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Creating Riffs from Arpeggios, and the Intro and Verses to “Priestess”
By Mark Holcomb published
Walk the line between playing only single notes while also outlining “wide” chord voicings via the use of arpeggios.

A Guide to Basic Jazz-Blues Changes
By Jimmy Brown published
Presenting a more musically sophisticated variation on the standard 12-bar blues.

Adding the Major Third to Minor Pentatonic and Blues Scale Phrases
By Andy Aledort published
Bolster your solos through melodic experimentation and contouring.

How to Create Guitar Solos That Convey Melodic Continuity
By Andy Aledort published
Learn how to establish a melodic phrase and then build upon it to develop a solo that conveys a sense of melodic continuity.

Dave Davidson lesson: using your whammy bar within a riff
By Dave Davidson published
Use your whammy bar to “color” chord patterns and give single-note lines different and unusual textures.

Using a Pedal Tone to Forge Fast, Keyboard-like Phrases
By Joel Hoekstra published
How to use a signature element in baroque classical music to great effect in your own playing.

Soloing in Odd Meters
By Dave Davidson published
How to incorporate shifting meters into your solos.

Using Odd-Numbered Intervals to Create Interesting Licks
By Joel Hoekstra published
Being aware of the intervallic relationships between notes is useful in many different ways.
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