Latest Updates

By Michael Watts Published
Sonic expansion or evolutionary dead-end? The acoustic-electric has undergone a radical reinvention over the years

By Tony Bacon Published
Beyond the tales of Clapton’s lost ’Bursts, the guitarist reached for a variety of instruments during his tenure in Cream, from the iconic ‘Fool’ SG to a mid-’60s ES-335

By Andrew Daly Published
The Wilco guitarist discusses his best gear finds and why he has his mom to thank for some of them

By David Mead Published
As Guitarist’s inimitable reviews editor, Dave's expertise and generosity will be greatly missed by the guitar community worldwide

By Jamie Dickson Published
A scrupulously accurate expert and author on historic instruments who authenticated some of the most iconic guitars in the world

By Huw Price Published
Chris Buck bought a new acoustic for tour, but he needed a pickup installed. Enter Huw Price and his drill

By Dave Davidson Published
With a thinner neck and P-90s instead of humbuckers, this is the kind of unicorn that pops up very rarely on the vintage guitar market

By Phil Weller Published
Aziz Ibrahim says replacing the beloved guitarist was “bittersweet” – and he had a tough time settling into the gig

By Amit Sharma Published
The Zac Schulze Gang's eponymous band leader discusses blues heroes, tone tricks, and how the sound of the fast-rising UK blues-rock band came together

By Henry Yates Published
The great electronics designer has died at 79, leaving his retro-modern pickups to echo his genius in countless electric guitars

By David Mead Published
Now a fully fledged touring artist with three albums to her credit, the French blues-rocker talks Les Pauls vs SG, studio pressure and Marshall amps

By Amit Sharma Published
Alex Champ and Nadav Tabak explain why the sky is the limit with the nylon-string guitar

By Jamie Dickson Published
When his ‘Beano’ ’Burst was stolen, Slowhand reached out to Andy Summers for a replacement – and the guitar became the sound of Cream

By Huw Price Published
Upgrading pickups and controls on a Gibson thinline is not a job many techs enjoy, let alone amateurs. But with a little organisation you might be able to get it down in an hour

By Phil Weller Published
Coxon offers his opinion on what his Blur bandmate is like on guitar

By Guitarist editors Published
Turpin’s 1960s Gibson B-25 is one of the best 12-strings for recording – and his old pal Jake Kiszka has one just like it

By Huw Price Published
The Les Paul Standard may be the most iconic and the ES-335 the most versatile, but the SG remains Gibson’s greatest commercial success

By Henry Yates Published
Period-correct in (almost) every detail, the Gibson Century Collection’s 12-fret format is addictively playable. Gibson's Robi Johns tells us it’s all down to the Brits

