KMA Machines

Latest about KMA Machines

KMA Geminus Stereo True Double Tracker: the gold stompbox's fascia is dominated by one large black dial and is photographed here in close-up.
“Not just for double-tracking but also for spacious stereo modulation”: KMA Geminus Stereo True Double Tracker review

By Trevor Curwen Published

Deliver a studio trick live on stage with Geminus, a thickener and widener that can deliver the feel of two guitars from just one

Effects & Pedals
KMA Machines Endgame
“One of the most intuitive, efficient and convenient devices ever”: KMA Machines’ expansive Endgame pedal might just be the ultimate pedalboard problem solver, with an AI-informed double-track effect

By Phil Weller Published

Packed with an effects loop, Celestion-fuelled dual cabinet simulation, and plenty more, the Endgame sets out to be “the final stage of your pedalboard”

Effects & Pedals
KMA Machines Mandrake Octo-Shrieker
“We didn’t want to just make a one trick pony octave up device”: Jimi Hendrix, Tony Iommi and Josh Homme all championed the octave pedal – now KMA Machines’ Mandrake Octo-Shrieker looks to take the effect to new heights

By Matt Owen Published

Simple yet effective: the user-friendly Mandrake updates an existing KMA circuit and attempts to solve a key issue of orthodox octave up pedals

Guitar Pedals
KMA Machines Cirrus Shadow
Get on this cloud: KMA Machines just gave its Cirrus reverb and delay pedal a limited edition, super-stealth makeover

By Matt Owen Published

Meet the Cirrus Shadow – a stealthy, monochrome revamp capable of a wealth of ambient and soundscaping tones

Effects & Pedals
KMA Machines Fuzzly Bear 2
KMA Machines’ take on the ‘70s cult Jordan Boss Tone fuzz, the Fuzzly Bear, returns – and it’s looking lean and mean

By Jonathan Horsley Published

More pedalboard friendly, with top-mounted jacks, and LED eyes, the Fuzzly Bear 2 has the same feral fuzz tones, from thick overdrive to a “furry wall of fuzz”

Guitar Pedals
KMA Machines Queequeg 2
KMA Machines drops new-and-improved version of its analog octave pedal, the Queequeg 2 Sub Generator

By Matt Owen Published

No frills unit features three separate octave modes that promise a range of earth-shattering subs and faux bass-synth soundscapes

Effects & Pedals
KMA Machines' new Wurm 2 distortion pedal
KMA Machines slims down, revamps its Wurm distortion pedal

By Jackson Maxwell Published

The company's HM-2 tribute has been newly graced with relay-based silent switching, top-mounted jacks and streamlined electronics

Effects & Pedals
KMA Machines Pylon
KMA Machines unveils the Pylon, a feature-packed two-in-one noise gate and boost pedal

By Sam Roche Published

The pedal is fitted with an audio-grade transformer, which provides “additional warmth associated with low-frequency harmonics”

Effects & Pedals
KMA Machines Chief Disruptor
KMA Machines' Chief Disruptor promises super-sized, highly tweakable Big Muff-inspired fuzz tones

By Matt Parker Published

The Fundamental Fuzz / Distortion pedal packs in classic Big Muff-style tones, giving you a choice of voices and a generous array of tone-shaping controls

Effects & Pedals
KMA Machines Guardian of the Wurm
KMA Machines aims to unleash the "perfect metal monster" with its HM-2-style Guardian of the Wurm distortion pedal

By Matt Owen Published

Three independent clipping styles, a HM-2-style EQ option, a Blackmer VCA-based noise gate and a whole array of intuitive controls head up KMA's latest offering

Effects & Pedals
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