Trevor Curwen
Trevor Curwen has played guitar for several decades – he's also mimed it on the UK's Top of the Pops. Much of his working life, though, has been spent behind the mixing desk, during which time he has built up a solid collection of the guitars, amps and pedals needed to cover just about any studio session. He writes pedal reviews for Guitarist and has contributed to Total Guitar, MusicRadar and Future Music among others.
Latest articles by Trevor Curwen

By Trevor Curwen Published
DigiTech revamps its compact looper pedal with high-definition audio performance

By Trevor Curwen Published
EHX serves up boost with an EQ section for powerful tonal shaping from a compact pedal

By Trevor Curwen Published
Blackstar presents a USB audio interface that it proudly proclaims has been “designed by guitarists for guitarists”

By Trevor Curwen Published
J Rockett’s latest offering for your ’board takes its inspiration from a legendary compressor from the ’50s

By Trevor Curwen Published
Want to Fender-ize your amp? Here’s a pedal that will add real spring reverb and all the flavors of vintage tremolo to your tone

By Trevor Curwen Published
With full stereo and mono operation, programmable presets, selectable waveforms and tap tempo, the new Walrus Audio tremolo is monumental indeed

By Trevor Curwen Published
Thorpy creates a tube-powered drive and boost pedal for Welsh powerhouse Chris Buck

By Trevor Curwen Published
Beetronics moves away from its usual original circuit designs and delivers double drive with Klon and Bluesbreaker flavours

By Trevor Curwen Published
Walrus Audio delivers a competitively priced stompbox with three reverb modes that offer a heady alternative to your standard issue room, plate and spring

By Trevor Curwen Published
Walrus Audio puts a tube in a fuzz box for all to see, plus a special Harmonic octave mode, and invites you to dig into the Silt

By Trevor Curwen Published
A long-lost US pedal brand makes a comeback under Josh Scott at JHS Pedals – we take a look at the Phaser, Fuzz, Compressor, Distortion and Chorus

By Trevor Curwen Published
A pedal designed by a teenager in the Hollywood Hills back in 1966 has been revived for today’s players – and it's as versatile as it is unique

By Trevor Curwen Published
CTC's latest twofer seeks to harness David Gilmour's Wish You Were Here tones in a pedal that pairs a boost with a Hiwatt-inspired drive

By Trevor Curwen Published
It’s designed for Brazilian tropicália music, but this fuzzbox from Beetronics could create a buzz in any musical genre

By Trevor Curwen Published
The BP-1W presents classic Boss preamp circuits in a compact pedal format – and it might just be the secret tone weapon your rig has been waiting for

By Trevor Curwen Published
What if you could have your full rig in the size of a Boss Compact Series pedal… and it sounds amazing?

By Trevor Curwen Published
Aclam revives a rare fuzz circuit from a vintage Vox amp used by The Beatles

By Trevor Curwen Published
We have a gander as Electro-Harmonix debuts its enhanced take on Marshall’s Bluesbreaker overdrive sounds

By Trevor Curwen Published
The UK pedal builder releases an upgraded 1960s-style silicon fuzz with a buffer and extended tonal options

By Trevor Curwen Published
Beetronics’ latest will expand your pedalboard dirt options with drive and fuzz in one small pedal

By Trevor Curwen Published
A compact reverb to put a spring in your step

By Trevor Curwen Published
It's compact, high-quality, with an easy-to-use control setup that makes it a no-brainer for your 'board

By Trevor Curwen Published
On this evidence, there's nothing mad about this professor, which offers plenty of gain but remains a dynamic and persuasive pedalboard option
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