Beetronics
Latest about Beetronics

“A flexible vintage-flavoured asset for your signal chain”: Beetronics Larva Morphing Phaser review
By Trevor Curwen published
Beetronics’ latest offers a pair of different phaser/vibrato settings with footswitchable morphing between the two

“A tasty fuzz that’s worth making a tuna-can-shaped space on your pedalboard for”: Beetronics Tuna Fuzz pedal review
By Trevor Curwen published
Beetronics eschews its ornate pedal casings and gets back to basics with a fuzz built into a tuna can. Seriously!

Beetronics introduces the Tuna Fuzz – a vintage-style fuzz pedal in a tuna can
By Janelle Borg published
The new pedal pays homage to company founder Filipe Pampuri's early days, when limited funds led him to repurpose tuna cans as pedal enclosures

“Two of the most favoured drives, tweaked and combined”: Beetronics Wannabee Beelateral Buzz review
By Trevor Curwen published
Beetronics moves away from its usual original circuit designs and delivers double drive with Klon and Bluesbreaker flavours

“An excellent fuzz for your ’board”: Beetronics Abelha Tropical Fuzz review
By Trevor Curwen published
It’s designed for Brazilian tropicália music, but this fuzzbox from Beetronics could create a buzz in any musical genre

“The ultimate dual overdrive”: Beetronics combines Bluesbreaker and Klon tones in its latest pedal – but there’s a clever twist
By Phil Weller published
Through some choice electronics and switching, the new Wannabee Beelateral Buzz looks to help players unlock “a world of tonal possibilities”

“This is a great utility pedal to have on your ’board, something that could really increase your sound’s scope”: Beetronics Nectar Tone Sweetener review
By Trevor Curwen published
Beetronics’ latest will expand your pedalboard dirt options with drive and fuzz in one small pedal

NAMM 2024: “It's a Beetronics masterpiece, showcasing what we do best”: Beetronics’ new Abelha isn’t your ordinary fuzz pedal – it aims to capture the unique sounds of the Brazilian Tropicália movement from the 1970s
By Matt Owen published
“Our goal was to embrace a classic nostalgic vibe while looking ahead to create a futuristic fuzz tone – and I bee-lieve we nailed it,” says the brand's founder
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