How to Make Great "Guitar Faces" — Video
No, this May 2012 video is not new.
But, as is often the case, it happens to be new to me; I found it in my inbox over the weekend—and I didn't mind it.
It's basically an enjoyable lesson on "guitar faces," courtesy of a guitarist named Jesse Phillips. Note that this is "part 2;" you'll also find parts 1 and 3 on YouTube (neither of which has as many views as part 2).
We appreciate the section on "smelling the skunk."
"You have to pretend that the notes you're playing have physical odor," Phillips says. Well put!
Thank you for reading 5 articles this month**
Join now for unlimited access
US pricing $3.99 per month or $39.00 per year
UK pricing £2.99 per month or £29.00 per year
Europe pricing €3.49 per month or €34.00 per year
*Read 5 free articles per month without a subscription
Get The Pick Newsletter
All the latest guitar news, interviews, lessons, reviews, deals and more, direct to your inbox!
Damian is Editor-in-Chief of Guitar World magazine. In past lives, he was GW’s managing editor and online managing editor. He's written liner notes for major-label releases, including Stevie Ray Vaughan's 'The Complete Epic Recordings Collection' (Sony Legacy) and has interviewed everyone from Yngwie Malmsteen to Kevin Bacon (with a few memorable Eric Clapton chats thrown into the mix). Damian, a former member of Brooklyn's The Gas House Gorillas, was the sole guitarist in Mister Neutron, a trio that toured the U.S. and released three albums. He now plays in two NYC-area bands.
Their ingeniously arranged rhythm guitars fueled one of prog metal's most pioneering bands and gave them an orchestral edge – how Queensrÿche's Michael Wilton and Chris DeGarmo became two of metal's most cerebral riff-masters
His playing had an intensity and drama that even Eric Clapton admired – and it all started with classical guitar: Paul Kossoff was a rare genius with a vibrato to die for