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By Amit Sharma Published
The classical guitarist's solo debut, This Changing Sky, is a breathtaking work that finds her exploring altered tunings in search of drama

By Henry Yates Published
Taking influence from Indian classical, Brazilian bossa nova and beyond, this late jazz master’s touch and vision equalled anyone on the fusion scene

By Dave Burrluck Published
We check in with Duesenberg Guitars’ co-owners, Dieter Gölsdorf and Ingo Renner, to chart 30 years of its best-selling Starplayer

By Henry Yates Published
To celebrate the King of the Blues' centenary, we rewind the reels of a life story that’s equal parts pain and redemption…

By Dave Davidson Published
Martin’s slope-shouldered dread style meets innovative three-piece rosewood backs in this slept-on design from an undervalued period in the acoustic brand's storied history

By David Mead Published
As Ford returns with Two Shades of Blue, the Californian guitar legend drops by for a video lesson and to talk all things guitar, from his adventures with big-box jazz models to Strats

By Guitarist editors Published
The King of the Blues on amp choice, T-Bone Walker, how he got his vibrato and more

By Amit Sharma Published
With its Malian-inspired graphic finish and expanded switching options, Diawara's signature model is one cool guitar
![Alter Bridge's Mark Tremonti [left] and Myles Kennedy sit on flight cases as they're photographed with their PRS signature guitars.](https://cdn.mos.cms.futurecdn.net/tCvmamNdQD8gk8Q766rjdh-320-80.jpg)
By Amit Sharma Published
The latest album from Mark Tremonti and Myles Kennedy finds Alter Bridge going full-throttle in EVH’s studio

By Phil Weller Published
The band drew great inspiration from Thin Lizzy’s sonic template, but they made a concerted effort to avoid being labeled as a blues band

By Phil Weller Published
Flirtations with vintage gems haven't always yielded the results the virtuoso wanted

By Dave Davidson Published
A so-called Double-O, this 1960 Les Paul was made from ’59 parts, and is a bona-fide grail. But this was not always the case. Back in the day, players just didn't get the appeal

By David Mead Published
In his own words, Rush reflects on the brilliance of B.B. and what he learned from the King of the Blues

By Phil Weller Published
The pre-worn fad is sweeping the guitar community, but why do some deride the concept as ‘stolen valor’?

By Phil Weller Published
In Smith/Kotzen, he’s relishing the chance to improvise and color outside of his usual lines, but admits that keeping up with Kotzen isn’t easy

By Henry Yates Published
Returning with solo album Play Me – a stinging broadside against the modern age – the alt-rock talisman remembers the bad guitars and renegade tunings of her ’80s breakout with Sonic Youth

By Rob Laing Published
EQD founder Jamie Stillman on the pedal that made the company famous, why the overcomplicated is not for him, and the stompbox that serves death metal and country guitarists alike

By Henry Yates Published
He once snuck into a B.B. King show aged 13. Now Jimmie Vaughan is part of Joe Bonamassa's all-star tribute to the King of the Blues – he explains how he approached tackling his hero's licks and what he learned from the master

By Amit Sharma Published
The Finnish fingerstylist's acoustic reveries are essential listening for fans of Paco de Lucía, Omar Khorshid, and Lenny Breau

By Neville Marten Published
This Collector’s Edition replica of Ronson’s Bowie-era ’68 Les Paul Custom transports you spiritually – and tonally – to the glory days of the Spiders from Mars (Hull) – but it does not come cheap