Molly Tuttle shows you how to play traditional bluegrass lines and Over the Line By Molly Tuttle Bluesy, chromatic licks are on the menu with this exercise in old-school bluegrass methodology
Molly Tuttle teaches you how to play Good Enough By Molly Tuttle Often performed unaccompanied, Good Enough will teach you to embellish chords with single-note melodies
Molly Tuttle teaches you the secret to "backward" crosspicking By Molly Tuttle Mastering a fingerstyle technique borrowed from banjo players will add some hot sauce to your acoustic playing
Hone your crosspicking skills with this lesson on the must-learn acoustic technique By Molly Tuttle Molly Tuttle walks you through the style behind the bluegrass classic Wildwood Flower
Molly Tuttle teaches you how to crosspick and play Wildwood Flower By Molly Tuttle Pick out the little details when playing through a chord progression
Perfect the art of clawhammer guitar with Molly Tuttle's lesson on how to play Take the Journey By Molly Tuttle The supremely talented multi-instrumentalist teaches a choice cut from her latest album, When You're Ready
Learn to play clawhammer guitar with Molly Tuttle By Molly Tuttle This old-time Appalachian technique is associated with the banjo, but it might well transform your acoustic playing
From titans of shred to unlikely covers: here are this week's essential guitar tracks By Michael Astley-Brown, Jackson Maxwell, Sam Roche Brighten your day with killer new tracks from Al Joseph, Molly Tuttle, Tash Sultana, Bring Me the Horizon and more
Bluegrass sensation Molly Tuttle teams with Thompson Guitars for limited-edition signature acoustic By Richard Bienstock An Adirondack spruce top and Sinker mahogany back and sides are complemented by elegant appointments and finishes
Acoustic Master Molly Tuttle Talks New Album, 'When You're Ready' By Clifford Hall Meet the first woman to be crowned The International Bluegrass Music Association Guitarist of the Year.
Molly Tuttle's Amazing Freightliner Precision By Troy Grady Watching Molly Tuttle switch effortlessly between rhythm comping and high-velocity single-note lead lines is like listening to at least two guitarists at once.
