Interviews
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Sloan’s Patrick Pentland on the art of democratic songwriting, channeling Ace Frehley through a 5150 and why he prefers a wah that looks like a car to a Cry Baby
By Gregory Adams published
The Toronto rock outfit's lead guitarist talks gear secrets, the origins of some of their biggest tracks and their expansive new album, Steady

Classless Act's Dane Pieper on touring with Mötley Crüe and Def Leppard, and working with Bob Rock on their debut album, Welcome to the Show
By Andrew Daly published
Part of a bustling new wave of classic rock, Pieper discusses the metaphorical passing of the torch, and the wisdom he learned direct from Mick Mars, Joe Elliot and Joan Jett
![[L-R] Tim Commerford and Jonny Polonsky](https://cdn.mos.cms.futurecdn.net/Qp6KwQp7utSnfC5jHaNaAA.jpg)
Tim Commerford and Jonny Polonsky on the unlikely origins and promising future of their eclectic new trio project, 7D7D
By Richard Bienstock published
The Rage Against the Machine bassist on why playing with Polonsky is like “jamming with Hendrix”, and his failed experiments with short-scale basses in RATM

Michael Angelo Batio: “I still practice vibrato over and over. It determines whether you’ll be a great player when you’re older or not”
By Cait Devin published
MAB on mistakes to avoid as a guitarist, recording and touring with Manowar, his upcoming acoustic record and the absolutely staggering number of guitars in his collection

Nik Nocturnal: “A lot of what makes a song heavy isn’t the riff – the mix, I’d argue, makes something heavier than the riff itself”
By Gregory Adams published
The prolific metal content creator talks blending trap and metal with his new solo project, NIK NXK, how reaction videos became the bread and butter of his online presence, and the one amp modeler he uses for “literally everything”

The secrets of Jimi Hendrix's guitar setup: Roger Mayer reveals what made the guitar hero's Strat tone sing
By Peter Hodgson published
Jimi's right-hand man dishes on what made Hendrix's custom string gauges so important, and why guitar pickups "really don't make much difference" to the sound

Mike Dawes: “Guitar right now is heavily edited, very engineered to engage, snippets of sound – the result is music that doesn’t sound like a journey”
By Alison Richter published
Fresh off the back of his latest EP with Tommy Emmanuel, the fingerstyle acoustic virtuoso reflects on the state of the guitar in the social media age, the benefits of practicing songs in the wrong tunings, and why every solo guitarist should have an imaginary drummer
![[L-R] Ozzy Osbourne and Jake E. Lee](https://cdn.mos.cms.futurecdn.net/qdLKx4VR2eZgxWRAFY6dpi.jpg)
Jake E. Lee on how he nearly lost the Ozzy Osbourne gig, why he considers using the whammy bar "cheating" and the pressures of replacing Randy Rhoads
By Steven Rosen published
In this classic 1986 Guitar World interview, Lee reveals what he likes (and dislikes) about Bark at the Moon and The Ultimate Sin, what he thinks of Eddie Van Halen, and how being late to his audition very nearly cost him his place in the Ozzy lineup

Nothing More on the personal challenges that fed new album Spirits, and how 2014's Jenny moved the band into a position of mental health advocacy
By Alison Richter published
Written for vocalist Jonny Hawkins' sister, who suffers with bipolar disorder, Jenny saw considerable mainstream success, and even spawned mental health movements. Here, guitarist Mark Vollelunga and bassist Daniel Oliver reflect on how music can be "more than just frequencies"
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