Artist Lessons
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Joe Bonamassa explains how “hiding” your guitar pick can make you a more expressive player
By Joe Bonamassa Published
Want to find your voice? Switch up your pick attack and put some character into your phrasing

Drop D is not just for grunge and metal – Joe Bonamassa explains how he uses it for blues guitar
By Joe Bonamassa Published
The blues guitar superstar unpacks his drop D approach and explains how you can use it in your own blues jams

Mastodon masterclass: Nick Johnston reveals his insane soloing techniques
By Nick Johnston Published
Luscious legato, hot hybrid picking, busy blues bends and creative chromaticism are the trademarks of Nick Johnston. Here are five of his favorite lead approaches

How to write a “song within a song” with your guitar solos
By Charlie Starr Published
Blackberry Smoke frontman Charlie Starr demonstrates how the solo really can serve the song – by being the song

Who’s afraid of the Mixolydian mode? Here’s how you can use it for triads
By Corey Congilio Published
Corey Congilio wasn't that fussed about the Mixolydian mode at first but now he's a believer – and this lesson shows you just how practical it can be

Spiritbox’s Mike Stringer on how extended-range guitars open up new possibilities with chord voicings
By Mike Stringer Published
Mike Stringer's progressive metal masterclass continues as he teaches you how to play Spiritbox’s Tsunami Sea

Charlie Starr on how to turn a simple, catchy riff into a killer song
By Charlie Starr Published
The Blackberry Smoke guitarist pays tribute to the power of the almighty riff in his latest GW lesson

How to build a compelling rhythm guitar part with triads
By Corey Congilio Published
Confused about triads? They are just chords with three notes, and as Corey Congilio demonstrates here, they can be the building block of a great guitar part

John Paul Jones breaks down four Led Zeppelin classics, and how they demonstrate where and when to leave space
By John Paul Jones Published
From the Archive The bass legend illustrates his “hard and soft” approach via Trampled Under Foot, The Song Remains the Same, Kashmir, and What Is and What Should Never Be

From B.B. King to Eric Clapton and Otis Rush, the blues is the core element of Joe Bonamassa's playing
By Joe Bonamassa Published
In this essential video lesson with the guitar superstar, he explains why it doesn't matter what style he is playing – it always begins and ends with the blues
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