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How to use triads in blues solos like Stevie Ray Vaughan and Jimi Hendrix
When you’re the only guitarist in the band, triads are your best friends in a guitar solo – and Hendrix and SRV were the masters
Jared James Nichols shows you how to build a guitar solo to a powerful climax
Ditch the pick and crank the amp for this Jared James Nichols masterclass in blues solo composition
Great tone starts with the pick – just ask Steve Vai. Here’s how honing your picking can improve your tone for free
Unlock every pick color – from warmth and brightness to the secretive clarinet tone
"The quality of tuition remains second to none, the user interface is slick, and the amp feature is both practical and entertaining:" Gibson: Learn To Play Guitar app review
The sophisticated Gibson tuition app sets the tone for players aspiring to dial in as much gain with as little pain as possible - with oodles of feedback always on tap
Sue Foley shows you how to nail classic blues turnarounds – and how to come up with your own
In Foley's final column in the series, she completes her turnarounds masterclass – an essential skill for any blues player
Joe Bonamassa on the vintage Gibson that makes a great power chord guitar
What makes the Gibson ES-350 so good for rock? Bonamassa says they are a real live wire, with “a lot of pop” and no shortage of low-end
Cory Wong on how to create a bigger, wider sound by layering baritone guitar parts
Using a Fearless Flyers classic as a case study in baritone layering, the funk-master GW columnist peels away the onion to explain how these individual parts all stack up
Explore open G tuning: a fresh perspective that reshapes your fretboard and inspired timeless blues and Americana songs
Open G has been embraced by legends including Keith Richards, The Black Crowes and Led Zeppelin. Now it’s your turn to revel in its golden tones
David Gilmour is a master of melodic bluesy phrasing – here are 3 minor blues approaches you can expand your soloing vocabulary
Whether you call these solo ideas minor blues or embellished pentatonic/blues scale, the effect is the same, freeing you up from established patterns to hold your audience's attention
