“Doing this makes me feel like he's always going to be here with me”: Metal guitarist commemorates late father by incorporating his ashes into his Fender Telecaster's neck

Mark Wood (right) and Sam Orr (left) with a Fender Telecaster
Mark Wood (right) and Sam Orr (left) (Image credit: Facebook)

There are many ways to commemorate the death of a loved one, and for this guitarist whose dad was his “biggest supporter,” incorporating his ashes into the fretboard of his electric guitar serves as a way to honor him and ensure he's still with him at every show.

Metal guitarist Mark Wood's dad, Keith Wood, taught him how to play guitar and would travel miles just to see him play. “Dad was my biggest supporter. He just used to rock,” he tells the BBC.

When Keith suddenly passed away at the age of 68 on Christmas Day in 2022 as a result of a heart attack, the family were left grappling with “a big hole” in their lives.

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Admittedly, working ashes into the inlays of his Tele's neck “was something that I did not know could be done,” but after reaching out to a friend and fellow musician, Sam Orr, the two worked up a plan.

“At first, I was just wondering how it would work, then the more I thought about it and did a few test runs on a spare guitar neck I had, I realized it wouldn't be too difficult to complete it,” says Orr. “And while mixing the ashes with special glue was painstaking work, the result was worth it.

“I wish Dad was still here, but doing this makes me feel like he's always going to be here with me, and you have always got your memories.”

And the first thing he did when he got his now-customized guitar back? “[I played] a song that he liked – Stranglehold by Ted Nugent. He always asked me to play that as a kid.”

Janelle Borg

Janelle is a staff writer at GuitarWorld.com. After a long stint in classical music, Janelle discovered the joys of playing guitar in dingy venues at the age of 13 and has never looked back. Janelle has written extensively about the intersection of music and technology and how it is shaping the future of the music industry, and has a special interest in shining a spotlight on traditionally underrepresented artists and global guitar sounds. She also had the pleasure of interviewing Melissa Auf der Maur, Yvette Young, Danielle Haim, Fanny, and Karan Katiyar from Bloodywood, among others. When she's not writing, you'll find her creating layers of delicious audio lasagna with her Anglo-Maltese, art-rock band ĠENN.