“If you talked to me when I was 25 years old, I would have been frightened to take a solo after Joe Satriani…” Why Cory Wong is no longer afraid to trade leads with his heroes

Left– Cory Wong performs at North Sea Jazz on July 12, 2025 in Rotterdam, Netherlands; Right–Guitarist Joe Satriani performs on the Palomino Stage during day 3 of the Stagecoach Music Festival on April 27, 2025 in Indio, California
(Image credit: Left–Peter Van Breukelen/Redferns; Right–Scott Dudelson/Getty Images for Stagecoach)

As the old adage goes, comparison is the thief of joy. Even the best of us experience imposter syndrome – but, as Cory Wong and bassist to the stars, Oteil Burbridge, discuss on the Wong Notes podcast, the key is to develop, and be confident enough in, your own playing style.

“Lean into what you are,” Burbridge imparts. “That's what I do, and that's what people call me for. But when [they call] me for 'this', and now you're saying you don't want me to do 'that', I'm like, 'I think you need to get someone else.'”

Wong notes that “guitar players are very susceptible to clashing of egos, where you feel like you're against each other”.

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He reflects, “Naturally, we as humans [are] sometimes like, ‘Oh, I feel threatened because of whatever.’”

That philosophy has meant he's no longer afraid to trade leads with his heroes. Before, imposter syndrome may have got the better of him. Now, Wong embraces his own style.

“If you talked to me when I was 25 years old, I would have been frightened to take a solo after Joe Satriani,” Wong admits.

“Now it's just like, ‘Oh, Joe's gonna be Joe. I'm going to be me. There's no way I'm going to be able to do what Joe did, and he's not going to do what I'm going to do. So we're good.’ It's like we're shopping at different aisles of the grocery store here.”

As Burnbridge sums it up, “You've got to get to that place. [It's like] a whole field of flowers, they're not competing with each other – they're making it better being all together. It's more impressive.”

In more recent Wong news, the modern-day funk maestro discusses why he’s not buying the Klon hype, and why you don’t need to use a piece of gear just because somebody else uses it.

Janelle Borg

Janelle is a staff writer at GuitarWorld.com. After a long stint in classical music, Janelle discovered the joys of playing guitar in dingy venues at the age of 13 and has never looked back. Janelle has written extensively about the intersection of music and technology and how it is shaping the future of the music industry, and has a special interest in shining a spotlight on traditionally underrepresented artists and global guitar sounds. She also had the pleasure of interviewing Melissa Auf der Maur, Yvette Young, Danielle Haim, Fanny, and Karan Katiyar from Bloodywood, among others. When she's not writing, you'll find her creating layers of delicious audio lasagna with her Anglo-Maltese, art-rock band ĠENN.

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