Artist Lessons
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Hidden for four decades, the story behind the (almost) unheard outro solo on John Farnham’s smash hit, You’re the Voice
By Brett Garsed published
Celtic rock bagpipe phrasing, THAT blazing arpeggio and a crazy bend that broke a string – learn how Brett Garsed played his solo in this exclusive feature

Joe Bonamassa breaks down the differences between P-90s and PAF humbuckers
By Joe Bonamassa published
In this lesson, the blues maestro demonstrates how pickup choice affects the tone and can be used for different purposes

Spiritbox's Mike Stringer shows you how syncopated bends can add extra spice to your metal playing
By Mike Stringer published
Your 21st-century metal workshop is in session, as Stringer shows you how to play Spiritbox's Holy Roller

How to introduce hybrid picking into your lead playing
By Corey Congilio published
In his inaugural Guitar World column, the great Corey Congilio demonstrates how all players can benefit from a technique borrowed from country players

Charlie Starr on the magic of the B-Bender – and 5 bender-inspired licks you can play on any electric
By Charlie Starr published
The Blackberry Smoke guitarist gives us a lesson in how to sound like you've got a B-Bender, even if you don't

Philip Sayce: The 5 techniques that define my sound
By Philip Sayce published
Turbocharge your fretting hand stretches, screaming bends and blues-rock intensity with the core techniques that shaped Philip Sayce’s signature sound

Welcome to Mike Stringer’s downpicking bootcamp, in which he teaches us the punishing string skipping techniques behind Spiritbox’s Jaded
By Mike Stringer published
In his debut GW column, the prog-metal master teaches you the punishing seven-string string-skipping techniques behind Spiritbox’s Jaded

Paul Gilbert: What I learned and taught at GIT
By Paul Gilbert published
Paul was a student and a tutor at LA's G.I.T. (Guitar Institute of Technology). Here are the shred secrets he learned there – and taught
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