Electric
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Ibanez revives the Iron Label series with all-new guitars and basses
By Matt Owen published
The new supercharged, metal-friendly additions include 7-string Iceman and X series models that vow to take the range's "raw metal energy to a completely new level"

Harley Benton decks out Dullahan headless guitar range with new finishes and tuning hardware, starting at $457
By Matt Owen published
Fresh headless offerings seek to combine classic tones with contemporary playability, with an all-new redesigned bridge system that promises rock-solid tuning

Watch Tim Henson improvise with Herman Li using Jason Becker’s original prototype Peavey Numbers guitar
By Matt Owen published
The pair teamed up to trade licks in the latest installment of the Jason Becker fundraiser livestream event, which has raised nearly $250,000 so far

Ian Curtis’s iconic Vox Phantom VI guitar returns to Manchester for major music exhibition
By Matt Owen published
The "Love Will Tear Us Apart" six-string is set to make its first appearance since its sale at auction last year, and its first at a major public display in 30 years

Eddie Van Halen-signed Kramer, gifted to his guitar tech, Tom Weber, goes up for sale
By Matt Owen published
The sensational story behind Weber's prized possession involves a chance encounter between the pair 19 years before they began working together in 2007

Steve Hackett: "My first professional gig with Genesis was a complete disaster. I forgot every single note I was supposed to play"
By Joe Matera published
Inquirer: The former Genesis and GTR six-stringer talks nightmare gigs, his favorite piece of gear and new acoustic album

Harley Benton debuts new sub-$500 semi-hollow single-cut, the Aeolus
By Matt Owen published
Affordable offering sports a stylish flamed maple veneer, neck and fretboard, and boasts coil-splitting capabilities

Lucy Dacus: "One piece of advice I would give to anybody: get a bad guitar. It's almost like a blank slate and creates a sense of freedom"
By Matt Parker published
The boygenius singer-songwriter on the pressure of unrealistic creative expectations, the standout six-string moments of new album Home Video, and why bad guitars often help write the best songs
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