Richie Sambora Set for Closing Performance Today for Vice President Al Gore's ‘24 Hours of Reality: The Cost of Carbon’

Richie Sambora will perform today October 23rd to close out 24 Hours of Reality: The Cost of Carbon, a live-stream, multimedia event exploring how carbon pollution is costing individuals, communities and governments all over the world.

'The 24 Hours of Reality' broadcast is hosted by The Climate Reality Project which is chaired by Vice President Al Gore. Millions of viewers have watched this year’s installment since it kicked off yesterday October 22nd at 2pm ET. The event has been punctuated by inspiring performances by an international list of incredible musicians lending their talent to the cause of climate change, including guitarist of famous Latin rock band Maná, multi-platinum South African rock band The Parlotones, actress and playright Danai Gurira and celebrated American folk-rock artist Jack Johnson.

Thank you for reading 5 articles this month**

Join now for unlimited access

US pricing $3.99 per month or $39.00 per year

UK pricing £2.99 per month or £29.00 per year

Europe pricing €3.49 per month or €34.00 per year

*Read 5 free articles per month without a subscription

Join now for unlimited access

Prices from £2.99/$3.99/€3.49

Acoustic Nation is written by Laura B. Whitmore, a music industry marketing veteran, music journalist and editor, who has contributed to Parade.com, Guitar World, and others. She has interviewed hundreds of musicians and hosts the She Rocks Podcast. As the founder of the Women’s International Music Network, she advocates for women in the music industry and produces the annual She Rocks Awards. She is the Senior Vice President of Marketing for Positive Grid, making the world safe for guitar exploration everywhere! A guitarist and singer/songwriter, Laura is currently co-writing an album of pop songs that empower and energize girls.

Latest

Jane's Addiction bassist Eric Avery performs at The Pearl concert theater at the Palms Casino Resort May 18, 2009 in Las Vegas, Nevada. The band, touring with all four original members for the first time since 1991, released the four-disc box set, "A Cabinet of Curiosities" in April.

“I was just looking for a story to tell the grandkids. It was Flea who said that I might get the gig”: Jane’s Addiction bassist Eric Avery recalls his 2003 audition for Metallica

See more latest ►

“John Mayall’s ability to nurture blues guitar prodigies is comparable to Yoda’s knack for training hot Jedi prospects”: From Eric Clapton to Peter Green, Mick Taylor and more – a guide to blues legend John Mayall’s ’60s Bluesbreakers guitarists

“My Reverend feels sturdy. I don’t like when it feels like the guitar I’m playing is gonna break. Vintage guitars scare me!” Meet Hello Mary’s Helena Straight, the ’90s-inspired, time signature-twisting player whose guitar caught the Cure’s attention

“I was in the studio, and the phone rang. It was Lou Reed. I’d never met him. He called me, saying, ‘I saw a picture of you with this guitar…’” Joe Perry on Aerosmith’s roaring ’70s, writing Dream On – and being a B.C. Rich early adopter

“The Black Crowes got thrown off the ZZ Top tour. We picked up where they left off… Every night the tour manager warned us when the explosions were going to go off”: Michelle Malone gave up sax for guitar – and had John Mayer “begging” to join her shows

“I don’t normally enjoy co-writes, but when Billy Corgan says he wants to work on your stuff, you say yes”: Rosie Bones on her guitar chemistry with Carmen Vandenberg, Corgan collabs – and why Bones UK doesn’t need a bassist

“I went backstage and said to Rory, ‘There’s a guy out there called Slash who’s come to see you…’ Rory’s eyes lit up”: The night Rory Gallagher gave the Guns N’ Roses guitarist a taste of affordable Gibson via his 1960 Melody Maker

“I would call our approach organized chaos, but it drove Allan Holdsworth up the wall”: John Wetton has been the bass force behind a peak-period King Crimson lineup and two prog rock supergroups

“He taught me how to play songs by Dream Theater, Iron Maiden and King Diamond… though I remember giving up on some of the John Petrucci solos!” Tor Oddmund Suhrke on guitar lessons with Ihsahn and casting musical illusions with Leprous

“Joe and I had been hanging out, secretively making music, knowing that one day we'd do something. Four sessions later, we had an album”: How Glenn Hughes brought his low-end expertise into the spotlight with Joe Bonamassa and Black Country Communion

“One thing I won’t waver from is a chorus effect on my clean tone. I love the underlying sadness it gives, even if you’re playing something happy”: Los Bitchos guitarist Serra Petale on repurposing ’80s sounds and the tone so good she wanted to eat it

“I walked through the ‘Nothing To Declare’ lane, though it was in an embarrassment of a guitar case at that point”: The remarkable story behind Rory Gallagher’s 1968 Coral 3S19 Electric Sitar

Get The Pick Newsletter

Most Popular