“Marvin Gaye was used to hearing James Jamerson, so he had me overdub a second bass part to fill out the original track”: An untold story from Motown’s Studio A. How Bob Babbitt's '65 P-Bass drove Marvin Gaye’s Inner City Blues
By 1971, James Jamerson’s demons had started to affect his consistency, so Bob Babbitt was called for this Motown classic
