Ibanez
Latest about Ibanez

By Phil Weller Published
The guitar is one of two in-the-works signature models, and it starred during the largest ticketed single concert in US history

By Jonathan Horsley Published
Is this the guitar that makes you a better player? The Austrian virtuoso believes it will, and it’s got multi-voice signature Fishmans that give you more core tones than you have days in the week

By Phil Weller Published
The first album since Dustie Waring’s departure, The Blue Nowhere presents a more mature version of Between the Buried and Me. Waggoner reveals how he has changed as a player – and why, despite being a minimalist, he’s adding another Ibanez to his touring rig

By Pete Emery Published
Ibanez teams up with Polyphia's Tim Henson on a signature instrument for one of the most prominent figures in contemporary guitar
![1991, a historic moment for electric guitar as Joe Satriani [pictured in a ball cap] jammed onstage with Spinal Tap, who are pictured here with Nigel Tufnel on the far left with a T-style, Derek Smalls in a yellow T-shirt with a headless bass, while a pouting David St. Hubbins cradles a Les Paul.](https://cdn.mos.cms.futurecdn.net/9jG3kJPyDZPNsUVv7e3CYP-320-80.jpg)
By Jonathan Horsley Published
Satch and the Tap are old friends. And if you look closely, you might just catch Nigel Tufnel and David St. Hubbins playing his Ibanez signature models in Spinal Tap II: The End Continues

By Phil Weller Published
Henson’s signature TOD10N has been wildly popular, with the standard-edition FR series now receiving a new aesthetic upgrade

By Andrew Daly Published
Rigs big and small feature in a career that’s seen Isaiah Sharkey become a master of jazz, R&B, gospel, blues – and he hopes his new Ibanez signatures mean session players will only need to carry two guitars

By Janelle Borg Published
Sponsored by Ibanez
With signatures in collaboration with left-field players like Tim Henson and percussive fingerstyle Marcin, Ibanez isn't done with changing the acoustic game – one guitar at a time
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