Spotlight: Courtney Marie Andrews

HAILS FROM: Phoenix, Arizona USA
PLAYS: Solo
SOUNDS LIKE: Dreamy, slow-burning crooners
LATEST DROP: Old Flowers (LP out now via Fat Possum)

What’s your current go-to guitar?
My current go-to guitar is a ‘90s Takamine Nylon. I was on the hunt for a mid-priced nylon-stringer, and a friend found this at a small vintage guitar shop in Nashville. They’re very underrated guitars, and a lot of the country guys have them in their arsenal. It has a very warm and balanced sound, and the neck is the perfect size.

Are you much of a gear nerd?
I wouldn’t call myself a gear nerd. I like workhorse-type gear. If I find something I like, I generally stick with it for a long time. I love vintage Fender amps – the classics – and Strymon makes great pedals.

Do you have any ‘white whales’?
No. I use gear as a tool to summon songs and creativity, and am very rarely enamored by the gear itself. Sometimes the greatest guitars can be $100 no-name thrift store finds.

What would your signature model look like?
I’d probably make a D-18 dreadnought with a thinner neck for smaller hands, Brazilian rosewood, and a pretty pearl inlay on the fretboard.

If you could jam with any guitarist, dead or alive...
I’d play with Elizabeth Cotten and ask her to show me some pickin’ tricks.

Ellie Robinson
Editor-at-Large, Australian Guitar Magazine

Ellie Robinson is an Australian writer, editor and dog enthusiast with a keen ear for pop-rock and a keen tongue for actual Pop Rocks. Her bylines include music rag staples like NME, BLUNT, Mixdown and, of course, Australian Guitar (where she also serves as Editor-at-Large), but also less expected fare like TV Soap and Snowboarding Australia. Her go-to guitar is a Fender Player Tele, which, controversially, she only picked up after she'd joined the team at Australian Guitar. Before then, Ellie was a keyboardist – thankfully, the AG crew helped her see the light…