Gary Moore
Latest about Gary Moore

Snowy White tells the story of his 1994 collaboration with Gary Moore and David Gilmour
By Phil Weller published
The album is packed with notable players who offer solos, slide, and plenty more, but the former Thin Lizzy man would have happily pushed on without them

Scott Gorham doesn’t rule out a future for Thin Lizzy – but he’s biding his time to find the perfect guitar foil
By Naomi Baker published
Lizzy’s most faithful guitarist, Scott Gorham, has left the door open for a potential return of the iconic band – but only under the right circumstances

Scott Gorham recalls his nerve-racking Thin Lizzy audition – and his first impressions of Brian Robertson
By Janelle Borg published
Back in 1974, Thin Lizzy were auditioning a second guitarist to accompany their newest recruit: the 18-year-old Les Paul-wielding Brian Robertson

Jack Moore on lessons learned from his father, Gary
By Phil Weller published
Having one of the world’s most revered blues guitarists for a dad meant Jack Moore couldn’t get away with bad technique. And he learned that the hard way

Eric Bell reveals the real reason why Gary Moore left Thin Lizzy
By Janelle Borg published
Moore's stints with Thin Lizzy continue to inform the band's legacy

Joe Bonamassa explains the soloing secrets of his hero Gary Moore – and says no Moore, no Bonamassa
By Joe Bonamassa published
No Moore, no Bonamassa, says Joe, as he puts together four blazing solo ideas inspired by the late blues-rock force of nature

A guide to every guitarist who's played with Thin Lizzy
By Jenna Scaramanga published
Thin Lizzy are tough enough for punks, heavy enough for metalheads, poetic enough for romantics – and their catchy riffs and licks have been played by some of the finest guitarists on earth

On Gary Moore's full-length tribute to Phil Lynott, Greeny took a backseat to Superstrats
By Harold Mac Wonderlea, Christine Rebmann published
On his own after a number of short-lived bands and the death of his friend, Thin Lizzy leader Phil Lynott, the late guitar hero ditched the ‘hard rock’ sound he'd grown tired of for something with more modern ingredients
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