KMA Machines
Latest about KMA Machines

“One of the most intuitive, efficient and convenient devices ever”: KMA Machines’ expansive Endgame pedal might just be the ultimate pedalboard problem solver, with an AI-informed double-track effect
By Phil Weller published
Packed with an effects loop, Celestion-fuelled dual cabinet simulation, and plenty more, the Endgame sets out to be “the final stage of your pedalboard”

“We didn’t want to just make a one trick pony octave up device”: Jimi Hendrix, Tony Iommi and Josh Homme all championed the octave pedal – now KMA Machines’ Mandrake Octo-Shrieker looks to take the effect to new heights
By Matt Owen published
Simple yet effective: the user-friendly Mandrake updates an existing KMA circuit and attempts to solve a key issue of orthodox octave up pedals

Get on this cloud: KMA Machines just gave its Cirrus reverb and delay pedal a limited edition, super-stealth makeover
By Matt Owen published
Meet the Cirrus Shadow – a stealthy, monochrome revamp capable of a wealth of ambient and soundscaping tones

KMA Machines’ take on the ‘70s cult Jordan Boss Tone fuzz, the Fuzzly Bear, returns – and it’s looking lean and mean
By Jonathan Horsley published
More pedalboard friendly, with top-mounted jacks, and LED eyes, the Fuzzly Bear 2 has the same feral fuzz tones, from thick overdrive to a “furry wall of fuzz”

KMA Machines drops new-and-improved version of its analog octave pedal, the Queequeg 2 Sub Generator
By Matt Owen published
No frills unit features three separate octave modes that promise a range of earth-shattering subs and faux bass-synth soundscapes

KMA Machines slims down, revamps its Wurm distortion pedal
By Jackson Maxwell published
The company's HM-2 tribute has been newly graced with relay-based silent switching, top-mounted jacks and streamlined electronics

KMA Machines unveils the Pylon, a feature-packed two-in-one noise gate and boost pedal
By Sam Roche published
The pedal is fitted with an audio-grade transformer, which provides “additional warmth associated with low-frequency harmonics”

KMA Machines' Chief Disruptor promises super-sized, highly tweakable Big Muff-inspired fuzz tones
By Matt Parker published
The Fundamental Fuzz / Distortion pedal packs in classic Big Muff-style tones, giving you a choice of voices and a generous array of tone-shaping controls

KMA Machines aims to unleash the "perfect metal monster" with its HM-2-style Guardian of the Wurm distortion pedal
By Matt Owen published
Three independent clipping styles, a HM-2-style EQ option, a Blackmer VCA-based noise gate and a whole array of intuitive controls head up KMA's latest offering
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