Artist Lessons
Latest about Artist Lessons

Cory Wong reveals how to solo over chords in a meaningful way
By Cory Wong published
Wong explains how outlining notes in the chord progression helps find a solo that's melodically on-point and just what the song calls for

“Sometimes simplicity wins the day”: Joe Bonamassa on the art of writing a heavy guitar riff
By Joe Bonamassa published
In his latest GW video lesson, the blues-rock superstar recalls how some of his heaviest riffs came together, and to your shock – and maybe even horror – they were written in standard tuning

Bob Weir's 6 principles of rhythm guitar
By John Stix published
Often overlooked in guitar circles when compared to Grateful Dead bandmate Jerry Garcia, Weir was a brilliant rhythm player who blended jazz, folk, country, blues, and rockabilly influences into a style that any guitarist would do well to study

Jared James Nichols on why playing in a trio opens up your soloing approaches
By Jared James Nichols published
Jimi Hendrix Experience, Cream, Mountain, Rush... Jared James Nichols argues that three is the magic number, allowing guitar players to stretch out and the band to feed off each other

Cory Wong on how you can use double-stops in a melody or solo
By Cory Wong published
Using the Fearless Flyers jam Anaheim, the funkmaster unpacks an essential technique for all guitar players, and shows us how it can be rhythm, lead, and both when you need it to be

Charlie Starr’s open G slide soloing masterclass
By Charlie Starr published
In his latest GW column, the Blackberry Smoke guitarist shows us how open G frees us up from the same tired old note choices

Jared James Nichols on an essential guitar playing skill – how to bend the strings expressively
By Jared James Nichols published
A set of electric guitar strings is no match for the bicep-curling, iron-pumping purveyor of blues power. He shows us how he makes his guitar scream

Charlie Starr on how to make open G tuning work for you
By Charlie Starr published
In his inaugural Guitar World column, the Blackberry Smoke guitarist declares his love for a tuning that he learned, aged 12, when checking out Honky Tonk Women
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