka brothers' love of film collides with their talents in rock 'n' roll
Cheap Trick’s Rick Nielsen: “We’ve loved Australia since the first time we went there in 1978”
Neilsen chats LP #20 and Cheap Trick's upcoming Australian tour, and bleeds a whole bunch
Foo Fighters’ Chris Shiflett: “In 25 years, we’ll all be on stools, playing ukuleles and doing ballads – but we might still be going!”
Gear, grooves, and... Ghosts!?
Evanescence’s Jen Majura and Troy McLawhorn: “I think it’s a very beautiful, very meaningful, very REAL album”
To make their boldest album yet, Evanescence tapped into a world of internal ire
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