“I learned to play everything on it. We wrote our first song as Jonas Brother on that guitar”: In the mid-2000s, the Jonas Brothers exploded onto the scene as a guitar-slinging band for teens – Kevin Jonas looks back on the guitar that started it all

Kevin Jonas of Jonas Brothers performs live on stage during a concert on April 16, 2024 in Sao Paulo, Brazil
(Image credit: Mauricio Santana/Getty Images)

The phenomenon that was – and still is – the Jonas Brothers has been going on for two decades, and the brother triumvirate – Kevin, Nick, and Joe – have been in the limelight for just as long.

In 2005, the trio recorded their first song, Please Be Mine, which caught the attention of the Columbia Records president at the time. Tours with artists the likes of Kelly Clarkson and the Backstreet Boys followed, with the teen band going from strength to strength and quickly becoming Disney Channel staples.

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“I just looked at it and was like, ‘You know what? Maybe I’ll play guitar,’ because I was already fooling around with the bass at that point.”

As Jonas relates, opening up that book just “changed everything for me.” His dad quickly noticed his son’s passion and graft, and Jonas graduated to what he calls his “first real guitar”.

“He bought me a Takamine that had the tuner included. I loved that guitar, and I learned to play everything on it. We wrote our first song as Jonas Brothers, Please Be Mine, on that guitar. And because of that guitar, I got into players like John Mayer. I was obsessed with his album Room for Squares.”

He's since graduated to Gibson acoustic, Les Pauls, and a custom Baranik – but Jonas credits the humble Takamine for his songwriting chops, and well, his career.

“It really spoke to me from a songwriting perspective,” he concludes.

For more from Nick Jonas, plus new interviews with Marcus King and Lenny Kravitz, pick up issue 600 of Guitar World from Magazines Direct.

Janelle Borg

Janelle is a staff writer at GuitarWorld.com. After a long stint in classical music, Janelle discovered the joys of playing guitar in dingy venues at the age of 13 and has never looked back. Janelle has written extensively about the intersection of music and technology and how it is shaping the future of the music industry, and has a special interest in shining a spotlight on traditionally underrepresented artists and global guitar sounds. She also had the pleasure of interviewing Melissa Auf der Maur, Yvette Young, Danielle Haim, Fanny, and Karan Katiyar from Bloodywood, among others. When she's not writing, you'll find her creating layers of delicious audio lasagna with her Anglo-Maltese, art-rock band ĠENN.

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