“Unrecognizable. Make it right”: Guitarist calls out American Airlines after his acoustic was returned to him in pieces

Titus Tucker's damaged guitar after taking an American Airlines flight, July 2026
(Image credit: Titus Tucker, Instagram)

A guitarist has been left fuming after American Airlines shattered his acoustic guitar, sparking outrage online.

Airlines have demonstrated time and again why they have a ‘heavy-handed’ reputation among musicians.

In one of the more grisly cases we've seen, Titus Tucker, who has over 35,000 followers on Instagram and TikTok, posted images of the aftermath of a flight. In the shared clips, the guitar’s hardshell case is seen badly damaged, and the instrument inside is “unrecognizable.”

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Its back and sides are now separate entities. There’s also a heart-wrenching mangle of wood atop the guitar’s severed top, which looks to have been broken from the soundhole to its edge.

“They dragged it out like a dead body,” he’s heard saying in a video clip. He then points to a brutal-looking gash on the case, saying, “This is a tire; there’s no other explanation.

“That’s a brand new case, and a brand new guitar,” he adds.

One small silver lining is that Gator Cases can be found in the comments, saying, “DM incoming,” which suggests he’s likely getting a new case. But, of course, it does little to rectify the sheer savagery American Airlines has shown toward Tucker’s beloved six-string.

Horror stories like these are, sadly, all too common, and it’s no new phenomenon, either. This is not an isolated incident.

Back in March, a baggage handler went viral on TikTok after a clip of them carelessly tossing guitars around like confetti surfaced on the platform. It very quickly clocked up over four million views.

And in August last year, Emily Wolfe went to war with Southwest Airlines after her guitar was decapitated, despite it being in a hard case. The Airline refused to acknowledge responsibility, as Peter Thorn and Gilby Clarke spoke out about similar gut-punch incidents.

A freelance writer with a penchant for music that gets weird, Phil is a regular contributor to Prog, Guitar World, and Total Guitar magazines and is especially keen on shining a light on unknown artists. Outside of the journalism realm, you can find him writing angular riffs in progressive metal band, Prognosis, in which he slings an 8-string Strandberg Boden Original, churning that low string through a variety of tunings. He's also a published author and is currently penning his debut novel which chucks fantasy, mythology and humanity into a great big melting pot.

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