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Steve Morse has announced his first new album since leaving Deep Purple – and it’s set to feature Eric Johnson and John Petrucci
Triangulation also features Morse's son on a tribute to the guitarist’s late wife
Guitar World deals of the week: Save $700 on an Ernie Ball Music Man, get $400 off a Strandberg, plus all the biggest sales on guitar gear
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![1991, a historic moment for electric guitar as Joe Satriani [pictured in a ball cap] jammed onstage with Spinal Tap, who are pictured here with Nigel Tufnel on the far left with a T-style, Derek Smalls in a yellow T-shirt with a headless bass, while a pouting David St. Hubbins cradles a Les Paul.](https://cdn.mos.cms.futurecdn.net/9jG3kJPyDZPNsUVv7e3CYP-840-80.jpg.webp)
How Joe Satriani became Spinal Tap’s unofficial guitar supplier for the loudest movie of the year
Satch and the Tap are old friends. And if you look closely, you might just catch Nigel Tufnel and David St. Hubbins playing his Ibanez signature models in Spinal Tap II: The End Continues
Charvel beckons a new era for its So-Cal Superstrat – and brings the classic Pro Mod model into the modern era
Seymour Duncan Distortion humbuckers and Luminlay side dots deliver high-quality specs without crazy price tags
Justin Hawkins defends his brother’s comments over the VMAs Ozzy Osbourne tribute
Yungblud starred alongside Nuno Bettencourt, Joe Perry and Steven Tyler for an all-star medley of Prince of Darkness tunes – which was met with derision by Dan Hawkins
Nuno Bettencourt remembers his final exchange with Ozzy Osbourne – a reminder of the gig he once turned down
As a 15-year-old, Bettencourt auditioned to become Randy Rhoads’ replacement. When the gig presented itself years later, he declined
When Joe Bonamassa was introduced to Joanne Shaw Taylor – who “offended” him on their first meeting
The two blues guitar greats crossed paths at a festival in 2008 – but Taylor wasn’t interested in what Bonamassa had to show her
Rita Coolidge alleges she helped write Eric Clapton’s Layla – but never got credit for it
In a resurfaced interview, Coolidge recalls the time she sought a songwriting credit for composing the song’s piano coda – but was rebuffed
