Lou Reed
Latest about Lou Reed

By Nick Wells Published
Having recorded over 20,000 sessions for the likes of David Bowie, Dusty Springfield, T.Rex, Paul McCartney and Elton John, Brian ‘Herbie’ Flowers was not your average bassist

By Jamie Dickson Published
Lou Reed's ‘Goldie’ Tele is an early ’90s gem that went under the hammer at the record-breaking Jim Irsay auction

By Janelle Borg Published
Thayil and Cornell's penchant for alternate tunings is no secret, and Soundgarden’s repertoire continuously pushed the envelope of what tunings are even possible

By Jonathan Horsley Published
Byrne says Reed wanted to sign Talking Heads to a management-production deal but they backed out because they thought they were too green

By Janelle Borg Published
The Brat hitmaker has long been a disciple of the Velvet Underground polymath...and is now considering a more guitar-led approach for her next record

By Andrew Daly Published
It was the season of light, it was the season of darkness, it was the ‘70s, the era of TV set defenestration, and Aerosmith got bigger, it began to fall apart. Here, Perry looks back on the decade that made them (and near broke them)

By Janelle Borg Published
Flowers recorded over 20,000 sessions and his distinctive jazz-informed bass heavily features on Lou Reed's Walk on the Wild Side and Bowie's Space Oddity

By Janelle Borg Published
Metal Music Machine nearly cost Reed his reputation… over the years, it became a source of inspiration for Sonic Youth and Neil Young

By Jackson Maxwell Published
He was the ghost player on Aerosmith's Train Kept a Rollin’, and defined many a classic Alice Cooper album with his stinging, melodic leads, but Lou Reed's ferocious Rock ’n’ Roll Animal live album may just be Steve Hunter’s finest hour – and contains one of the most underrated twin-guitar solos of the ’70s

By Andrew Daly Published
The session veteran tells his greatest war stories: how he wrote the epic intro to Lou Reed’s Sweet Jane, what he taught Jason Becker for his stint with David Lee Roth, and why he believes losing his sight made him a better guitar player
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