Last month, I presented a neat formula for generating two unusual and exotic hexatonic (six-note) scales, which I called D “gypsy-minor hexatonic” (D E F G# A B) and E “Phrygian-dominant hexatonic” (E F G# A B D), both of which we formed by combining two triads, D minor (D F A) and E major (E G# B). ... …
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