Interview: Kirk Hammett Talks Orion Festival, His New Book and the New Metallica Album

When the book is closed on Metallica and the final history written, you won't find the word "unambitious" anywhere.

In fact, with a busy European festival season nearly behind them, their own Orion Music festival looming, a 3D movie in the works and a new album on the horizon, Metallica are looking to accomplish more this summer than most bands do in a career.

We recently caught up with Hammett via phone during Metallica's hectic tour schedule to chat about the Orion festival, his new book and the new Metallica album.

GUITAR WORLD: So you're in Denmark right now, then you've got Download and Nova Rock, and then back to the States?

When you get back, you'll have just under two weeks before Orion kicks off. What's the schedule going to be like for you leading up to that?

Well, let's see. A week and a half of it is going to be vacation time. [laughs] The gigs are on Saturday and Sunday, so we'll probably go out a couple of days before and do a short soundcheck when we get there, and then an extended soundcheck the day before the first show. And then after that, we'll just rock.

A lot of times when we have a show within two weeks of coming off a tour, we don't really need to rehearse — we'll just do a soundcheck and brush off the rust. And then we're good to go.

You've been playing the Black Album all summer on tour in Europe, and you'll be playing it the second night of Orion. The first night is Ride the Lightning. You already play a lot of those songs live, but were there any cuts you had to brush up on?

As you said, a lot of the songs in our set are on Ride the Lightning to begin with, so when it came time to actually think about doing Ride the Lightning, the only songs we needed to rehearse were "Escape" and "The Call of Ktulu."

Josh Hart is a former web producer and staff writer for Guitar World and Guitar Aficionado magazines (2010–2012). He has since pursued writing fiction under various pseudonyms while exploring the technical underpinnings of journalism, now serving as a senior software engineer for The Seattle Times.